Option 2.
Choose a review of an artwork from a newspaper, magazine, anthology, or online source of your choosing and answer the questions about it shown below. The review must be 500 words or longer to give you enough to work with, but it can be a review of any work, any type of art or craft, restaurant reviews included. The review can be, but need not be, a review intended for general audiences. Also, upload a copy of the selected review, or (if it’s an online review) give a link to it at the end of your essay. Please do attach the link, don’t just give the address — if the link address has an error in it, I won’t know what you had in mind.
(Option2,continued) Here are the questions:
a. Are there evaluations of the work in the review? What did the evaluations conclude? (By “evaluations”, I mean claims by the reviewer that something is a strength, weakness, a goodness, a badness. Or are there comparisons with another work as better or worse?) The claim be explicit or implicit.
b. Are there parts of the review that accomplish some other purpose, than presenting an evaluation? Explain your answer (e.g., why did you say what you did? If there are other purposes, what are they?)c. Did you personally find the chosen review to be informative? Was there anything that made it unsatisfying to you? Explain
General Instructions for the Essays
1. Essays should be 3 – 4 double-space pages.
2. Type all essays and use a normal margin and type. It is not necessary to write a very long essay, even for the best grade. On the other hand, if your essay is too short, you are probably staying too close to the surface. Are you sure you didn’t skip steps?
3. Your answer will be graded on the basis of demonstrated understanding of the course materials, thoughtfulness, organization and clarity, and writing mechanics (for example, grammar, spelling, and sentence organization).
4. For short essays, the requirements for citations are relatively relaxed:
a. If you refer to an artwork, be sure to give its full name and the artist’s or author’s name.
b. Give the source for all direct quotes and write the information in parentheses right after the quoted material. Thus,
c. For quotes from Neill and Ridley, you can use this abbreviated form: Essay Author, “Essay Title”, The Philosophy of Art, page xyz. Similarly, “Dickie, Introduction, page xyz”, works for the book by George Dickie.
d. Give the standard bibliographical information for any other sources you refer to or quote from including other textbooks (i.e., author, title, publisher, year of publication, and page number). FYI, this is much like the system that Philosophy journals use for book reviews.
Chelsea Woods
PHL 360-001
March 9, 2020
Professor Leibowitz
Wo
m
en of Algiers
Women of Algiers is one of the most famous paintings by Eugene Delacriox
(1798-1863). During the Neoclassical era, this painting emphasized formal clarity,
intricate details, and smooth textures. The review focused on these attributes of the
painting and expressed great admiration towards the artist. The author of the review
goes into explain how the style that Delacriox had chosen shows style in fluidity,
expressive brushwork, intricate compositions, and high contrasts of light and dark,
ultimately creating a romanticized theme to the painting.
The review mainly pertains to the specific painting, Women of Algiers, but it did
also include information about the history of the painting as well as the introduction of
other pieces that Delacroix had completed. The author went onto explain the characters
within the painting and how they contribute to the style of art. They note that the various
women are languorous and sultry, or alert and attentive. They move onto focus on the
details of the painting and how the painting could be brought into a sensual experience.
For example, the author explains how the air within that room must have smelt of
incense, flowers, and smoke from the hookah resulting in a production that has an
influence of intimacy adding to the romantic theme.
The background of how Delacroix came to choose such a piece was quite
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interesting. It was explained that Delacriox accompanied the Duc de Mornay’s
diplomatic mission to Morocco as its official visual documentarian. Delacriox was
entranced by the sensualism and exoticism of morocco and obtained special permission
to enter a harem and paint its odalisques.
Comparison to similar artists gave context to the art piece as well. Specifically
mentioning Jean-Auguste-Dominique and her neoclassical version of Grande Odalisque
which also has references to the exotic with lush fabrics, peacock feathers, a jeweled
headdress, and a hookah. The piece in comparison has less of the romantic details but
Grande Odalisque still attains exact forms and line, smooth texture, and fine details. By
having another piece of art to compare the one in review to, I feel that this gives the
audience something to compare another piece of art that is similar but not exact to.
The purpose of writing so much background information about the artist’s
experience is essential to understanding the artist’s piece. I feel that information as such
really helps emphasize how Morocco was when an outsider explored the area.
Delacriox most likely noticed things about the area that a native wouldn’t of, ultimately
allowing him to see something exotic as inspiration for a piece of art.
I feel that this review was informative. There was history about the painting that I
was unaware of and that I feel was helpful for the background of what was painted. The
author had given much context about the feeling behind the piece and how the artist
utilized their abilities to create. I feel that more context about how the artist had created
the piece would have been helpful. For example, how did the artist attain a brush-less
style of painting? What influenced the artist to choose the style of coloring that he did? I
feel that background to these questions could be beneficial to understanding how the
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artist completes their process of creating art.
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