1.  Creative Response: rewrite to your satisfaction the ending of Sputnik Sweetheart  You may tell your story from K’s point of view, or switch to show Miu’s or Sumire’s point of view.  Try to echo Murakami’s pared down writing style with flashes of lyrical beauty.

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1. Creative Response: rewrite to your satisfaction the ending of Sputnik Sweetheart You may tell your story from K’s point of view, or switch to show Miu’s or Sumire’s point of view. Try to echo Murakami’s pared down writing style with flashes of lyrical beauty.

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H a r u k i M u r a k a m i

S P U T N I K S W E E T H E A R T

T R A N S L A T E D F R O M T H E J A P A N E S E B Y
Philip Gabriel

VVVV
VINTAGE

2
Published by Vintage 2002
8 10 9 7
Copyright © Haruki Murakami 1999
English translation © Haruki Murakami 2001
Haruki Murakami has asserted his right under the Copyright, Designs and
Patents Act 1988 to be identified as the author of this work
This book is sold subject to the condition that it shall not by way of trade or
otherwise, be lent, resold, hired out, or otherwise circulated without the
publisher’s prior consent in any form of binding or cover other than that in
which it is published and without a similar condition including this
condition being imposed on the subsequent purchaser
First published by Kodansha Ltd in 1999 with the title Sputoniku no koibito
First published in Great Britain in 2001 by The Harvill Press
Vintage Random House, 20 Vauxhall Bridge Road, London SW1V 2SA
Random House Australia (Pty) Limited 20 Alfred Street, Milsons Point, Sydney New
South Wales 2061, Australia
Random House New Zealand Limited 18 Poland Road, Glenfield, Auckland 10, New
Zealand
Random House (Pty) Limited Isle of Houghton, Corner of Boundary Road & Carse
O’Gowrie, Houghton 2198, South Africa
The Random House Group Limited Reg. No. 954009
www.randomhouse.co.uk/vintage
The quote from Pushkin on page 62 is from Eugene Onegin: A Novel in Verse,
translated by Babette Deutsch (Mineola, NY: Dover publications, 1999)
A CIP catalogue record for this book is available from the British Library
ISBN 9780099448471 (from Jan 2007)
ISBN 0099448475
Papers used by Random House are natural, recyclable products made from
wood grown in sustainable forests. The manufacturing processes conform
to the environmental regulations of the country of origin
Printed and bound in Great Britain by Bookmarque Ltd, Croydon, Surrey

Scanner’s note: the book has been proofed and formatted as a Word doc to match UK
paperback edition as closely as possible, including the use of similar fonts, headings, and
paragraph spacing. Jan. 2010.

3
Sputnik Sweetheart

4
Sputnik

On 4 October 1957, the Soviet Union launched the world’s first
man-made satellite, Sputnik I, from the Baikanor Space Centre
in the Republic of Kazakhstan. Sputnik was 58 cm in diameter,
weighed 83.6 kilograms, and orbited the Earth in 96 minutes
and 12 seconds.
On 3 November of the same year, Sputnik II was successfully
launched, with the dog Laika on board. Laika became the first
living being to leave the Earth’s atmosphere, but the satellite
was never recovered, and Laika ended up sacrificed for the
sake of biological research in space.

from The Complete Chronicle of World History

5
1

In the spring of her twenty-second year, Sumire fell in love for
the first time in her life. An intense love, a veritable tornado
sweeping across the plains—flattening everything in its path,
tossing things up in the air, ripping them to shreds, crushing
them to bits. The tornado’s intensity doesn’t abate for a second
as it blasts across the ocean, laying waste to Angkor Wat,
incinerating an Indian jungle, tigers and everything,
transforming itself into a Persian desert sandstorm, burying an
exotic fortress city under a sea of sand. In short, a love of truly
monumental proportions. The person she fell in love with
happened to be 17 years older than Sumire. And was married.
And, I should add, was a woman. This is where it all began,
and where it all ended. Almost.
*
At the time, Sumire—“Violet” in Japanese—was struggling to
become a writer. No matter how many choices life might bring

6
her way, it was novelist or nothing. Her resolve was a regular
Rock of Gibraltar. Nothing could come between her and her
faith in literature.
After she graduated from a public high school in Kanagawa
Prefecture, she entered the liberal arts department of a cosy
little private college in Tokyo. She found the college totally out
of touch, a lukewarm, dispirited place, and she loathed it—and
found her fellow students (which would include me, I’m
afraid) hopelessly dull, second-rate specimens. Unsurprisingly,
then, just before her junior year, she simply upped and left.
Staying there any longer, she concluded, was a waste of time. I
think it was the right move, but if I can be allowed a mediocre
generalization, don’t pointless things have a place, too, in this
far-from-perfect world? Remove everything pointless from an
imperfect life and it’d lose even its imperfection.
*
Sumire was a hopeless romantic, a bit set in her ways—
innocent of the ways of the world, to put a nice spin on it. Start
her talking and she’d go on nonstop, but if she was with
someone she didn’t get along with—most people in the world,
in other words—she barely opened her mouth. She smoked too
much, and you could count on her to lose her ticket every time
she took the train. She’d get so engrossed in her thoughts at
times she’d forget to eat, and she was as thin as one of those
war orphans in an old Italian film—like a stick with eyes. I’d
love to show you a photo of her, but I don’t have any. She
hated having her photograph taken—no desire to leave behind
for posterity a Portrait of the Artist as a Young (Wo)Man. If there
were a photograph of Sumire taken at that time, I know it
would provide a valuable record of how special certain people
can be.

7
I’m getting the order of events mixed up. The woman Sumire
fell in love with was named Miu. At least that’s what everyone
called her. I don’t know her real name, a fact that caused
problems later on, but again I’m getting ahead of myself. Miu
was Korean by nationality, but she didn’t speak a word of
Korean until she decided to study it when she was in her mid-
twenties. She was born and raised in Japan and studied at a
music academy in France, so as well as Japanese she was fluent
in both French and English. She always dressed well, in a
refined way, with expensive yet modest accessories, and she
drove a twelve-cylinder, navy-blue Jaguar.
*
The first time Sumire met Miu, she talked about Jack Kerouac’s
novels. Sumire was absolutely nuts about Kerouac. She always
had her Literary Idol of the Month, and at that point it
happened to be the out-of-fashion Kerouac. She carried a dog-
cared copy of On the Road or Lonesome Traveler stuck in her coat
pocket, thumbing through them every chance she got.
Whenever she came across lines she liked, she’d mark them in
pencil and commit them to memory as if they were Holy Writ.
Her favourite lines were from the fire lookout section of
Lonesome Traveler. Kerouac spent three lonely months in a cabin
on top of a high mountain, working as a fire lookout.
Sumire especially liked this part:

No man should go through life without once
experiencing healthy, even bored solitude in the
wilderness, finding himself depending solely on
himself and thereby learning his true and hidden
strength.

8
“Don’t you just love it?” she said. “Every day you stand on
top of a mountain, make a 360° sweep, checking to see if there
are any fires. And that’s it. You’re done for the day. The rest of
the time you can read, write, whatever you want. At night
scruffy bears hang around your cabin. That’s the life!
Compared to that, studying literature in college is like biting
down on the bitter end of a cucumber.”
“Okay,” I said, “but someday you’ll have to come down off
that mountain.” As usual, my practical, humdrum opinions
didn’t faze her.
*
Sumire wanted to be like a character in a Kerouac novel—wild,
cool, dissolute. She’d stand around, hands shoved deep in her
coat pockets, her hair an uncombed mess, staring vacantly at
the sky through her black plastic-framed Dizzy Gillespie
glasses, which she wore despite her 20/20 vision. She was
invariably decked out in an oversized herringbone coat from a
second-hand shop and a pair of rough work boots. If she’d
been able to grow a beard, I’m sure she would have.
Sumire wasn’t exactly a beauty. Her cheeks were sunken, her
mouth a little too wide. Her nose was on the small side and
upturned. She had an expressive face and a great sense of
humour, though she hardly ever laughed out loud. She was
short, and even in a good mood she talked like she was half a
step away from picking a fight. I never knew her to use lipstick
or eyebrow pencil, and I have my doubts that she even knew
bras came in different sizes. Still, Sumire had something special
about her, something that drew people to her. Defining that
special something isn’t easy, but when you gazed into her eyes,
you could always find it, reflected deep down inside.
*

9
I might as well just come right out and say it. I was in love with
Sumire. I was attracted to her from the first time we talked, and
soon there was no turning back. For a long time she was the
only thing I could think about. I tried to tell her how I felt, but
somehow the feelings and the right words couldn’t connect.
Maybe it was for the best. If I had been able to tell her my
feelings, she would have just laughed at me.
While Sumire and I were friends, I went out with two or
three other girls. It’s not that I don’t remember the exact
number. Two, three—it depends on how you count. Add to this
girls I slept with once or twice, and the list would be a little
longer. Anyhow, while I made love to these other girls, I
thought about Sumire. Or at least thoughts of her grazed a
corner of my mind. I imagined I was holding her. Kind of a
caddish thing to do, but I couldn’t help myself.
*
Let me get back to how Sumire and Miu met.
Miu had heard of Jack Kerouac and had a vague sense that he
was a novelist of some kind. What kind of novelist, though, she
couldn’t recall. “Kerouac … hmm… Wasn’t he a Sputnik?”
Sumire couldn’t work out what she meant. Knife and fork
poised in mid-air, she gave it some thought. “Sputnik? You
mean the first satellite the Soviets sent up, in the fifties? Jack
Kerouac was an American novelist. I guess they do overlap in
terms of generation…”
“Isn’t that what they called the writers back then?” Miu
asked. She traced a circle on the table with her fingertip, as if
rummaging through some special jar full of memories.
“Sputnik … ?”
“The name of a literary movement. You know—how they
classify writers in various schools of writing. Like Shiga Naoya

10
was in the White Birch School.”
Finally it dawned on Sumire. “Beatnik!”
Miu lightly dabbed at the corner of her mouth with a napkin.
“Beatnik—Sputnik. I never can remember those kinds of terms.
It’s like the Kenmun Restoration or the Treaty of Rapallo.
Ancient history.”
A gentle silence descended on them, suggestive of the flow of
time.
“The Treaty of Rapallo?” Sumire asked.
Miu smiled. A nostalgic, intimate smile, like a treasured old
possession pulled out of the back of a drawer. Her eyes
narrowed in an utterly charming way. She reached out and,
with her long, slim fingers, gently ruffled Sumire’s already
tousled hair. It was such a sudden yet natural gesture that
Sumire could only return the smile.
*
Ever since that day, Sumire’s private name for Miu was Sputnik
Sweetheart. She loved the sound of it. It made her think of Laika,
the dog. The man-made satellite streaking soundlessly across
the blackness of outer space. The dark, lustrous eyes of the dog
gazing out of the tiny window. In the infinite loneliness of
space, what could Laika possibly be looking at?
*
This Sputnik conversation took place at a wedding reception
for Sumire’s cousin at a posh hotel in Akasaka. Sumire wasn’t
particularly close to her cousin; in fact they didn’t get along at
all. She’d just as soon be tortured as attend one of these
receptions, but she couldn’t back out of this one. She and Miu
were seated next to each other at one of the tables. Miu didn’t
go into all the details, but it seemed she’d taught Sumire’s
cousin the piano—or something along those lines—when she

11
was taking the entrance exams for the university music
department. It wasn’t a long or very close relationship, clearly,
but Miu felt obliged to attend.
In the instant Miu touched her hair, Sumire fell in love, as if
she were crossing a field when bang! a bolt of lightning zapped
her right in the head. Something like an artistic revelation.
Which is why, at that point, it didn’t matter to Sumire that the
person she fell in love with happened to be a woman.
I don’t think Sumire ever had what you’d call a lover. In high
school she had a few boyfriends, guys she’d go to the cinema
with, go swimming with. I couldn’t picture any of those
relations ever getting very deep. Sumire was too focused on
becoming a novelist to really fall for anybody. If she did
experience sex—or something close to it—in high school, I’m
sure it would have been less out of sexual desire or love than
literary curiosity.
“To be perfectly frank, sexual desire has me baffled,” she
once told me, making a sober face. This was just before she left
college, I believe; she’d downed five banana daiquiris and was
pretty drunk. “You know—how it all comes about. What’s your
take on it?”
“Sexual desire’s not something you understand,” I said,
giving my usual middle-of-the-road opinion. “It’s just there.”
She scrutinized me for a while, as if I were some machine
running on a previously unheard-of power source. Losing
interest, she stared up at the ceiling, and the conversation
petered out. No use talking to him about that, she must have
decided.
Sumire was born in Chigasaki. Her home was near the
seashore, and she grew up with the dry sound of sand-filled
wind blowing against her windows. Her father ran a dental

12
clinic in Yokohama. He was remarkably handsome, his well-
formed nose reminding you of Gregory Peck in Spellbound.
Sumire didn’t inherit that handsome nose, nor, according to
her, did her brother. She found it amazing that the genes that
had produced that nose had disappeared. If they really were
buried for ever at the bottom of the gene pool, the world was a
sadder place. That’s how wonderful this nose was.
Sumire’s father was an almost mythic figure to the women in
the Yokohama area who needed dental care. In the examination
room he always wore a surgical cap and large mask, so the only
thing the patient could see was a pair of eyes and ears. Even so,
it was obvious how attractive he was. His beautiful, manly
nose swelled up suggestively from under the mask, making his
female patients blush. In an instant—regardless of whether
their dental plan covered the costs—they fell in love.
*
Sumire’s mother passed away from a congenital heart defect
when she was just 31. Sumire hadn’t quite turned three. The
only memory she had of her mother was a vague one of the
scent of her skin. Just a couple of photographs of her
remained—a posed photo taken at her wedding, and a
snapshot taken immediately after Sumire was born. Sumire
used to pull out the photo album and gaze at the pictures.
Sumire’s mother was—to put it mildly—a completely
forgettable person. A short, humdrum hairstyle, clothes that
made you wonder what she could have been thinking, an ill-at-
ease smile. If she’d taken one step back, she would have melted
right into the wall. Sumire was determined to brand her
mother’s face on her memory. Then someday she might meet
her in her dreams. They’d shake hands, have a nice chat. But
things weren’t that easy. Try as she might to remember her

13
mother’s face, it soon faded. Forget about dreams—if Sumire
had passed her mother on the street, in broad daylight, she
wouldn’t have known her.
Sumire’s father hardly ever spoke of his late wife. He wasn’t
a talkative man to begin with, and in all aspects of life—as
though it were a kind of mouth infection he wanted to avoid
catching—he never talked about his feelings. Sumire had no
memory of ever asking her father about her dead mother.
Except for once, when she was still very small, for some reason
she asked him, “What was my mother like?” She remembered
this conversation very clearly.
Her father looked away and thought for a moment before
replying. “She was good at remembering, things,” he said.
“And she had nice handwriting.”
A strange way to describe someone. Sumire was waiting
expectantly, the snow-white first page of her notebook open,
for nourishing words that could have been a source of warmth
and comfort—a pillar, an axis, to help prop up her uncertain
life here on this third planet from the sun. Her father should
have said something that his young daughter could have held
on to. But Surnire’s handsome father wasn’t going to speak
those words, the very words she needed most.
*
Sumire’s father remarried when she was six, and two years
later her younger brother was born. Her new mother wasn’t
pretty either. On top of which she wasn’t so good at
remembering things, and her handwriting wasn’t any great
shakes. She was a kind and fair person, though. That was a
lucky thing for little Sumire, her brand-new stepdaughter. No,
lucky isn’t the right word. After all, her father had chosen the
woman. He might not have been the ideal father, but when it

14
came to choosing a mate, he knew what he was doing.
Her stepmother’s love for her never wavered during her
long, difficult years of adolescence, and when Sumire declared
she was going to quit college and write novels, her
stepmother—though she had her own opinions on the matter—
respected Sumire’s desire. She’d always been pleased that
Sumire loved to read so much, and she encouraged her literary
pursuits.
Her stepmother eventually won over her father, and they
decided that, until Sumire turned 28, they would provide her
with a small stipend. If she wasn’t able to make a living by
writing then, she’d be on her own. If her stepmother hadn’t
spoken up in her defence, Sumire might very well have been
thrown out—penniless, without the necessary social skills—
into the wilderness of a somewhat humourless reality. The
Earth, after all, doesn’t creak and groan its way around the sun
just so human beings can have a good time and a bit of a laugh.
*
Sumire met her Sputnik Sweetheart a little more than two years
after she’d dropped out of college.
She was living in a one-room apartment in Kichijoji where
she made do with the minimum amount of furniture and the
maximum number of books. She’d get up at noon, and take a
walk around Inogashira Park in the afternoon, with all the
enthusiasm of a pilgrim making her way through sacred hills.
On sunny days she’d sit on a park bench, chewing on bread,
puffing one cigarette after another, reading. On rainy or cold
days she’d go into an old-fashioned coffee house where
classical music played at full volume, sink down into a worn-
out sofa, and read her books, a serious look on her face as she
listened to Schubert’s symphonies, Bach’s cantatas. In the

15
evening she’d have one beer and buy some ready-to-eat food at
the supermarket for dinner.
By 11 p.m. she’d settle down at her desk. There’d always be a
thermos of hot coffee, a coffee mug (one I gave her on her
birthday, with a picture of Snafkin on it), a pack of Marlboro
and a glass ashtray. Of course she had a word processor as
well. Each key with its very own letter.
A deep silence ensued. Her mind was as clear as the winter
night sky, the Big Dipper and North Star in place, twinkling
brightly. She had so many things she had to write, so many
stories to tell. If she could only find the right outlet, heated
thoughts and ideas would gush out like lava, congealing into a
steady stream of inventive works the likes of which the world
had never seen. People’s eyes would pop wide open at the
sudden debut of this Promising Young Writer with a Rare Talent.
A photo of her, smiling coolly, would appear in the arts section
of the newspaper, and editors would beat a path to her door.
But it never happened that way. Sumire wrote some works
that had a beginning. And some that had an end. But never one
that had both a beginning and an end.
*
Not that she suffered from writer’s block—far from it. She
wrote endlessly, everything that came into her head. The
problem was that she wrote too much. You’d think that all she’d
have to do was cut out the extra parts and she’d be fine, but
things weren’t that easy. She could never decide on the big
picture—what was necessary and what wasn’t. The following
day when she re-read what she’d printed out, every line looked
absolutely essential. Or else she’d Tippex out the whole thing.
Sometimes, in despair, she’d rip up her entire manuscript and
consign it to the bin. If this had been a winter night and the

16
room had had a fireplace, there would have been a certain
warmth to it—imagine a scene from La Bohème—but Sumire’s
apartment not only lacked a fireplace, it didn’t even have a
phone. Not to mention a decent mirror.
*
On weekends, Sumire would come over to my apartment,
drafts of her novels spilling out of her arms—the lucky
manuscripts that had escaped the massacre. Still, they made
quite a pile. Sumire would show her manuscripts to only one
person in the whole world. Me.
In college I’d been two years ahead of her, and our subjects
were different, so there wasn’t much chance we’d meet. We
met by pure chance. It was a Monday in May, the day after a
string of holidays, and I was at the bus stop in front of the main
gate of the college, standing there reading a Paul Nizan novel
I’d found in a second-hand bookshop. A short girl beside me
leaned over, took a look at the book, and asked me, Why Nizan,
of all people? She sounded like she was trying to pick a fight.
Like she wanted to kick something and send it flying, but
lacking a suitable target had attacked my choice of reading
matter.
Sumire and I were very alike. Devouring books came as
naturally to us as breathing. Every spare moment we’d settle
down in some quiet corner, endlessly turning page after page.
Japanese novels, foreign novels, new works, classics, avant-
garde to bestseller—as long as there was something
intellectually stimulating in a book, we’d read it. We’d hang
out in libraries, spend whole days browsing in Kanda, the
second-hand bookshop Mecca in Tokyo. I’d never come across
anyone else who read so avidly—so deeply, so widely, as
Sumire, and I’m sure she felt the same.

17
I graduated around the time Sumire dropped out of college,
and after that she’d hang out at my place two or three times a
month. Occasionally I’d go over to her apartment, but you
could barely squeeze two people in there, and most of the time
she’d end up at mine. We’d talk about the novels we’d read
and exchange books. I cooked a lot of dinners. I didn’t mind
cooking, and Sumire was the kind of person who’d rather go
hungry than cook herself. She’d bring me presents from her
part-time jobs to thank me. Once she had a job in a warehouse
in a drug company and brought me six dozen condoms.
They’re probably still at the back of a drawer somewhere.
*
The novels—or fragments of novels, really—Sumire wrote
weren’t as terrible as she thought. True, at times her style
resembled a patchwork quilt sewn by a group of stubborn old
ladies, each with her own tastes and complaints, working in
grim silence. Add to this her sometimes manic-depressive
personality, and things occasionally got out of control. As if
this weren’t enough, Sumire was dead set on creating a
massive nineteenth-century-style Total Novel, a kind of
portmanteau packed with every possible phenomenon in order
to capture the soul and human destiny.
Having said that, Sumire’s writing had a remarkable
freshness about it, her attempt to honestly portray what was
important to her. On the plus side she didn’t try to imitate
anyone else’s style, and she didn’t attempt to distil everything
into some precious, clever little pieces. That’s what I liked most
about her writing. It wouldn’t have been right to pare down the
direct power in her writing just so it could take on some
pleasant, cosy form. There was no need to rush things. She still
had plenty of time for detours. As the saying goes, “What’s

18
nurtured slowly grows well.”
*
“My head is like some ridiculous barn packed full of stuff I
want to write about,” she said. “Images, scenes, snatches of
words … in my mind they’re all glowing, all alive. Write! they
shout at me. A great new story is about to be born I can feel it.
It’ll transport me to some brand-new place. Problem is, once I
sit at my desk and put them all down on paper, I realize
something vital is missing. It doesn’t crystallize—no crystals,
just pebbles. And I’m not transported anywhere.”
With a frown, Sumire picked up her 250th stone and tossed it
into the pond.
“Maybe I’m lacking something. Something you absolutely
must have to be a novelist.”
A deep silence ensued. It seemed she was seeking my run-of-
the-mill opinion.
After a while I started to speak. “A long time ago in China
there were cities with high walls around them, with huge,
magnificent gates. The gates weren’t just doors for letting
people in or out, they had greater significance. People believed
the city’s soul resided in the gates. Or at least that it should
reside there. It’s like in Europe in the Middle Ages when
people felt a city’s heart lay in its cathedral and central square.
Which is why even today in China there are lots of wonderful
gates still standing. Do you know how the Chinese built these
gates?”
“I have no idea,” Sumire answered.
“People would take carts out to old battlefields and gather
the bleached bones that were buried there or lay scattered
about. China’s a pretty ancient country—lots of old
battlegrounds—so they never had to search far. At the entrance

19
to the city they’d construct a huge gate and seal the bones up
inside. They hoped that by commemorating the dead soldiers
in this way they would continue to guard their town. There’s
more. When the gate was finished they’d bring several dogs
over to it, slit their throats, and sprinkle their blood on the gate.
Only by mixing fresh blood with the dried-out bones would the
ancient souls of the dead magically revive. At least that was the
idea.”
Sumire waited in silence for me to go on.
“Writing novels is much the same. You gather up bones and
make your gate, but no matter how wonderful the gate might
be, that alone doesn’t make it a living, breathing novel. A story
is not something of this world. A real story requires a kind of
magical baptism to link the world on this side with the world
on the other side.”
“So what you’re saying is that I go out on my own and find
my own dog?”
I nodded.
“And shed fresh blood?”
Sumire bit her lip and thought about this. She tossed another
hapless stone into the pond. “I really don’t want to kill an
animal if I can help it.”
“It’s a metaphor,” I said. “You don’t have to actually kill
anything.”
*
We were sitting as usual side by side at Inogashira Park, on her
favourite bench. The pond spread out before us. A windless
day. Leaves lay where they had fallen, pasted on the surface of
the water. I could smell a bonfire somewhere far away. The air
was filled with the scent of the end of autumn, and far-off
sounds were painfully clear.

20
“What you need is time and experience,” I said.
“Time and experience,” she mused, and gazed up at the sky.
“There’s not much you can do about time—it just keeps on
passing. But experience? Don’t tell me that. I’m not proud of it,
but I don’t have any sexual desire. And what sort of experience
can a writer have if she doesn’t feel passion? It’d be like a chef
without an appetite.”
“I don’t know where your sexual desire has gone,” I said.
“Maybe it’s just hiding somewhere. Or gone on a trip and
forgotten to come home. But falling in love is always a pretty
crazy thing. It might appear out of the blue and just grab you.
Who knows—maybe even tomorrow.”
Sumire turned her gaze from the sky to my face. “Like a
tornado?”
“You could say that.”
She thought about it. “Have you ever actually seen a
tornado?”
“No,” I replied. Thankfully, Tokyo wasn’t exactly Tornado
Alley.
About a half a year later, just as I had predicted, suddenly,
preposterously, a tornado-like love seized Sumire. With a
woman 17 years older. Her very own Sputnik Sweetheart.
*
As Sumire and Miu sat there together at the table at the
wedding reception, they did what everybody else does in the
world in such situations, namely, introduce themselves. Sumire
hated her own name and tried to conceal it whenever she
could. But when somebody asks you your name, the only polite
thing to do is to go ahead and give it.
According to her father, her mother had chosen the name
Sumire. She loved the Mozart song of the same name and had

21
decided long before that if she had a daughter that would be
her name. On the record shelf in their living room was a record
of Mozart’s songs, doubtless the one her mother had listened to
and, when she was a child, Sumire would carefully lay this
heavy LP on the turntable and listen to the song over and over.
Elisabeth Schwarzkopf was the soloist, Waiter Gieseking on
piano. Sumire didn’t understand the lyrics, but from the
graceful motif she felt sure the song was a paean to the
beautiful violets blooming in a field. Sumire loved that image.
In junior high, though, she came across a Japanese translation
of the song in her school library and was shocked. The lyrics
told of a callous shepherd’s daughter trampling down a
hapless little violet in a field. The girl didn’t even notice she’d
flattened the flower. It was based on a Goethe poem, and
Sumire found nothing redeeming about it, no lesson to be
learned.
*
“How could my mother give me the name of such an awful
song?” said Sumire, scowling.
Miu arranged the corners of the napkin on her lap, smiled
neutrally, and looked at Sumire. Miu’s eyes were quite dark.
Many colours mixed together, but clear and unclouded.
“Do you think the song was beautiful?”
“Yes, the song itself is pretty.”
“If the music is lovely, I think that should be enough. After
all, not everything in this world can be beautiful, right? Your
mother must have loved that song so much the lyrics didn’t
bother her. And besides, if you keep making that kind of face
you’re going to get some permanent wrinkles.”
Sumire allowed her scowl to relax.
“Maybe you’re right. I just felt so let down. I mean, the only

22
tangible sort of thing my mother left me was that name. Other
than myself, of course.”
“Well, I think Sumire is a lovely name. I like it very much,”
said Miu, and tilted her head slightly as if to view things from a
new angle. “By the way, is your father here at the reception?”
Sumire looked around. The reception hall was large, but her
father was tall, and she easily spotted him. He was sitting two
tables away, his face turned sideways, talking with some short,
elderly man in a morning coat. His smile was so trusting and
warm it would melt a glacier. Under the light of the
chandeliers, his handsome nose rose up softly, like a rococo
cameo, and even Sumire, who was used to seeing him, was
moved by its beauty. Her father truly belonged at this kind of
formal gathering. His mere presence lent the place a
flamboyant atmosphere. Like cut flowers in a large vase or a
jet-black stretch limousine.
*
When she spied Sumire’s father, Miu was speechless. Sumire
could hear the intake of breath. Like the sound of a velvet
curtain being drawn aside on a peaceful morning to let in the
sunlight to wake someone very special to you. Maybe I should
have brought a pair of opera glasses, Sumire mused. But she
was used to the dramatic reaction her father’s looks brought
out in people—especially middle-aged women. What is
beauty? What value does it have? Sumire always found it
strange. But no one ever answered her. There was just that
same immovable effect.
“What’s it like to have such a handsome father?” Miu asked.
“Just out of curiosity.”
Sumire sighed—people could be so predictable. “I can’t say I
like it. Everybody thinks the same thing: What a handsome

23
man. A real standout. But his daughter, well—she isn’t much to
look at, is she? That must be what they mean by atavism, they
think.”
Miu turned towards Sumire, pulled her chin in ever so
slightly, and gazed at her face, as if she were admiring a
painting in an art gallery.
“If that’s how you’ve always felt up till now, you’ve been
mistaken,” she said. “You’re lovely. Every bit as much as your
father.” She reached out and, quite unaffectedly, lightly
touched Sumire’s hand that, lay on the table. “You don’t realize
how very attractive you are.”
Sumire’s face grew hot. Her heart galloped as loudly as a
crazed horse on a wooden bridge.
After this Sumire and Miu were absorbed in their own
private conversation. The reception was a lively one, with the
usual assortment of after-dinner speeches (including, most
certainly, Sumire’s father), and the dinner wasn’t half bad. But
not a speck of this remained in Sumire’s memory. Was the
main course meat? Or fish? Did she use a knife and fork and
mind her manners? Or eat with her hands and lick the plate?
Sumire had no idea.
The two of them talked about music. Sumire was a big fan of
classical music and ever since she was small liked to paw
through her father’s record collection. She and Miu shared
similar tastes, it turned out. They both loved piano music and
were convinced that Beethoven’s Sonata No. 32 was the
absolute pinnacle in the history of music. And that Wilhelm
Backhaus’s unparalleled performance of the sonata for Decca
set the interpretive standard. What a delightful, vibrant, and
joyous thing it was!
Vladimir Horowitz’s mono recordings of Chopin, especially the

24
scherzos, are thrilling, aren’t they? Friedrich Gulda’s performances of
Debussy’s preludes are witty and lovely. Gieseking’s Grieg is sweet
from start to finish. Sviatoslav Richter’s Prokofiev is worth listening
to over and over—his interpretation exactly captures the mercurial
shifts of mood. And Wanda Landowska’s Mozart sonatas—so filled
with warmth and tenderness it’s hard to understand why they
haven’t received more acclaim.
“What do you do?” asked Miu, once their discussion of
music had come to an end.
I dropped out of college, Sumire explained, and I’m doing
some part-time jobs while I work on my novels. What kind of
novels? Miu asked. It’s hard to explain, replied Sumire. Well,
said Miu, then what type of novels do you like to read? If I list
them all we’ll be here for ever, said Sumire.
Recently I’ve been reading Jack Kerouac. And that’s where
the Sputnik part of their conversation came in.
Other than some light fiction she read to pass the time, Miu
hardly ever touched novels. “I never can get it out of my mind
that’s it’s all made up,” she explained, “so I just can’t feel any
empathy for the characters. I’ve always been that way.” That’s
why her reading was limited to books that treated reality as
reality. Books, for the most part, that helped her in her work.
What kind of work do you do? asked Sumire.
“Mostly it has to do with foreign countries,” said Miu.
“Thirteen years ago I took over my father’s trading company,
since I was the oldest child. I’d been studying to be a pianist,
but my father passed away from cancer, my mother wasn’t
strong physically and besides couldn’t speak Japanese very
well. My brother was still in high school, so we decided, for the
time being, that I’d take care of the company. A number of
relatives depended on the company for their livelihood, so I

25
couldn’t very well just let the company go to pot.”
She punctuated all this with a sigh.
“My father’s company originally imported dried goods and
medicinal herbs from Korea, but now it deals with a wide
variety of things. Even computer parts. I’m still officially listed
as the head of the company, but my husband and younger
brother have taken over so I don’t have to go to the office very
often. Instead I’ve got my own private business.”
“Doing what?”
“Importing wine, mainly. Occasionally I arrange concerts,
too. I travel to Europe quite a bit, since this type of business
depends on personal connections. Which is why I’m able, all by
myself, to compete with some top firms. But all that
networking takes a lot of time and energy. That’s only to be
expected, I suppose… ” She looked up, as if she had just
remembered something. “By the way, do you speak English?”
“Speaking English isn’t my strong suit, but I’m okay, I guess.
I love to read English, though.”
“Do you know how to use a computer?”
“Not really, but I’ve been using a word processor, and I’m
sure I could pick it up.”
“How about driving?”
Sumire shook her head. The year she started college she tried
reversing her father’s Volvo estate into the garage and smashed
the door on a pillar. Since then she’d barely driven.
“All right—can you explain, in 200 words or less, the
difference between a sign and a symbol?”
Sumire lifted the napkin from her lap, lightly dabbed at her
mouth, and put it back. What was the woman driving at? “A
sign and a symbol?”
“No special significance. It’s just an example.”

26
Again Sumire shook her head. “I have no idea.”
Miu smiled. “If you don’t mind, I’d like you to tell me what
sort of practical skills you have. What you’re especially good at.
Other than reading a lot of novels and listening to music.”
Sumire quietly laid her knife and fork on her plate, stared at
the anonymous space hanging over the table, and pondered the
question.
“Instead of things I’m good at, it might be faster to list the
things I can’t do. I can’t cook or clean the house. My room’s a
mess, and I’m always losing things. I love music, but I can’t
sing a note. I’m clumsy and can barely sew a stitch. My sense of
direction is the pits, and I can’t tell left from right half the time.
When I get angry, I tend to break things. Plates and pencils,
alarm clocks. Later on I regret it, but at the time I can’t help
myself. I have no money in the bank. I’m bashful for no reason,
and I have hardly any friends to speak of.”
Sumire took a quick breath and forged ahead.
“However, I can touch-type really fast. I’m not that athletic,
but other than the mumps, I’ve never been sick a day in my life.
I’m always punctual, never late for an appointment. I can eat
just about anything. I never watch TV. And other than a bit of
silly boasting, I hardly ever make excuses. Once a month or so
my shoulders get so stiff I can’t sleep, but the rest of the time I
sleep like a log. My periods are light. I don’t have a single
cavity. And my Spanish is okay.”
Miu looked up. “You speak Spanish?”
When Sumire was in high school, she spent a month in the
home of her uncle, a businessman who’d been stationed in
Mexico City. Making the most of the opportunity, she’d
studied Spanish intensively. She had taken Spanish in college,
too.

27
Miu grasped the stem of her wineglass between two fingers
and lightly turned it, as if turning a screw on a machine. “What
would you think about working at my place for a while?”
“Working?” Unsure what expression would best fit this
situation, Sumire made do with her usual dour look. “I’ve
never had a real job in my life, and I’m not even sure how to
answer a phone the right way. I try to avoid taking the train
before 10 a.m. and, as I’m sure you’ve noticed from talking to
me, I don’t speak politely.”
“None of that matters,” said Miu simply. “By the way, are
you free tomorrow, around noon?”
Sumire nodded reflexively. She didn’t even have to think
about it. Free time, after all, was her main asset.
“Well then, why don’t we have lunch together? I’ll reserve a
quiet table at a restaurant nearby,” Miu said. She held out the
fresh glass of red wine a waiter had poured for her, studied it
carefully, inhaled the aroma, then quietly took the first sip. The
whole series of movements had the sort of natural elegance of a
short cadenza a pianist has refined over the years.
“We’ll talk over the details then. Today I’d rather just enjoy
myself. You know, I’m not sure where it’s from, but this
Bordeaux isn’t half bad.”
Sumire relaxed her dour look and asked Miu straight out:
“But you just met me, and you hardly know a thing about me.”
“That’s true. Maybe I don’t,” Miu admitted.
“So why do you think I might be of help to you?”
Miu swirled the wine in her glass. “I always judge people by
their faces,” she said. “Meaning that I like your face, the way
you look.”
Sumire felt the air around her suddenly grow thin. Her
nipples tightened under her dress. Mechanically she reached

28
for a glass of water and gulped it down. A hawk-faced waiter
quickly sidled in behind her and filled her empty glass with ice
water. In Sumire’s confused mind, the clatter of the ice cubes
sounded just like the groans of a robber hiding out in a cave.
*
I must be in love with this woman, she realized with a start. No
mistake about it. Ice is cold; roses are red. I’m in love.
And this love is about to carry me off somewhere. The
current’s too overpowering; I don’t have any choice. It may
very well be a special place, some place I’ve never seen before.
Danger may be lurking there, something that may end up
wounding me deeply, fatally. I might end up losing everything.
But there’s no turning back. I can only go with the flow. Even if
it means I’ll be burned up, gone for ever.
*
Now, after the fact, I know her hunch turned out to be correct.
One hundred and twenty per cent on the money.

29
2

It was about two weeks after the wedding reception when
Sumire called me, a Sunday night, just before dawn. Naturally,
I was asleep. As dead to the world as an old anvil. The week
before I’d been in charge of arranging a meeting and could only
snatch a few hours’ sleep as I gathered together all the
necessary (read pointless) documents we needed. Come the
weekend, I wanted to sleep to my heart’s content. So of course
that’s when the phone rang.
*
“Were you asleep?” Sumire asked.
“Um,” I groaned and instinctively glanced at the alarm clock
beside my bed. The clock had huge fluorescent hands, but I
couldn’t read the time. The image projected on my retina and
the part of my brain that processed it were out of sync, like an
old lady struggling, unsuccessfully, to thread a needle. What I
could understand was that it was dark all around and close to

30
Fitzgerald’s “Dark Night of the Soul”.
“It’ll be dawn pretty soon.” “Um,” I murmured listlessly.
“Right near where I live there’s a man who raises roosters.
Must have had them for years and years. In half an hour or so
they’ll be crowing up a storm. This is my favourite time of the
day. The pitch-black night sky starting to glow in the east, the
roosters crowing for all they’re worth like it’s their revenge on
somebody. Any roosters near you?”
On this end of the telephone line I shook my head slightly.
“I’m calling from the phone box near the park.”
“Um,” I said. There was a phone box about 200 yards from
her apartment. Since Sumire didn’t own a phone, she always
had to walk over there to call. Just your average phone box.
“I know I shouldn’t be calling you this late. I’m really sorry.
The time of night when the roosters haven’t even started
crowing. When this pitiful moon is hanging there in a corner of
the eastern sky like a used-up kidney. But think of me—I had
to trudge out in the pitch dark all the way over here clutching
this telephone card I got as a present at my cousin’s wedding.
With a photo on it of the happy couple holding hands. Can you
imagine how depressing that is? My socks don’t even match,
for pity’s sake. One has a picture of Mickey Mouse; the other’s
plain wool. My room’s a complete disaster area; I can’t find
anything. I don’t want to say this too loudly, but you wouldn’t
believe how awful my panties are. I doubt if even one of those
pantie thieves would touch them. If some pervert killed me, I’d
never live it down. I’m not asking for sympathy, but it would
be nice if you could give me a bit more in the way of a
response. Other than those cold interjections of yours—ohs and
ums. How about a conjunction? A conjunction would be nice.
A yet or a but.”

31
“However,” I said. I was exhausted and felt like I was still in
the middle of a dream.
“‘However’,” she repeated. “Okay, I can live with that. One
small step for man. One very small step, however.”
“So, was there something you wanted?”
“Right, I wanted you to tell me something. That’s why I
called,” Sumire said. She lightly cleared her throat. “What I
want to know is what’s the difference between a sign and
symbol?”
I felt a weird sensation, like something was silently parading
through my head. “Could you repeat the question?”
She did. What’s the difference between a sign and a symbol?
I sat up in bed, switched the receiver from my left hand to
my right. “Let me get this right—you’re calling me because you
want to find out the difference between a sign and a symbol.
On Sunday morning, just before dawn. Um …”
“At 4.15, to be precise,” she said. “It was bothering me. What
could be the difference between a sign and a symbol?
Somebody asked me that a couple of weeks ago and I can’t get
it out of my mind. I was getting undressed for bed, and I
suddenly remembered. I can’t sleep until I find out. Can you
explain it? The difference between a sign and a symbol?”
“Let me think,” I said and gazed up at the ceiling. Even when
I was fully conscious, explaining things logically to Sumire was
never easy. “The emperor is a symbol of Japan. Do you follow
that?”
“Sort of,” she replied.
“Sort of isn’t good enough. That’s what it says in the Japanese
constitution,” I said, as calmly as possible. “No room for
discussion or doubts. You’ve got to accept that, or we won’t get
anywhere.”

32
“Gotcha. I’ll accept that.”
“Thank you. So—the emperor is a symbol of Japan. But this
doesn’t mean that the emperor and Japan are equivalent. Do
you follow?”
“I don’t get it.”
“Okay, how about this—the arrow points in one direction.
The emperor is a symbol of Japan, but Japan is not the symbol
of the emperor. You understand that, right?”
“I guess.”
“Say, for instance, you write ‘The emperor is a sign of Japan.’
That makes the two equivalent. So when we say ‘Japan’, it
would also mean ‘the emperor’, and when we speak of ‘the
emperor’, it would also mean ‘Japan’. In other words, the two
are interchangeable. Same as saying, ‘ A equals B , so B equals
A . ’ That’s what a sign is.”
“So you’re saying you can switch the emperor and Japan?
Can you do that?”
“That’s not what I mean,” I said, shaking my head vigorously
at my end of the line. “I’m just trying to explain the best I can.
I’m not planning to switch the emperor and Japan. It’s just a
way of explaining it.”
“Hmm,” said Sumire. “I think I get it. As an image. It’s the
difference between a one-way street and a two-way street.”
“For our purposes, that’s close enough.”
“I’m always amazed how good you are at explaining things.”
“That’s my job,” I said. My words seemed somehow flat and
stale. “You should try being an elementary-school teacher
sometime. You’d never imagine the kinds of questions I get.
‘Why isn’t the world square? Why do squids have ten legs and not
eight?’ I’ve learned to come up with an answer to just about
everything.”

33
“You must be a great teacher.”
“I wonder,” I said. I really did wonder.
“By the way, why do squids have ten legs and not eight?”
“Can I go back to sleep now? I’m whacked. Just holding this
phone I feel like I’m holding up a crumbling stone wall.”
“You know,” said Sumire, and let a delicate pause
intervene—like an old gatekeeper closing the railway-crossing
gate with a clatter just after the train bound for St Petersburg
has passed by—“it’s really silly to say this, but I’m in love.”
“Um,” I said, changing the receiver back to my left hand. I
could hear her breathing down the phone. I had no idea how I
should respond. And, as so often happens when I don’t know
what to say, I let slip some totally inappropriate comment.
“Not with me, I assume?”
“Not with you,” Sumire answered. I heard the sound of a
cheap lighter lighting a cigarette. “Are you free today? I’d like
to talk more.”
“You mean, about your falling in love with someone other
than me?”
“Right,” she said. “About my falling passionately in love
with somebody other than you.”
I clamped the phone between my head and shoulder and
stretched. “I’m free in the evening.”
“I’ll be over at five,” Sumire said. And then added, as if an
afterthought: “Thank you.”
“For what?”
“For being nice enough to answer my question in the middle
of the night.”
I gave a vague response, hung up, and turned out the light. It
was still pitch black out. Just before I fell asleep, I thought
about her final thank you and whether I’d ever heard those

34
words from her before. Maybe I had, once, but I couldn’t recall.
*
Sumire arrived at my apartment a little before five. I didn’t
recognize her. She’d taken on a complete change of style. Her
hair was short in a stylish cut, her fringe still showing traces of
the scissors’ snips. She wore a light cardigan over a short-
sleeve, navy-blue dress and a pair of black enamel, medium-
high heels. She even had stockings on. Stockings? Women’s
clothes weren’t exactly my field of expertise, but it was clear
that everything she wore was pretty expensive. Dressed like
this, she looked polished and lovely. It was quite becoming, to
tell the truth. Though I preferred the old, outrageous Sumire.
To each his own.
“Not bad,” I said, giving her a complete once-over. “But I
wonder what good old Jack Kerouac would say.”
Sumire smiled, an ever-so-slightly more sophisticated smile
than usual. “Why don’t we go for a walk?”
*
We walked side by side down University Boulevard towards
the station and stopped by our favourite coffee shop. Sumire
ordered her usual slice of cake along with her coffee. It was a
clear Sunday evening near the end of April. The flower shops
were full of crocuses and tulips. A gentle breeze blew, softly
rustling the hems of young girls’ skirts and wafting over the
leisurely fragrance of young trees.
I folded my hands behind my head and watched Sumire as
she slowly yet eagerly devoured her cake. From the small
speakers on the ceiling of the coffee shop Astrud Gilberto sang
an old bossa nova song. “Take me to Aruanda,” she sang. I
closed my eyes, and the clatter of the cups and saucers sounded
like the roar of a far-off sea. Aruanda—what’s it like there? I

35
wondered.
“Still sleepy?”
“Not any more,” I answered, opening my eyes.
“You feel okay?”
“I’m fine. As fine as the Moldau River in spring.”
Sumire gazed for a while at the empty plate that had held her
slice of cake. She looked at me.
“Don’t you think it’s strange that I’m wearing these clothes?”
“I guess.”
“I didn’t buy them. I don’t have that kind of money. There’s a
story behind them.”
“Mind if I try to guess the story?”
“Go ahead,” she said.
“There you were in your usual crummy Jack Kerouac outfit,
cigarette dangling from your lips, washing your hands in some
public toilet, when this five-foot one-inch woman rushed in, all
out of breath, dressed to the nines, and said, ‘Please, you’ve got
to help me! No time to explain, but I’m being chased by some
awful people. Can I exchange clothes with you? If we swap
clothes I can give them the slip. Thank God we’re the same
size.’ Just like some Hong Kong action flick.”
Sumire laughed. “And the other woman happened to wear a
size-six-and-a-half shoe and a size-seven dress. Just by
coincidence.”
“And right then and there you changed clothes, down to
your Mickey Mouse knickers.”
“It’s my socks that are Mickey Mouse, not my knickers.”
“Whatever,” I said.
“Hmm,” Sumire mused. “Actually, you’re not too far off.”
“How far?”
She leaned across the table. “It’s a long story. Would you like

36
to hear it?”
“Since you’ve come all the way over here to tell me, I have a
distinct feeling it doesn’t matter if I do or not. Anyway, go right
ahead. Add a prelude, if you’d like. And a ‘Dance of the
Blessed Spirits’. I don’t mind.”
She began to talk. About her cousin’s wedding reception, and
about the lunch she had had with Miu in Aoyama. And it was a
long tale.

37
3

The day after the wedding, a Monday, was rainy. The rain
began to fall just after midnight and continued without a stop
till dawn. A soft, gentle rain that darkly dampened the spring
earth and quietly stirred up the nameless creatures living in it.
*
The thought of meeting Miu again thrilled Sumire, and she
found it hard to concentrate. She felt as though she were
standing alone on the summit of a hill, the wind swirling
around her. She settled down at her desk as usual, lit a
cigarette, and switched on her word processor, but stare as she
might at the screen, not a single sentence came to her. For
Sumire that was next to impossible. She gave up, turned off the
word processor, lay down in her tiny little room, and, an unlit
cigarette dangling from her lips, gave herself up to some
aimless musings.
If just the thought of seeing Miu has me this worked up, she

38
thought, imagine how painful it would be if we’d said goodbye
at the party and never saw each other again. Am I just yearning
to be like her—a beautiful, refined older woman? No, she
decided, that can’t be it. When I’m beside her, I always want to
touch her. That’s a bit different from a yearning.
Sumire sighed, gazed up at the ceiling for a while, and lit her
cigarette. It’s pretty strange if you think about it, she thought.
Here I am in love for the first time in my life, aged 22. And the
other person just happens to be a woman.
*
The restaurant Miu had made a reservation at was a ten-minute
walk from the Omote Sando subway station. The kind of
restaurant that’s hard for first-timers to find; certainly not a
place where you just casually drop in for a meal. Even the
restaurant’s name was hard to remember unless you heard it a
couple of times. At the entrance Sumire told them Miu’s name
and was escorted to a small, private dining room on the first
floor. Miu was already there, sipping an iced Perrier water,
deep in conversation with the waiter about the menu.
Over a navy-blue polo shirt Miu had on a cotton sweater of
the same colour, and she wore a thin, plain silver hairpin. Her
trousers were white slim-fit jeans. On a corner of the table
rested a pair of bright blue sunglasses, and on the chair next to
her was a squash racquet and a Missoni sports bag. It looked
like she was on her way home after a couple of afternoon
games of squash. Her cheeks were still flushed a faint pink.
Sumire imagined her in the shower at the gym, scrubbing her
body with an exotic smelling bar of soap.
As Sumire entered the room, dressed in her usual
herringbone jacket and khaki trousers, her hair all messy like
some orphan, Miu looked up from the menu and gave her a

39
dazzling smile. “You told me the other day that you can eat
anything, right? I hope you don’t mind if I go ahead and order
for us.”
Of course not, Sumire replied.
*
Miu ordered the same thing for both of them. The main course
was a light grilled fish with a touch of green sauce with
mushrooms. The slices of fish were cooked to perfection,
browned in an almost artistic way that you knew was just right.
Pumpkin gnocchi and a delicate endive salad rounded off the
meal. For dessert they had the crème brûlée, which only Sumire
ate. Miu didn’t touch it. Finally, they had espresso. Sumire
observed that Miu took great care over what she ate. Her neck
was as slender as the stalk of some plant, her body without an
ounce of detectable fat. She didn’t seem to have to diet. Even
so, it would appear she was super-strict about food. Like some
Spartan holed up in a mountain fortress.
As they ate they chatted about nothing in particular. Miu
wanted to know more about Sumire’s background, and she
obliged, answering the questions as honestly as she could. She
told Miu about her father, her mother, the schools she had
attended (all of which she loathed), the prizes she had won in a
composition contest—a bicycle and a set of encyclopedias—
how she came to quit college, the way she spent her days now.
Not a particularly thrilling life. Even so, Miu listened,
enthralled, as if listening to the enchanting customs of a far-off
land.
Sumire wanted to know so much more about Miu, but Miu
hesitated to talk about herself. “That’s not important,” she
deferred with a bright smile. “I’d rather hear more about you.”
By the time they finished eating, Sumire still hadn’t learned

40
much. About the only thing she found out was this: that Miu’s
father had donated a lot of money to the small town in the
north part of Korea where he had been born, and had built
several public buildings for the townspeople—to which they’d
responded by erecting a bronze statue of him in the town
square.
“It’s a small town deep in the mountains,” Miu explained.
“The winter’s awful, and just looking at the place makes you
shiver. The mountains are craggy and reddish, full of bent
trees. Once, when I was little, my father took me there. When
they unveiled the statue. All these relatives came up, crying
and hugging me. I couldn’t understand a word they said. I
remember being frightened. For me it was a town in a foreign
country I’d never set eyes on before.”
“What kind of statue was it?” asked Sumire. She’d never
known anyone who’d had a statue erected.
“Just a normal statue. The kind you’d find anywhere. But it’s
weird to have your own father become a statue. Imagine if they
erected a statue of your father in the square in front of
Chigasaki Station. You’d feel pretty weird about it, right? My
father was actually fairly short, but the statue made him look
like some towering figure. I was only five at the time, but I was
struck by the way things you see aren’t always true to life.”
If they made a statue of my father, Sumire mused, it’d be the
statue that would draw the short straw. Since in real life her
father was a little too good-looking.
*
“I’d like to pick up where we left off yesterday,” Miu began,
when they were on their second cup of espresso. “So, do you
think you might want to work for me?”
Sumire was dying for a cigarette, but there weren’t any

41
ashtrays. She made do with a sip of chilled Perrier.
She answered honestly. “Well, what kind of work would it
be, exactly? Like I said yesterday, except for some simple
physical-labour-type jobs, I’ve never once had what you’d call
a proper job. Plus I don’t have a thing to wear that would be
appropriate. The clothes I had on at the reception I borrowed.”
Miu nodded, her expression unchanged. She must have
anticipated this sort of response.
“I think I understand pretty much what sort of person you
are,” she said, “and the work I have in mind shouldn’t give you
any trouble. I’m sure you can handle whatever comes up. What
really matters is whether or not you’d like to work with me.
Just approach it that way, as a simple yes or no.”
Sumire chose her words carefully. “I’m really happy to hear
you say that, but right now what’s most important for me is
writing novels. I mean, that’s why I left college.”
Miu looked across the table straight at Sumire. Sumire sensed
that quiet look on her skin and felt her face grow warm.
“Do you mind if I say exactly what’s on my mind?” Miu
asked.
“Of course not. Go right ahead.”
“It might make you feel bad.”
To show she could handle it, Sumire pursed her lips and
looked into Miu’s eyes.
“At this stage in your life I don’t think you’re going to write
anything worthwhile, no matter how much time you put into
your novels,” said Miu, calmly but firmly. “You’ve got the
talent. I’m sure someday you’ll be an extraordinary writer. I’m
not just saying this, I truly believe it. You have that natural
ability within you. But now’s not the time. The strength you
need to open that door isn’t quite there. Haven’t you ever felt

42
that way?”
“Time and experience,” said Sumire, summing it up.
Miu smiled. “At any rate, come and work for me. That’s the
best choice for you. And when you feel the time is right, don’t
hesitate to chuck it all in and write novels to your heart’s
content. You just need more time than the average person in
order to reach that stage. So even if you get to 28 without any
breaks coming your way, and your parents cut off your funds
and you’re left without a penny, well—so what? Maybe you’ll
go a little hungry, but that might be a good experience for a
writer.”
Sumire opened her mouth, about to reply, but nothing
emerged. She merely nodded.
Miu stretched out her right hand towards the middle of the
table. “Let me see your hand,” she said.
Sumire reached out her right hand and Miu grasped it, as if
enveloping it. Her palm was warm and smooth. “It’s not
something you should worry about so much. Don’t look so
glum. We’ll get along fine.”
Sumire gulped, but somehow managed to relax. With Miu
gazing right at her like that, she felt as though she were
steadily shrinking. Like a block of ice left out in the sun, she
might very well disappear.
“Starting next week I’d like you to come to my office three
times a week. Monday, Wednesday, and Friday. You can start
at 10 a.m., and you can leave at four. That way you’ll miss the
rush hour. I can’t pay you much, but the work is easy, and you
can read when there’s nothing to do. One condition is that you
take private lessons in Italian twice a week. You already know
Spanish, so it shouldn’t be too hard. And I’d like you to
practise English conversation and driving whenever you have

43
the time. Do you think you can do that?”
“I think so,” Sumire replied. Her voice sounded like it was
somebody else’s coming from another room. No matter what
I’m asked to do, no matter what I’m ordered to do, all I can do
is say yes, she realized. Miu gazed steadily at Sumire, still
holding her hand. Sumire could make out clearly her own
figure reflected deep inside Miu’s dark eyes. It looked to her
like her own soul being sucked into the other side of a mirror.
Sumire loved that vision, and at the same time it frightened
her.
Miu smiled, charming lines appearing at the corners of her
eyes. “Let’s go to my place. There’s something I want to show
you.”

44
4

The summer holiday of my first year in college I took a random
trip by myself around the Hokuriku region, came across a
woman eight years older than me who was also travelling
alone, and we spent one night together. It struck me, at the
time, as something straight out of the opening of Soseki’s novel
Sanshiro.
The woman worked in the foreign exchange section of a bank
in Tokyo. Whenever she had some time off, she’d grab a few
books and set out on her own. “Much less tiring to travel
alone,” she explained. She had a certain charm, which made it
hard to work out why she’d have any interest in someone like
me—a quiet, skinny 18-year-old college kid. Still, sitting across
from me in the train, she seemed to enjoy our harmless banter.
She laughed out loud a lot. And—unusually—I chattered away.
We happened to get off at the same station at Kanazawa.
“Do you have a place to stay?” she asked.

45
“No,” I replied. I’d never made a hotel reservation in my life.
“I have a hotel room,” she told me. “You can stay if you like.
Don’t worry about it,” she went on, “it costs the same whether
there’s one or two people staying.”
I was nervous the first time we made love, which made
things awkward. I apologized to her.
“Aren’t we polite!” she said. “No need to apologize for every
little thing.”
After her shower she threw on a dressing gown, grabbed two
cold beers from the fridge, and handed one to me.
“Are you a good driver?” she asked.
“I just got my licence, so I wouldn’t say so. Just average.”
She smiled. “Same with me. I think I’m pretty good, but my
friends don’t agree. Which makes me average, too, I suppose.
You must know a few people who think they’re great drivers,
right?”
“Yeah, I guess I do.”
“And there must be some who aren’t very good.”
I nodded. She took a quiet sip of beer and gave it some
thought.
“To a certain extent those kinds of things are inborn. Talent,
you could call it. Some people are nimble; others are all thumbs
… Some people are quite attentive, and others aren’t. Right?”
Again I nodded.
“Okay, consider this. Say you’re going to go on a long
journey with someone by car. And the two of you will take
turns driving. Which type of person would you choose? One
who’s a good driver, but inattentive, or an attentive person
who’s not such a good driver?”
“Probably the second one,” I said.
“Me, too,” she replied. “What we have here is very similar.

46
Good or bad, nimble or clumsy—those aren’t important.
What’s important is being attentive. Staying calm, being alert to
things around you.”
“Alert?” I asked.
She just smiled and didn’t say anything.
A while later we made love a second time, and this time it
was a smooth, congenial ride. Being alert—I think I was starting
to get it. For the first time I saw how a woman reacts in the
throes of passion.
The next morning after we ate breakfast together, we went
our separate ways. She continued her trip, and I continued
mine. As she left she told me she was getting married in two
months to a man from work. “He’s a very nice guy,” she said
cheerily. “We’ve been going out for five years, and we’re
finally going to make it official. Which means I probably won’t
be making any trips by myself any more. This is it.”
I was still young, certain that this kind of thrilling event
happened all the time. Later in life I realized how wrong I was.
*
I told Sumire this story a long time ago. I can’t remember
why it came up. It might have been when we were talking
about sexual desire.
“So what’s the point of your story?” she asked me.
“The part about being alert,” I replied. “Not prejudging
things, listening to what’s going on, keeping your ears, heart,
and mind open.”
“Hmm,” Sumire replied. She seemed to be mulling over my
paltry sexual affair, perhaps wondering whether she could
incorporate it into one of her novels.
“Anyway, you certainly have a lot of experiences, don’t
you?”

47
“I wouldn’t say a lot,” I gently protested. “Things just
happen.”
She chewed lightly at her nail, lost in thought. “But how are
you supposed to become attentive? The critical moment
arrives, and you say okay, I’m going to be alert and listen
carefully, but you can’t just be good at those things by
snapping your fingers, right? Can you be more specific? Give
me a for instance?”
“Well, first you have to relax. By … say, counting.”
“What else?”
“Think about a cucumber in a fridge on a summer afternoon.
Just an example.”
“Wait a second,” she said with a significant pause. “Do you
mean to tell me that when you’re having sex with a girl you
imagine cucumbers in a fridge on a summer afternoon?”
“Not all the time,” I said.
“But sometimes.”
“Maybe.”
Sumire frowned and shook her head a couple of times.
“You’re a lot weirder than you look.”
“Everybody’s got something weird about them,” I said.
*
“In the restaurant, as Miu held my hand and gazed deep into
my eyes, I thought about cucumbers,” Sumire said to me.
“Gotta stay calm, gotta listen carefully, I told myself.”
“Cucumbers’?”
“Don’t you remember what you told me—about cucumbers
in a fridge on a summer afternoon?”
“Oh, yeah, I guess I did,” I recalled. “So did it help?”
“A little,” she said.
“Glad to hear it,” I replied.

48
Sumire steered the conversation back on track. “Miu’s
apartment is just a short walk from the restaurant. Not a very
big place, but really lovely. A sunny veranda, house-plants, an
Italian leather sofa, Bose speakers, a set of prints, a Jaguar in
the garage. She lives there alone. The place she and her
husband have is somewhere in Setagaya. She goes back there at
the weekends. Most of the time she stays in her apartment in
Aoyama. What do you think she showed me there?”
“Mark Bolan’s favourite snakeskin sandals in a glass case,” I
ventured. “One of the invaluable legacies without which the
history of rock and roll cannot be told. Not a single scale
missing, his autograph on the arch. The fans go nuts.”
Sumire frowned and sighed. “If they invent a car that runs on
stupid jokes, you could go far.”
“Put it down to an impoverished intellect,” I said humbly.
“Okay, all joking aside, I want you to give it some serious
thought. What do you think she showed me there? If you get it
right, I’ll pay the bill.”
I cleared my throat. “She showed you the gorgeous clothes
you have on. And told you to wear them to work.”
“You win,” she said. “She has this rich friend with clothes to
spare who’s just about the same size as me. Isn’t life strange?
There are people who have so many leftover clothes they can’t
stuff them all in their wardrobe. And then there are people like
me, whose socks never match. Anyway, I don’t mind. She went
over to her friend’s house and came back with an armful of
these leftovers. They’re just a bit out of fashion if you look
carefully but most people wouldn’t notice.”
I wouldn’t know no matter how closely I looked, I told her.
Sumire smiled contentedly. “The clothes fit me like a glove.
The dresses, blouses, skirts—everything. I’ll have to take in the

49
waist a bit, but put a belt on and you’d never know the
difference. My shoe size, fortunately, is almost the same as
Miu’s, so she let me have some pairs she doesn’t need. High
heels, low heels, summer sandals. All with Italian names on
them. Handbags, too. And a little make-up.”
“A regular Jane Eyre,” I said.
*
All of which explains how Sumire started working three days a
week at Miu’s office. Wearing a suit jacket and dress, high
heels, and a touch of make-up, taking the morning commuter
train from Kichijoji to Harajuku. Somehow I just couldn’t
picture it.
*
Apart from her office at her company in Akasaka, Miu had her
own small office at Jingumae. There she had her desk as well as
her assistant’s (Sumire’s, in other words), a filing cabinet, a fax,
a phone, and a PowerBook. That’s all. It was just one room in
an apartment building and came with an afterthought-type of
tiny kitchen and bathroom. There was a CD player, mini-
speakers, and a dozen classical CDs. The room was on the
second floor, and out of the east-facing window you could see a
small park. The ground floor of the building was taken up by a
showroom selling Northern European furniture. The whole
building was set back from the main thoroughfare, which kept
traffic noise at a minimum.
As soon as she arrived at the office, Sumire would water the
plants and get the coffee-maker going. She’d check phone
messages and e-mails on the PowerBook. She’d print out any
messages and put them on Miu’s desk. Most of them were from
foreign agents, in either English or French. She’d open any
ordinary post that came and throw away whatever was clearly

50
junk mail. A few calls would come in every day, some from
abroad. Sumire would take down the person’s name, number,
and message and relay these to Miu on her cellphone.
Miu usually showed up around one or two in the afternoon.
She’d stay an hour or so, give Sumire various instructions,
drink coffee, make a few calls. Letters that required a reply
she’d dictate to Sumire, who’d type them up on the word
processor and either post or fax them. These were usually quite
brief business letters. Sumire also made reservations for Miu at
the hairdresser, restaurants, and the squash court. Business out
of the way, Miu and Sumire would chat for a while, and then
Miu would leave.
So Sumire was often alone in the office, talking to no one for
hours, but she never felt bored or lonely. She’d review her
twice-a-week Italian lessons, memorizing the irregular verbs,
checking her pronunciation with a tape recorder. She took
some computer classes and got to where she could handle most
simple glitches. She opened up the information in the hard
drive and learned the general outlines of the projects Miu had
going.
Miu’s main work was exactly as she had described it at the
wedding reception. She contracted with small wine producers,
mostly in France, and wholesaled their wine to restaurants and
speciality shops in Tokyo. On occasion she arranged concert
trips by musicians to Japan. Agents from large firms handled
the complex business angles, with Miu taking care of the
overall plan and some of the groundwork. Miu’s speciality was
searching out unknown, promising young performers and
bringing them to Japan.
Sumire had no way of knowing how much profit Miu made
from her private business. Accounting records were kept on

51
separate disks and couldn’t be accessed without a password. At
any rate, Sumire was ecstatic, her heart aflutter, just to be able
to meet Miu and talk to her. That’s the desk where Miu sits, she
thought. That’s the ballpoint pen she uses; the mug she drinks
coffee from. No matter how trivial the task, Sumire did her
best.
*
Every so often Miu would invite Sumire out for dinner. Since
her business involved wine, Miu found it necessary to
regularly make the rounds of the better-known restaurants to
stay in touch with the latest news. Miu always ordered a light
fish dish or, on occasion, chicken, though she’d leave half, and
would pass on dessert. She’d pore over every detail of the wine
list before deciding on a bottle, but would never drink more
than a glass. “Go ahead and have as much as you like,” she told
Sumire, but there was no way Sumire could finish that much.
So they always ended up with half a very expensive bottle of
wine left, but Miu didn’t mind.
“It’s such a waste to order a whole bottle of wine for just the
two of us,” Sumire said to Miu one time. “We can barely finish
half.”
“Don’t worry.” Miu laughed. “The more we leave behind, the
more people in the restaurant will be able to try it. The
sommelier, the headwaiter, all the way down to the waiter who
fills the water glasses. That way a lot of people will start to
acquire a taste for good wine. Which is why leaving expensive
wine is never a waste.”
Miu examined the colour of the 1986 Médoc and then, as if
savouring some nicely turned out prose, carefully tasted it.
“It is the same with anything—you have to learn through
your own experience, paying your own way. You can’t learn it

52
from a book.”
Taking a cue from Miu, Sumire picked up her glass and very
attentively took a sip, held it in her mouth, and then swallowed
it. For a moment an agreeable aftertaste remained, but after a
few seconds this disappeared, like morning dew on a summer
leaf. All of which prepared the palate for the next bite of food.
Every time she ate and talked with Miu, Sumire learned
something new. Sumire was amazed by the overwhelming
number of things she had yet to learn.
“You know I’ve never thought I wanted to be somebody
else,” Sumire blurted out once, perhaps urged on by the more-
than-usual amount of wine she’d drunk. “But sometimes I
think how nice it would be to be like you.”
Miu held her breath for a moment. Then she picked up her
wineglass and took a sip. For a second, the light dyed her eyes
the crimson of the wine. Her face was drained of its usual
subtle expression.
“I’m sure you don’t know this,” she said calmly, returning
her glass to the table. “The person here now isn’t the real me.
Fourteen years ago I became half the person I used to be. I wish
I could have met you when I was whole—that would have
been wonderful. But it’s pointless to think about that now.”
Sumire was so taken aback she was speechless. And missed
the chance to ask the obvious questions. What had happened to
Miu 14 years ago? Why had she become half her real self? And
what did she mean by half, anyway? This enigmatic
announcement, in the end, only made Sumire more and more
smitten with Miu. What an awesome person, she thought.
*
Through fragments of conversation Sumire was able to piece
together a few facts about Miu. Her husband was Japanese, five

53
years older and fluent in Korean, the result of two years as an
exchange student in the economics department of Seoul
University. He was a warm person, good at what he did, in
point of fact the guiding force behind Miu’s company. Even
though it was originally a family-run business, no one ever said
a bad word about him.
Ever since she was a little girl, Miu had had a talent for
playing the piano. Still in her teens she had won the top prize
at several competitions for young people. She went on to a
conservatoire, studied under a famous pianist and, through her
teacher’s recommendation, was able to study at a music
academy in France. Her repertoire ran mainly from the late
Romantics, Schumann and Mendelssohn, to Poulenc, Ravel,
Bartók, and Prokofiev. Her playing combined a keen, sensuous
tone with a vibrant, impeccable technique. In her student days
she held a number of concerts, all well received. A bright future
as a concert pianist looked assured. During her time abroad,
though, her father fell ill, and Miu shut the lid of her piano and
returned to Japan. Never to touch a keyboard again.
“How could you give up the piano so easily?” Sumire asked
hesitantly. “If you don’t want to talk about it, that’s okay. I just
find it—I don’t know—a little unusual. I mean, you had to
sacrifice a lot of things to become a pianist, didn’t you?”
“I didn’t sacrifice a lot of things for the piano,” Miu said softly.
“I sacrificed everything. The piano demanded every ounce of
flesh, every drop of blood, and I couldn’t refuse. Not even
once.”
“Weren’t you sorry to give up? You’d almost made it.”
Miu gazed into Sumire’s eyes searchingly. A deep, steady
gaze. Deep within Miu’s eyes, as if in a quiet pool in a swift
stream, wordless currents vied with one another. Only

54
gradually did these clashing currents settle.
“I’m sorry,” Sumire apologized. “I’ll mind my own
business.”
“It’s all right. I just can’t explain it well.”
They didn’t talk about it again.
*
Miu didn’t allow smoking in her office and hated people to
smoke in front of her, so after she began the job Sumire decided
it was a good chance to quit. Being a two-packs-of-Marlboro-a-
day smoker, though, things didn’t go so smoothly. After a
month, like some animal that’s had its furry tail sliced off, she
lost her emotional grip on things—not that this was so firm to
begin with. And as you might guess, she started calling me all
the time in the middle of the night.
*
“All I can think about is having a smoke. I can barely sleep, and
when I do sleep I have nightmares. I’m constipated. I can’t
read, can’t write a line.”
“Everybody goes through that when they try to stop. In the
beginning at least,” I said.
“You find it easy to give opinions as long as it’s about other
people, don’t you?” she snapped. “You’ve never had a cigarette
in your life.”
“Hey, if you can’t give your opinion about other people, the
world would turn into a pretty scary place, wouldn’t it? If you
don’t think so, just look up what Joseph Stalin did.”
On the other end of the line Sumire was silent for a long time.
A heavy silence like dead souls on the Eastern Front.
“Hello?” I asked.
She finally spoke up. “Truthfully, though, I don’t think it’s
because I stopped smoking that I can’t write. It might be one

55
reason, but that’s not all. What I mean is stopping smoking is
just an excuse. You know: ‘I’m stopping smoking; that’s why I
can’t write. Nothing I can do about it.’”
“Which explains why you’re so upset?”
“I guess,” she said, suddenly meek. “It’s not just that I can’t
write. What really upsets me is I don’t have confidence any
more in the act of writing itself. I read the stuff I wrote not long
ago, and it’s boring. What could I have been thinking? It’s like
looking across the room at some filthy socks tossed on the
floor. I feel awful, realizing all the time and energy I wasted.”
“When that happens you should call somebody up at three in
the morning and wake him up—symbolically of course—from
his peaceful semiotic sleep.”
“Tell me,” said Sumire, “have you ever felt confused about
what you’re doing, like it’s not right?”
“I spend more time being confused than not,” I answered.
“Are you serious?”
“Yep.”
Sumire tapped her nails against her front teeth, one of her
many habits when she was thinking. “I’ve hardly ever felt
confused like this before. Not that I’m always confident, sure of
my talent. I’m not that nervy. I know I’m a haphazard, selfish
type of person. But I’ve never been confused. I might have
made some mistakes along the way, but I always felt I was on
the right path.”
“You’ve been lucky,” I replied. “Like a long spell of rain right
after you plant rice.”
“Maybe you’re right.”
“But at this point, things aren’t working out.”
“Right. They aren’t. Sometimes I get so frightened, like
everything I’ve done up till now is wrong. I have these realistic

56
dreams and snap wide awake in the middle of the night. And
for a while I can’t work out what’s real and what isn’t … That
kind of feeling. Do you have any idea what I’m saying?”
“I think so,” I replied.
“The thought hits me a lot these days that maybe my novel-
writing days are over. The world’s crawling with stupid,
innocent girls, and I’m just one of them, self-consciously
chasing after dreams that’ll never come true. I should shut the
piano lid and come down off the stage. Before it’s too late.”
“Shut the piano lid?”
“A metaphor.”
I switched the receiver from my left hand to my right. “I am
sure of one thing. Maybe you aren’t, but I am. Someday you’ll
be a fantastic writer. I’ve read what you’ve written, and I
know.”
“You really think so?”
“From the bottom of my heart,” I said. “I’m not going to lie to
you about things like that. There are some pretty remarkable
scenes in the things you’ve written so far. Say you were writing
about the seashore in May. You can hear the sound of the wind
in your ears and smell the salt air. You can feel the soft warmth
of the sun on your arms. If you wrote about a small room filled
with tobacco smoke, you can bet the reader would start to feel
like he can’t breathe. And his eyes would sting. Prose like that
is beyond most writers. Your writing has the living, breathing
force of something natural flowing through it. Right now that
hasn’t all come together, but that doesn’t mean it’s time to—
shut the lid on the piano.”
Sumire was silent for a good 10, 15 seconds. “You’re not just
saying that to make me feel better, to cheer me up, are you?”
“No, I’m not. It’s an undeniable fact, plain and simple.”

57
“Like the Moldau River?”
“You got it. Just like the Moldau River.”
“Thank you,” she said.
“You’re welcome,” I replied.
“Sometimes you’re just the sweetest thing. Like Christmas,
summer holidays and a brand-new puppy all rolled into one.”
Like I always do when somebody praises me, I mumbled
some vague reply.
“But one thing bothers me,” she added. “Someday you’ll get
married to some nice girl and forget all about me. And I won’t
be able to call you in the middle of the night whenever I want
to. Right?”
“You can always call during the day.”
“Daytime’s no good. You don’t understand anything, do
you?”
“Neither do you,” I protested. “Most people work when the
sun’s up and turn out the light at night and go to sleep.” But I
might as well have been reciting some pastoral poems to
myself in the middle of a pumpkin patch.
“There was this article in the paper the other day,” she
continued, completely oblivious. “It said that lesbians are born
that way; there’s a tiny bone in the inner ear that’s completely
different from other women’s and that makes all the difference.
Some small bone with a complicated name. So being a lesbian
isn’t acquired; it’s genetic. An American doctor discovered this.
I have no idea why he was doing that kind of research, but ever
since I read about it I can’t get the idea out of my mind of this
little good-for-nothing bone inside my ear, wondering what
shape my own little bone is.”
I had no idea what to say. A silence descended on us as
sudden as the instant fresh oil is poured into a large frying pan.

58
“So you’re sure what you feel for Miu is sexual desire?” I
asked.
“A hundred per cent sure,” Sumire said. “When I’m with her
that bone in my ear starts ringing. Like delicate seashell wind
chimes. And I want her to hold me, let everything take its
course. If that isn’t sexual desire, what’s flowing in my veins
must be tomato juice.”
“Hmm,” I said. What could I possibly say to that?
“It explains everything. Why I don’t want to have sex with
any men. Why I don’t feel anything. Why I’ve always thought
I’m different from other people.”
“Mind if I give you my pennyworth here?” I asked.
“Okay.”
“Any explanation or logic that explains everything so easily
has a hidden trap in it. I’m speaking from experience.
Somebody once said if it’s something a single book can explain,
it’s not worth having explained. What I mean is don’t leap to
any conclusions.”
“I’ll remember that,” Sumire said. And the call ended,
somewhat abruptly.
*
I pictured her hanging up the receiver, walking out of the
telephone box. By my clock it was 3.30. I went to the kitchen,
drank a glass of water, snuggled back in bed, and dosed my
eyes. But sleep wouldn’t come. I drew the curtain aside, and
there was the moon, floating in the sky like some pale, clever
orphan. I knew I wouldn’t get back to sleep. I brewed a fresh
pot of coffee, pulled a chair over next to the window, and sat
there, munching on some cheese and crackers. I sat, reading,
waiting for the dawn.

59
5

It’s time to say a few words about myself.
Of course this story is about Sumire, not me. Still, I’m the one
whose eyes the story is told through—the tale of who Sumire is
and what she did—and I should explain a little about the
narrator. Me, in other words.
*
I find it hard to talk about myself. I’m always tripped up by the
eternal who am I? paradox. Sure, no one knows as much pure
data about me as me. But when I talk about myself, all sorts of
other factors—values, standards, my own limitations as an
observer—make me, the narrator, select and eliminate things
about me, the narratee. I’ve always been disturbed by the
thought that I’m not painting a very objective picture of myself.
This kind of thing doesn’t seem to bother most people. Given
the chance, they’re surprisingly frank when they talk about
themselves. “I’m honest and open to a ridiculous degree,”

60
they’ll say, or “I’m thin-skinned and not the type who gets
along easily in the world,” or “I’m very good at sensing others’
true feelings.” But any number of times I’ve seen people who
say they’re easily hurt or hurt other people for no apparent
reason. Self-styled honest and open people, without realizing
what they’re doing, blithely use some self-serving excuse to get
what they want. And those who are “good at sensing others’
true feelings” are taken in by the most transparent flattery. It’s
enough to make me ask the question: how well do we really
know ourselves?
The more I think about it, the more I’d like to take a rain
check on the topic of me. What I’d like to know more about is
the objective reality of things outside myself. How important the
world outside is to me, how I maintain a sense of equilibrium
by coming to terms with it. That’s how I’d grasp a dearer sense
of who I am.
These are the kinds of ideas I had running through my head
when I was a teenager. Like a master builder stretches taut his
string and lays one brick after another, I constructed this
viewpoint—or philosophy of life, to put a bigger spin on it.
Logic and speculation played a part in formulating this
viewpoint, but for the most part it was based on my own
experiences. And speaking of experience, a number of painful
episodes taught me that getting this viewpoint of mine across
to other people wasn’t the easiest thing in the world.
The upshot of all this is that when I was young I began to
draw an invisible boundary between myself and other people.
No matter who I was dealing with. I maintained a set distance,
carefully monitoring the person’s attitude so that they wouldn’t
get any closer. I didn’t easily swallow what other people told
me. My only passions were books and music. As you might

61
guess, I led a lonely life.
*
My family isn’t anything special. So blandly normal, in fact, I
don’t know where to begin. My father graduated from a local
university with a degree in science and worked in the research
lab of a large food manufacturer. He loved golf, and every
Sunday he was out on the course. My mother was crazy about
tanka poetry and often attended poetry recitals. Whenever her
name was in the poetry section of the newspaper, she’d be
happy as a lark for days. She liked cleaning, but hated cooking.
My sister, five years older than me, detested both cleaning and
cooking. Those are things other people did, she decided, not
her. Which meant that ever since I was old enough to be in the
kitchen, I made all my own meals. I bought some cookbooks
and learned how to make almost everything. I was the only
child I knew who lived like that.
I was born in Suginami, but we moved to Tsudanuma in
Chiba Prefecture when I was small, and I grew up there. The
neighbourhood was full of white-collar families just like ours.
My sister was always top of her class; she couldn’t stand not
being the best and didn’t step one inch outside her sphere of
interest. She never—not even once—took our dog for a walk.
She graduated from Tokyo University law school and passed
the bar exam the following year, no mean feat. Her husband is
a go-getter management consultant. They live in a four-room
condo they purchased in an elegant building near Yoyogi Park.
Inside, though, the place is a pigsty.
I was the opposite of my sister, not caring much about
studying or my grades. I didn’t want any grief from my
parents, so I went through the motions of going to school,
doing the minimum amount of study and homework to get by.

62
The rest of the time I played football and sprawled on my bed
when I got home, reading one novel after another. None of
your typical after-hours cram school, no tutor. Even so, my
grades weren’t half bad. At this rate, I reckoned I could get into
a decent college without killing myself studying for the
entrance exams. And that’s exactly what happened.
*
I started college and lived by myself in a small apartment. Even
when I was living at home in Tsudanuma I hardly ever had a
heart-to-heart conversation with my family. We lived together
under one roof, but my parents and sister were like strangers to
me, and I had no idea what they wanted from life. And the
same held true for them—they didn’t have any idea what kind
of person I was or what I aspired to. Not that I knew what I
wanted in life—I didn’t. I loved reading novels to distraction,
but didn’t write well enough to be a novelist; being an editor or
a critic was out, too, since my tastes ran to extremes. Novels
should be for pure personal enjoyment, I decided, not part of
your work or study. That’s why I didn’t study literature, but
history. I didn’t have any special interest in history, but once I
began studying it I found it an engrossing subject. I didn’t plan
to go to grad school and devote my life to history or anything,
though my adviser did suggest that. I enjoyed reading and
thinking, but I was hardly the academic type. As Pushkin put
it:

He had no itch to dig for glories
Deep in the dirt that time has laid.

All of which didn’t mean I was about to find a job in a
normal company, claw my way through the cut-throat

63
competition, and advance step by step up the slippery slopes of
the capitalist pyramid.
So, by a process of elimination, I ended up a teacher. The
school is only a few stations away by train. My uncle happened
to be on the board of education in that town and asked me
whether I might want to be a teacher. I hadn’t taken all the
required teacher-training classes, so I was hired as an assistant
teacher, but after a short period of screening I qualified as a
proper teacher. I hadn’t planned on being a teacher, but after I
actually became one I discovered a deeper respect and affection
for the profession than I ever imagined I’d have. More
accurately, really, I should say that I happened to discover
myself.
I’d stand at the front of the classroom, teaching my primary-
school charges basic facts about language, life, the world, and
I’d find that at the same time I was teaching myself these basic
facts all over again—filtered through the eyes and minds of
these children. Done the right way, this was a refreshing
experience. Profound, even. I got along well with my pupils,
their mothers, and my fellow teachers.
Still the basic questions tugged at me: Who am I? What am I
searching for? Where am I going?
*
The closest I came to answering these questions was when I
talked to Sumire. More than talking about myself, though, I
listened attentively to her, to what she said. She threw all sorts
of questions my way, and if I couldn’t come up with an answer,
or if my response didn’t make sense, you’d better believe she
let me know. Unlike other people she honestly, sincerely wanted
to hear what I had to say. I did my best to answer her, and our
conversations helped me open up more about myself to her—

64
and, at the same time, to myself.
We used to spend hours talking. We never got tired of
talking, never ran out of topics—novels, the world, scenery,
language. Our conversations were more open and intimate
than any lovers’.
I imagined how wonderful it would be if indeed we could be
lovers. I longed for the warmth of her skin on mine. I pictured
us married, living together. But I had to face the fact that
Sumire had no such romantic feelings for me, let alone sexual
interest. Occasionally she’d stay over at my apartment after
we’d talked into the small hours, but there was never even the
slightest hint of romance. Come 2 or 3 a.m. and she’d yawn,
crawl into bed, sink her face into my pillow, and fall fast asleep.
I’d spread out some bedding on the floor and lie down, but I
couldn’t sleep, my mind full of fantasies, confused thoughts,
self-loathing. Sometimes the inevitable physical reactions
would cause me grief, and I’d lie awake in misery until dawn.
It was hard to accept that she had almost no feelings, maybe
none at all, for me as a man. This hurt so bad at times it felt like
someone was gouging out my guts with a knife. Still, the time I
spent with her was more precious than anything. She helped
me forget the undertone of loneliness in my life. She expanded
the outer edges of my world, helped me draw a deep, soothing
breath. Only Sumire could do that for me.
In order to ease the pain and, I hoped, eliminate any sexual
tension between me and Sumire, I started sleeping with other
women. I’m not saying I was a big hit with women; I wasn’t. I
wasn’t what you’d call a ladies’ man, and laid no claim to any
special charms. For whatever reason, though, some women
were attracted to me, and I discovered that if I let things take
their course it wasn’t so hard to get them to sleep with me.

65
These little flings never aroused much passion in me; they
were, at most a kind of comfort.
I didn’t hide my affairs from Sumire. She didn’t know every
little detail, just the basic outlines. It didn’t seem to bother her.
If there was anything in my affairs that was troubling, it was
the fact that the women were all older and either were married
or had fiancés or steady boyfriends. My most recent partner
was the mother of one of my pupils. We slept together about
twice a month.
“That may be the death of you,” Sumire warned me once.
And I agreed. But there wasn’t much I could do about it.
*
One Saturday at the beginning of July my class had an outing. I
took all 35 of my pupils mountain climbing in Okutama. The
day began with an air of happy excitement, only to descend
into total chaos. When we reached the summit, two children
discovered they’d forgotten to pack their lunches in their
backpacks. There weren’t any shops around, so I had to split
my own nori-maki lunch the school had provided. Which left
me with nothing to eat. Someone gave me some chocolate, but
that was all I had the whole day. On top of which one girl said
she couldn’t walk any more, and I had to carry her piggyback
all the way down the mountain. Two boys started to scuffle,
half in fun, and one of them fell and banged his head on a rock.
He got a slight concussion and a heavy nosebleed. Nothing
critical, but his shirt was covered in blood as if he’d been in a
massacre. Like I said, total chaos.
When I got home I was as exhausted as an old railway
sleeper. I took a bath, downed a cold drink, snuggled into bed
too tired to think, turned off the light, and settled into a
peaceful sleep. And then the phone rang: a call from Sumire. I

66
looked at my bedside clock. I’d only slept for about an hour.
But I didn’t grumble. I was too tired to complain. Some days
are like that.
“Can I see you tomorrow afternoon?” she asked.
My woman friend was coming to my place at 6 p.m. She was
supposed to park her red Toyota Celica a little way down the
road. “I’m free till four,” I said.
*
Sumire had on a sleeveless white blouse, a navy-blue mini
skirt, and a tiny pair of sunglasses. Her only accessory was a
small plastic hairclip. An altogether simple outfit. She wore
almost no make-up, exposed to the world in her natural state.
Somehow, though, I didn’t recognize her at first. It had only
been three weeks since we last met, but the girl sitting across
from me at the table looked like someone who belonged to an
entirely different world from the Sumire I knew. To put it
mildly, she was thoroughly beautiful. Something inside her
was blossoming.
I ordered a small glass of draught beer, and she asked for
grape juice.
“I hardly recognize you these days,” I said.
“It’s that season,” she said disinterestedly, sipping at her
drink through a straw.
“What season?” I asked.
“A delayed adolescence, I guess. When I get up in the
morning and see my face in the mirror, it looks like someone
else’s. If I’m not careful, I might end up left behind.”
“So wouldn’t it be better to just let it go, then?” I said.
“But if I lost myself, where could I go?”
“If it’s for a couple of days, you can stay at my place. You’d
always be welcome—the you who lost you.”

67
Sumire laughed.
“All joking aside,” she said, “where in the world could I be
heading?”
“I don’t know. Look on the bright side—you’ve stopped
smoking, you’re wearing nice clean clothes—even your socks
match now—and you can speak Italian. You’ve learned how to
judge wines, use a computer, and at least for now go to sleep at
night and wake up in the morning. You must be heading
somewhere.”
“But I still can’t write a line.”
“Everything has its ups and downs.”
Sumire screwed up her lips. “Would you call what I’m going
through a defection?”
“Defection?” For a moment I couldn’t see what she meant.
“Defection. Betraying your beliefs and convictions.”
“You mean getting a job, dressing nicely, and giving up
writing novels?”
“Right.”
I shook my head. “You’ve always written because you
wanted to. If you don’t want to any more, why should you? Do
you think your not writing is going to cause a village to burn to
the ground? A ship to sink? The tides to get messed up? Or set
the revolution back five years? Hardly. I don’t think anybody’s
going to label that defection.”
“So what should I call it?”
I shook my head again. “The word defection’s too old-
fashioned. Nobody uses it any more. Go to some leftover
commune, maybe, and people might still use the word. I don’t
know the details, but if you don’t want to write any longer,
that’s up to you.”
“Commune? Do you mean the places Lenin made?”

68
“Those are called kolkhoz. There aren’t any left, though.”
“It’s not like I want to give up writing,” Sumire said. She
thought for a moment. “It’s just that when I try to write, I can’t.
I sit down at my desk and nothing comes—no ideas, no words,
no scenes. Zero. Not too long ago I had a million things to write
about. What in the world’s happening to me?”
“You’re asking me?”
Sumire nodded.
I took a sip of my cold beer and gathered my thoughts. “I
think right now it’s like you’re positioning yourself in a new
fictional framework. You’re preoccupied with that, so there’s
no need to put your feelings into writing. Besides, you’re too
busy.”
“Do you do that? Put yourself inside a fictional framework?”
“I think most people live in a fiction. I’m no exception. Think
of it in terms of a car’s transmission. It’s like a transmission that
stands between you and the harsh realities of life. You take the
raw power from outside and use gears to adjust it so
everything’s all nicely in sync. That’s how you keep your
fragile body intact. Does this make any sense?”
Sumire gave a small nod. “And I’m still not completely
adjusted to that new framework. That’s what you’re saying?”
“The biggest problem right now is that you don’t know what
sort of fiction you’re dealing with. You don’t know the plot; the
style’s still not set. The only thing you do know is the main
character’s name. Nevertheless, this new fiction is reinventing
who you are. Give it time, it’ll take you under its wing, and you
may very well catch a glimpse of a new world. But you’re not
there yet, which leaves you in a precarious position.”
“You mean I’ve taken out the old transmission, but haven’t
quite finished bolting down the new one? And the engine still’s

69
running. Right?”
“You could put it that way.”
Sumire made her usual sullen face and tapped her straw on
the hapless ice in her drink. Finally she looked up.
“I understand what you mean by precarious. Sometimes I feel
so—I don’t know—lonely. The kind of helpless feeling when
everything you’re used to has been ripped away. Like there’s
no more gravity, and I’m left to drift in outer space with no
idea where I’m going.”
“Like a little lost Sputnik?”
“I guess so.”
“But you do have Miu,” I said.
“At least for now.”
For a while silence reigned.
“Do you think Miu is seeking that, too?” I asked.
Sumire nodded. “I believe she is. Probably as much as I am.”
“Physical aspects included?”
“It’s hard to say. I can’t get a handle on it yet. What her
feelings are, I mean. Which makes me feel lost and confused.”
“A classical conundrum,” I said.
In place of an answer, Sumire screwed up her lips again.
“But as far as you’re concerned,” I said, “you’re ready to go.”
Sumire nodded once, unequivocally. She couldn’t have been
more serious. I sank back deep into my chair and clasped my
hands behind my head.
“After all this, don’t start to hate me, okay?” Sumire said. Her
voice was like a line from an old black-and-white Jean-Luc
Godard movie, filtering in just beyond the frame of my
consciousness.
“After all this, I won’t start to hate you.”
*

70
The next time I saw Sumire was two weeks later, on a Sunday,
when I helped her move. She’d decided to move all of a
sudden, and I was the only one who came to help. Other than
books, she owned very little, and the whole procedure was
over before we knew it. One good thing about being poor, at
least.
I borrowed a friend’s Toyota minivan and transported her
things over to her new place in Yoyogi-Uehara. The apartment
wasn’t so new or much to look at, but compared to her old
wooden building in Kichijoji—a place that should be on a list of
designated historical sites—it was definitely a step up. An
estate agent friend of Miu’s had located the place for her;
despite its convenient location, the rent was reasonable and it
boasted a nice view. It was also twice as big as the old place.
Definitely worth the move. Yoyogi Park was nearby, and she
could walk to work if the mood took her.
“Starting next month I’ll be working five days a week,” she
said. “Three days a week seems neither here nor there, and it’s
easier to stand commuting if you do it every day. I have to pay
more rent now, and Miu told me it’d be better all around if I
became a full-time employee. I mean, if I stay at home, I still
won’t be able to write.”
“Sounds like a good idea,” I commented.
“My life will get more organized if I work every day, and I
probably won’t be calling you up at 3.30 in the morning. One
good point about it.”
“One very good point,” I said. “But it’s sad to think you’ll be
living so far away from me.”
“You really feel that way?”
“Of course. Want me to rip out my heart and show you?”
I was sitting on the bare floor of the new apartment, leaning

71
against the wall. Sumire was so bereft of household goods the
new place looked deserted. There weren’t any curtains in the
windows, and the books that didn’t fit into the bookshelf lay
piled on the floor like a gang of intellectual refugees. The full-
length mirror on the wall, a moving present from Miu, was the
only thing that stood out. The caws of crows filtered in from
the park on the twilight breeze. Sumire sat down next to me.
“You know what?” she said.
“What?”
“If I were some good-for-nothing lesbian, would you still be
my friend?”
“Whether you’re a good-for-nothing lesbian or not doesn’t
matter. Imagine The Greatest Hits of Bobby Darin minus ‘Mack
the Knife’. That’s what my life would be like without you.”
Sumire narrowed her eyes and looked at me. “I’m not sure I
follow your metaphor, but what you mean is you’d feel really
lonely?”
“That’s about the size of it,” I said.
*
Sumire rested her head on my shoulder. Her hair was held
back by a small hairclip, and I could see her small, nicely
formed ears. Ears so pretty you’d think they had just been
created. Soft, easily injured ears. I could feel her breath on my
skin. She wore a pair of pink shorts and a faded, plain navy-
blue T-shirt. The outline of her small nipples showed through
the shirt. There was a faint odour of sweat. Her sweat and
mine, the two odours subtly combined.
I wanted to hold her so badly. I was seized by a violent desire
to push her down on the floor right then and there. But I knew
it would be wasted effort. Suddenly I found it hard to breathe,
and my field of vision narrowed. Time had lost an exit and

72
spun its wheels. Desire swelled up in my trousers, hard as a
rock. I was confused, bewildered. I tried to get a grip. I
breathed in a lungful of fresh air, closed my eyes, and in that
incomprehensible darkness I slowly began counting. My urges
were so overpowering that tears came to my eyes.
“I like you, too,” Sumire said. “In this whole big world, more
than anyone else.”
“After Miu, you mean,” I said.
“Miu’s a little different.”
“How so?”
“The feelings I have for her are different from how I feel
about you. What I mean is … hmm. How should I put it?”
“We good-for-nothing heterosexuals have a term for it,” I
said. “We say you get a hard-on.”
Sumire laughed. “Other than wanting to be a novelist, I’ve
never wanted anything so much. I’ve always been satisfied
with exactly what I have. But now, right at this moment, I want
Miu. Very, very much. I want to have her. Make her mine. I just
have to. There are no other choices. Not one. I have no idea why
things worked out like this. Does that … make sense?”
I nodded. My penis still maintained its overpowering
rigidity, and I prayed that Sumire wouldn’t notice.
“There’s a great line by Groucho Marx,” I said. ‘”She’s so in
love with me she doesn’t know anything. That’s why she’s in
love with me.’”
Sumire laughed.
“I hope things work out,” I said. “But try your best to stay
alert. You’re still vulnerable. Remember that.”
*
Without a word, Sumire took my hand and gently squeezed it.
Her small, soft hand had a faint sheen of sweat. I imagined her

73
hand stroking my rock-hard penis. I tried not to think that, but
couldn’t help it. As Sumire had said, there were no other
choices. I imagined taking off her T-shirt, her shorts, her
panties. Feeling her tight, taut nipples under my tongue.
Spreading her legs wide, entering that wetness. Slowly, into the
deep darkness within. It enticed me inside, enfolded me, then
pushed me out … The illusion grabbed me and wouldn’t let go.
I closed my eyes tight again and let a concentrated clump of
time wash over me. My face turned down, I waited patiently
for the overheated air to blow above me and away.
*
“Why don’t we have dinner together?” she asked. But I had to
take the minivan I borrowed back to Hino by the end of the
day. More than anything else, though, I had to be alone with
my violent urges. I didn’t want Sumire to get involved any
more than she already was. I didn’t know how far I could
control myself if she was beside me. Past the point of no return,
and I might completely lose it.
“Well, let me treat you to a nice dinner sometime soon, then.
Tablecloths, wine. The works. Maybe next week,” Sumire
promised as we said goodbye. “Keep your diary free for me
next week.”
“Okay,” I said.
*
I glanced at the full-length mirror as I passed by and saw my
face. It had a strange expression. It was my face, all right, but
where did that look come from? I didn’t feel like retracing my
steps and investigating further.
Sumire stood at the entrance to her new place to see me off.
She waved goodbye, something she rarely did.
In the end, like so many beautiful promises in our lives, that

74
dinner date never came to be. At the beginning of August I
received a long letter from her.

75
6

The envelope had a large, colourful Italian stamp on it and was
postmarked Rome, though I couldn’t make out when it had
been sent.
The day the letter arrived, I’d gone out to Shinjuku for the
first time in quite a while, picked up a couple of new books at
the Kinokuniya bookshop, and taken in a Luc Besson movie.
Afterwards I stopped by a beer hall and enjoyed an anchovy
pizza and a mug of dark beer. Only just beating the rush hour, I
boarded the Chuo Line and read one of my new books until I
arrived home at Kunitachi. I planned to make a simple dinner
and watch a football match on TV. The ideal way to spend a
summer holiday. Hot, alone, and free, not bothering anyone,
and nobody bothering me.
When I got back home, there was a letter on the mat. The
sender’s name wasn’t on the envelope, but one glance at the
handwriting told me it was from Sumire. Hieroglyphic writing,

76
compact, hard, uncompromising. Writing that reminded me of
the beetles they discovered inside the pyramids of Egypt. Like
it’s going to start crawling and disappear back into the
darkness of history.
Rome?
*
I put the food I’d bought at a supermarket in the fridge and
poured myself a tall glass of iced tea. I sat down in a chair in
the kitchen, slit open the envelope with a paring knife, and
read the letter. Five pages of stationery from the Rome
Excelsior Hotel, crammed full of tiny writing in blue ink. Must
have taken a lot of time to write that much. On the last page, in
one corner, was some sort of stain—coffee, perhaps.
*
How are you?

I can imagine how surprised you must be to all of
a sudden get a letter from me from Rome. You’re
so cool, though, it’d probably take more than
Rome to surprise you. Rome’s a bit too touristy.
It’d have to be some place like Greenland,
Timbuktu, or the Strait of Magellan, wouldn’t it?
Though I can tell you I find it hard to believe that
here I am in Rome.

Anyway, I’m sorry I wasn’t able to take you out
to dinner like we planned. This Europe trip came
right out of the blue, just after I moved. Then it
was utter madness for a few days—running out
to apply for a passport, buying suitcases,
finishing up some work I’d begun. I’m not very

77
good at remembering things—I don’t need to tell
you, do I?—but I do try my best to keep my
promises. The ones I remember, that is. Which is
why I want to apologize for not keeping our
dinner date.
I really enjoy my new apartment. Moving is
certainly a pain (I know you did most of the
work, for which I’m grateful; still, it’s a pain), but
once you’re all moved in it’s pretty nice. There’re
no roosters crowing in my new place, as in
Kichijoji, instead a lot of crows making a racket
like some old wailing women. At dawn flocks of
them assemble in Yoyogi Park, and make such a
ruckus you’d think the world was about to end.
No need for an alarm clock, since the racket
always wakes me up. Thanks to which I’m now
like you, living an early-to-bed-early-to-rise
farmer’s lifestyle. I’m beginning to understand
how it feels to have someone call you at 3.30 in
the morning. Beginning to understand, mind you.
I’m writing this letter at an outdoor cafe on a
side street in Rome, sipping espresso as thick as
the devil’s sweat, and I have this strange feeling
that I’m not myself any more. It’s hard to put it
into words, but I guess it’s as if I was fast asleep,
and someone came, disassembled me, and
hurriedly put me back together again. That sort of
feeling. Can you understand what I’m getting at?
My eyes tell me I’m the same old me, but
something’s different from usual. Not that I can
clearly recall what “usual” was. Ever since I

78
stepped off the plane I can’t shake this very real,
deconstructive illusion. Illusion? I guess that’s the
word …
Sitting here, asking myself, “Why am I in Rome
of all places?” everything around me starts to
look unreal. Of course if I trace the details of how
I got here I can come up with an explanation, but
on a gut level I’m still not convinced. The me
sitting here and the image of me I have are out of
sync. To put it another way, I don’t particularly
need to be here, but nonetheless here I am. I know
I’m being vague, but you understand me, don’t
you?
There’s one thing I can say for sure: I wish you
were here with me. Even though I have Miu with
me, I’m lonely being so far away from you. If we
were even farther apart, I know I’d feel even more
lonely. I’d like to think you feel the same way.

So anyway, here Miu and I are, traipsing around
Europe. She had some business to take care of
and was planning originally to go around Italy
and France by herself for two weeks, but asked
me to come along as her personal secretary. She
just blurted this out one morning, took me
completely by surprise. My title might be
“personal secretary”, but I don’t think I’m much
use to her; still, the experience will do me good,
and Miu tells me the trip’s her present to me for
stopping smoking. So all the agony I went
through paid off in the end.

79
We landed first in Milan, went sightseeing, then
rented a blue Alfa Romeo and headed south on
the autostrada. We went around a few vineyards
in Tuscany, and after taking care of business
stayed a few nights in a charming little hotel, and
then arrived in Rome. Business is always
conducted in either English or French, so I don’t
have much of a role to play, though my Italian
has come in handy in day-to-day things as we
travel. If we went to Spain (which unfortunately
won’t happen on this trip), I might be of more use
to Miu.

The Alfa Romeo we rented was a manual drive,
so I was no help at all. Miu did all the driving.
She can drive for hours and never seems to mind.
Tuscany is all hills and curves, and it was
amazing how smoothly she shifted gears up and
down; watching her made me (and I’m not joking
here) shiver all over. Being away from Japan, and
simply being by her side are quite enough to
satisfy me. If only we could stay this way for ever.
Next time I’ll write about all the wonderful
meals and wine we’ve had in Italy; it’d take too
much time to do so now. In Milan we walked
from store to store shopping. Dresses, shoes,
underwear. Other than some pyjamas (I’d
forgotten to take mine), I didn’t buy anything. I
didn’t have much money, and besides there were
so many beautiful things I had no idea where to
start. That’s the situation where my sense of

80
judgement blows a fuse. Just being with Miu as
she shopped was sufficient. She’s an absolute
master shopper, choosing only the most exquisite
things, and buying only a select few. Like taking a
bite of the tastiest part of a dish. Very smart and
charming. When I watched her select some
expensive silk stockings and underwear I found it
hard to breathe. Drops of sweat bubbled up on
my forehead. Which is pretty strange when you
think about it. I’m a girl, after all. I guess that’s
enough about shopping—writing about all that as
well will make this too long.

At hotels we stay in separate rooms. Miu seems
very insistent on this. Only once, in Florence,
when our reservation got messed up somehow,
did we end up having to share a room. It had
twin beds, but just being able to sleep in the same
room with her made my heart leap. I caught a
glimpse of her coming out of the bath with a
towel wrapped around her, and of her changing
her clothes. Naturally I pretended not to look and
read my book, but I did manage a peek. Miu has a
truly gorgeous figure. She wasn’t completely
nude, but wore some tiny underwear; still her
body was enough to take my breath away. Very
slim, tight buns, a thoroughly attractive woman. I
wish you could have seen it—though it’s a little
weird for me to say that.
I imagined being held by that lithe, slim body.
All sorts of obscene images came to mind of us as

81
I lay in bed in the same room with her, and I felt
these thoughts gradually pushing me to some
other place. I think I got a little too worked up—
my period started that same night, way ahead of
schedule. What a pain that was. Hmm. I know
telling you this isn’t going to get me anywhere.
But I’ll go ahead anyway—just to get the facts
down on paper.

Last night we attended a concert in Rome. I
wasn’t expecting much, it being the off-season,
but we managed to enjoy an incredible
performance. Martha Argerich playing Liszt’s
Piano Concerto No. 1. I adore that piece. The
conductor was Giuseppe Sinopoli. What a
performance! Can’t get bored when you listen to
that kind of music—it was absolutely the most
expansive, fantastic music I’ve ever heard. Come
to think of it, maybe it was a bit too perfect for my
taste. Liszt needs to be a bit slippery, and
furtive—like music at a village festival. Take out
the difficult parts and let me feel the thrill—that’s
what I like. Miu and I agreed on this point.
There’s a Vivaldi festival in Venice, and we’re
talking about going. Like when you and I talk
about literature, Miu and I can talk about music
till the cows come home.

This letter’s getting pretty long, isn’t it? It’s like
once I take hold of a pen and start to write I can’t
stop halfway. I’ve always been like that. They say

82
well brought up girls don’t overstay their
welcome, but when it comes to writing (maybe
not just writing?) my manners are hopeless. The
waiter, with his white jacket, sometimes looks
over at me with this disgusted look on his face.
But even my hand gets tired, I’ll admit. Besides,
I’ve run out of paper.

Miu is out visiting an old friend in Rome, and I
wandered the streets near the hotel, then decided
to take a break in this cafe I came across, and here
I am busily writing away to you. Like I’m on a
desert island and I’m sending out a message in a
bottle. Strange thing is, when I’m not with Miu I
don’t feel like going anywhere. I’ve come all this
way to Rome (and most likely won’t come back
again), but I just can’t rouse myself to get up and
see those ruins—what do they call those?—or
those famous fountains. Or even to go shopping.
It’s enough just to sit here in a cafe, sniff the smell
of the city, like a dog might, listen to voices and
sounds, and gaze at the faces of the people
passing by.
And suddenly I just got the feeling, while
writing this letter to you, that what I described in
the beginning—the strange sense of being
disassembled—is starting to fade. It doesn’t
bother me so much now. It’s like the way I feel
when I’ve called you up in the middle of the night
and just finished the call and stepped out of the
phone box. Maybe you have that kind of effect on

83
me?
What do you think? At any rate, please pray for
my happiness and good fortune. I need your
prayers.
Bye for now.

P.S. I’ll probably be back home around the 15th of
August. Then we can have dinner together — I
promise! — before the summer’s over.
*
Five days later a second letter came, posted from some obscure
French village. A shorter letter than the first one. Miu and
Sumire had left their rental car in Rome and taken a train to
Venice. There they listened to two full days of Vivaldi. Most of
the concerts were held at the church where Vivaldi had served
as a priest. “If I don’t hear any more Vivaldi for six months
that’s fine by me,” wrote Sumire. Her descriptions of how
delicious the paper-wrapped grilled seafood was in Venice
were so realistic it made me want to dash off to Venice to try
some for myself.
After Venice they returned to Milan, then flew to Paris. They
took a break there, shopping some more, then boarded a train
to Burgundy. One of Miu’s good friends owned a huge house, a
manor really, where they stayed. As in Italy, Miu made the
rounds of several small vineyards on business. On free
afternoons they took a picnic-basket lunch and went walking in
the woods nearby. With a couple of bottles of wine to
complement the meal, of course. “The wine here is simply out
of this world,” Sumire wrote.

Somehow, though, it looks like our original plan

84
of returning to Japan on the 15th of August is
going to change. After our work is done in France
we may be taking a short holiday on a Greek
island. This English gentleman we happened to
meet here—a real gentleman, mind you—owns a
villa on the island and invited us to use it for as
long as we like. Great news! Miu likes the idea,
too. We need a break from work, some time to
just kick back and relax. The two of us lying on
the pure white beaches of the Aegean, two
beautiful sets of breasts pointed towards the sun,
sipping wine with a scent of pine resin in it, just
watching the clouds drift by. Doesn’t that sound
wonderful?

It certainly does, I thought.
That afternoon I went to the public pool and paddled around,
stopped in a nicely air-conditioned coffee shop on the way
home, and read for an hour. When I got back to my place I
listened to both sides of an old Ten Years After LP while
ironing three shirts. Ironing done, I drank some cheap wine I’d
got on sale, mixed with Perrier, and watched a football match
I’d videotaped. Every time I saw a pass I thought I wouldn’t
have made myself, I shook my head and sighed. Judging the
mistakes of strangers is an easy thing to do—and it feels pretty
good.
After the football match I sank back in my chair, stared at the
ceiling, and imagined Sumire in her village in France. By now
she was already on that Greek island. Lying on the beach,
gazing at the passing clouds. Either way, she was a long way
from me. Rome, Greece, Timbuktu, Aruanda—it didn’t matter.

85
She was far, far away. And most likely that was the future in a
nutshell, Sumire growing ever more distant. It made me sad. I
felt like I was some meaningless bug clinging for no special
reason to a high stone wall on a windy night, with no plans, no
beliefs. Sumire said she missed me. But she had Miu beside her.
I had no one. All I had was—me. Same as always.
*
Sumire didn’t come back on 15 August. Her phone still just had
a curt I’m-away-on-a-trip recording on it. One of her first
purchases after she moved was a phone with an answering
machine, so she wouldn’t have to go out on rainy nights,
umbrella in hand, to a phone box. An excellent idea all round. I
didn’t leave a message.
*
I called her again on the 18th but got the same recording. After
the lifeless beep I left my name and a simple message for her to
call me when she got back. Most likely she and Miu found their
Greek island too much fun to want to leave.
*
In the interval between my two calls I coached one football
practice at my school and slept once with my girlfriend. She
was well tanned, having just returned from a holiday in Bali
with her husband and two children. As I held her I thought of
Sumire on her Greek island. Inside her, I couldn’t help but
imagine Sumire’s body.
If I hadn’t known Sumire I could have easily fallen for this
woman, seven years my senior (and whose son was one of my
students). She was a beautiful, energetic, kind woman. She
wore a bit too much make-up for my liking, but dressed nicely.
She worried about being a little overweight, but shouldn’t
have. I certainly wasn’t about to complain about her sexy
figure. She knew all my desires, everything I wanted and didn’t

86
want. She knew just how far to go and when to stop—in bed
and out. Made me feel like I was flying first class.
“I haven’t slept with my husband for almost a year,” she
revealed to me as she lay in my arms. “You’re the only one.”
*
But I couldn’t love her. For whatever reason, that
unconditional, natural intimacy Sumire and I had just wasn’t
there. A thin, transparent veil always came between us. Visible
or not, a barrier remained. Awkward silences came on us all
the time—particularly when we said goodbye. That never
happened with me and Sumire. Being with this woman
confirmed one undeniable fact: I needed Sumire more than
ever.
After the woman left, I went for a walk alone, wandered
aimlessly for a while, then dropped by a bar near the station
and had a Canadian Club on the rocks. As always at times like
those, I felt like the most wretched person alive. I quickly
drained my first drink and ordered another, closed my eyes
and thought of Sumire. Sumire, topless, sunbathing on the
white sands of a Greek island. At the table next to mine four
college boys and girls were drinking beer, laughing, and
having a good time. An old number by Huey Lewis and the
News was playing. I could smell pizza baking.
When did my youth slip away from me? I suddenly thought.
It was over, wasn’t it? Seemed just like yesterday I was still only
half grown up. Huey Lewis and the News had a couple of hit
songs then. Not so many years ago. And now here I was, inside
a closed circuit, spinning my wheels. Knowing I wasn’t getting
anywhere, but spinning just the same. I had to. Had to keep
that up or I wouldn’t be able to survive.
*

87
That night I got a phone call from Greece. At 2 a.m.
But it wasn’t Sumire. It was Miu.

88
7

The first thing I heard was a man’s deep voice in heavily
accented English, spouting my name and then shouting, “I’ve
reached the right person, yes?” I’d been fast asleep. My mind
was a blank, a rice paddy in the middle of a rainstorm, and I
couldn’t work out what was going on. The bed sheets still
retained a faint memory of the afternoon’s lovemaking, and
reality was one step out of line, a cardigan with the buttons
done up wrong. The man spoke my name again. “I’ve reached
the right person, yes?”
“Yes, you have,” I replied. It didn’t sound like my name, but
there it was. For a while there was a crackle of static, as if two
different air masses had collided. Must be Sumire making an
overseas call from Greece, I imagined. I held the receiver away
from my ear a bit, waiting for her voice to come on. But the
voice I heard next wasn’t Sumire’s, but Miu’s.
“I’m sure you’ve heard about me from Sumire?”

89
“Yes, I have,” I answered.
Her voice on the phone line was distorted by some far-off,
inorganic substance, but I could still sense the tension in it.
Something rigid and hard flowed through the phone like
clouds of dry ice and into my room, throwing me wide awake.
I sat bolt upright in bed and adjusted my grip on the receiver.
“I have to talk quickly,” said Miu breathlessly. “I’m calling
from a Greek island, and it’s next to impossible to get through
to Tokyo—even when you do they cut you off. I tried so many
times, and finally got through. So I’m going to skip formalities
and get right to the point, if you don’t
mind?”
“I don’t mind,” I said.
”Can you come here?”
“By here, you mean Greece?”
“Yes. As soon as you possibly can.”
I blurted out the first thing that came to mind. “Did
something happen to Sumire?”
A pause as Miu took in a breath. “I still don’t know. But I
think she would want you to come here. I’m certain of it.”
“You think she would?”
“I can’t go into it over the phone. There’s no telling when
we’ll be cut off, and besides, it’s a delicate sort of problem, and
I’d much rather talk to you face to face. I’ll pay the return fare.
Just come. The sooner the better. Just buy a ticket. First class,
whatever you like.”
The new term at school began in ten days. I’d have to be back
before then, but if I wanted to, a round trip to Greece wasn’t
beyond the realm of possibility. I was scheduled to go to school
twice during the break to take care of some business, but I
should be able to have somebody cover for me.

90
“I’m pretty sure I can come,” I said. “Yes, I think I can. But
where exactly is it I’m supposed to go?”
She told me the name of the island. I wrote down what she
said on the inside cover of a book next to my bed. It sounded
vaguely familiar.
“You take a plane from Athens to Rhodes, then take a ferry.
There are two ferries a day to the island, one in the morning
and one in the evening. I’ll go down to the harbour whenever
the ferries arrive. Will you come?”
“I think I’ll make it somehow. It’s just that I—” I started to
say, and the line went dead. Suddenly, violently, like someone
taking an axe to a rope. And again that awful static. Thinking
we might be connected again, I sat there for a minute, phone
against my ear, waiting, but all I heard was that grating noise. I
hung up the phone and got out of bed. In the kitchen I had a
glass of cold barley tea and leaned back against the fridge,
trying to gather my thoughts.
Was I really going to get on a plane and fly all the way to
Greece?
The answer was yes. I had no other choice.
*
I pulled a large world atlas down from my bookshelf to locate
the island Miu had told me about. It was near Rhodes, she’d
said, but it was no easy task to find it among the myriad islands
that dotted the Aegean. Finally, though, I was able to spot, in
tiny print, the name of the place I was looking for. A small
island near the Turkish border. So small you couldn’t really tell
its shape.
I pulled my passport out of a drawer and checked it was still
valid. Next I gathered all the cash I had in the house and
stuffed it in my wallet. It didn’t amount to much, but I could

91
withdraw more from the bank in the morning. I had some
money in a savings account and had barely touched my
summer bonus. That and my credit card and I should be able to
come up with enough for a return ticket to Greece. I packed
some clothes in a vinyl gym bag and tossed in a toilet kit. And
two Joseph Conrad novels I’d been meaning to re-read. I
hesitated about packing my swimming trunks, but ended up
taking them. Maybe I’d get there and whatever problem there
was would be solved, everybody healthy and happy, the sun
hanging peacefully in the sky, and I’d enjoy a leisurely swim or
two before I had to come home—which of course would be the
best outcome for everyone involved.
Those things taken care of, I turned out the light, sunk my
head back on the pillow, and tried to go back to sleep. It was
just past three, and I could still catch a few winks before
morning. But I couldn’t sleep. Memories of that harsh static
thrummed in my blood. Deep inside my head I could hear that
man’s voice, barking out my name. I switched on the light, got
out of bed again, went to the kitchen, brewed some iced tea,
and drank it. Then I replayed the entire conversation I’d had
with Miu, every word in order. Her words were vague,
abstract, full of ambiguities. But there were two facts in what
she told me. I wrote them both down on a memo pad.

1. Something has happened to Sumire. But Miu
doesn’t know what it is.
2. I have to get there as soon as possible. Sumire,
too, Miu thinks, wants me to do that.

I stared at the memo pad. And I underlined two
phrases.

92

1. Something has happened to Sumire. But Miu
doesn’t know what it is.
2. I have to get there as soon as possible. Sumire,
too, Miu thinks, wants me to do that.

I couldn’t imagine what had happened to Sumire on that small
Greek island. But I was sure it had to be something bad. The
question was, how bad? Until morning there wasn’t a thing I
could do about it. I sat in my chair, feet up on the table, reading
a book and waiting for the first light to show. It seemed to take
forever.
*
At first light I boarded the Chuo Line to Shinjuku, hopped
aboard the Narita Express, and arrived at the airport. At nine I
made the rounds of airline ticket counters, only to learn that
there weren’t any direct flights between Narita and Athens.
After a bit of trial and error I booked a business-class seat on
the KLM flight to Amsterdam. I’d be able to change there onto
a flight to Athens. Then at Athens I’d take an Olympic Airways
domestic flight to Rhodes. The KLM people made all the
arrangements. As long as no problems arose, I should be able
to make the two connections okay. It was the fastest way to get
there. I had an open ticket for the return flight, and I could
come back any time in the next three months. I paid by credit
card. Any bags to check in? they asked me. No, I replied.
I had time before my flight, so I ate breakfast at the airport
restaurant. I withdrew some cash from an ATM and bought
dollar traveller’s cheques. Next I bought a guidebook to Greece
in the bookshop. The name of the island Miu told me wasn’t in
the little book, but I did need to get some information about the

93
country—the currency, the climate, the basics. Other than the
history of ancient Greece and classical drama, there wasn’t
much I knew about the place. About as much as I knew of the
geography of Jupiter or the inner workings of a Ferrari’s
cooling system. Not once in my life had I considered the
possibility of going to Greece. At least not until 2 a.m. on that
particular day.
*
Just before noon I phoned one of my fellow teachers.
Something unfortunate happened to a relative of mine, I told
her, I’ll be away from Tokyo for about a week, so I wonder if
you’d take care of things at school until I get back. No problem,
she replied. We’d helped each other out like this a number of
times, it was no big deal. “Where are you going?” she asked
me. “Shikoku,” I answered. I just couldn’t very well tell her I
was heading off to Greece.
“I’m sorry to hear that,” she said. “Anyway, make sure you
get back in time for the start of the new term. And pick up a
souvenir for me if you can, okay?”
“Of course,” I said. I’d work that one out later.
I went to the business-class lounge, lay back in a sofa, and
dozed for a bit, an unsettled sleep. The world had lost all sense
of reality. Colours were unnatural, details crude. The
background was papier mache, the stars made out of
aluminium foil. You could see the glue and the heads of the
nails holding it all together. Airport announcements flitted in
and out of my consciousness. “All passengers on Air France
flight 275, bound for Paris.” In the midst of this illogical
dream—or uncertain wakefulness—I thought about Sumire.
Like some documentary of ages past, fragments sprang to mind
of the times and places we’d shared. In the bustle of the airport,

94
passengers dashing here and there, the world I shared with
Sumire seemed shabby, helpless, uncertain. Neither of us knew
anything that really mattered, nor did we have the ability to
rectify that. There was nothing solid we could depend on. We
were almost boundless zeros, just pitiful little beings swept
from one kind of oblivion to another.
I woke in an unpleasant sweat, my shirt plastered to my
chest. My body was listless, my legs swollen. I felt as if I’d
swallowed an overcast sky. I must have looked pale. One of the
lounge staff asked me, worriedly, if I was okay. “I’m all right,”
I replied, “the heat’s just getting to me.” Would you like
something cold to drink? she asked. I thought for a moment
and asked for a beer. She brought me a chilled facecloth, a
Heineken, and a bag of salted peanuts. After wiping my sweaty
face and drinking half the beer, I felt better. And I could sleep a
little.
*
The flight left Narita just about on time, taking the polar route
to Amsterdam. I wanted to sleep some more, so I had a couple
of whiskys and when I woke up, had a little dinner. I didn’t
have much of an appetite and skipped breakfast. I wanted to
keep my mind a blank, so when I was awake I concentrated on
reading Conrad.
In Amsterdam I changed planes, arrived in Athens, went to
the domestic flight terminal, and, with barely a moment to
spare, boarded the 727 bound for Rhodes. The plane was
packed with an animated bunch of young people from every
imaginable country. They were all tanned, dressed in T-shirts
or tank tops and cut-off jeans. Most of the young men were
growing beards (or maybe had forgotten to shave) and had
dishevelled hair pulled back in ponytails. Dressed in beige

95
slacks, a white short-sleeve polo shirt and dark-blue cotton
jacket, I looked out of place. I’d even forgotten to bring any
sunglasses. But who could blame me? Not too many hours
before I had been in my apartment in Kunitachi, worrying
about what I should do with my rubbish.
At Rhodes airport I asked at the information desk where I
could catch the ferry to the island. It was at a harbour nearby. If
I hurried, I might be able to make the evening ferry. “Isn’t it
sold out sometimes?” I asked, just to be sure. The pointy-nosed
woman of indeterminate age at the information counter
frowned and waved her hand dismissively. “They can always
make room for one more,” she replied. “It’s not an elevator.”
*
I hailed a taxi and headed to the harbour. “I’m in a hurry,” I
told the driver, but he didn’t seem to catch my meaning. The
cab didn’t have any air-conditioning, and a hot, dusty wind
blew in the open window. All the while the taxi driver, in
rough, sweaty English, ran on and on with some gloomy
diatribe about the Euro. I made polite noises to show I was
following, but I wasn’t really listening. Instead, I squinted at
the bright Rhodes scenery passing by outside. The sky was
cloudless, not a hint of rain. The sun baked the stone walls of
the houses. A layer of dust covered the gnarled trees beside the
road, and people sat in the shade of the trees or under open
tents and gazed, almost silently, at the world. I began to
wonder if I was in the right place. The gaudy signs in Greek
letters, however, advertising cigarettes and ouzo and
overflowing the road from the airport into town, told me that—
sure enough—this was Greece.
The evening ferry was still in the port. It was bigger than I’d
imagined. In the stern was a space for transporting cars, and

96
two medium-sized lorries full of food and sundries and an old
Peugeot sedan were already aboard, waiting for the ship to pull
out of the port. I bought a ticket and got on, and I’d barely
taken a seat on a deckchair when the line to the dock was
untied and the engines roared into life. I sighed and looked up
at the sky. All I could do now was wait for the ship to take me
where I was going.
I removed my sweaty, dusty cotton jacket, folded it and
stuffed it in my bag. It was 5 p.m., but the sun was still in the
middle of the sky, the sunlight overpowering. The breeze
blowing from the bow under the canvas awning wafted over
me, and ever so slowly I began to feel calmer. The gloomy
emotions that had swept through me in the lounge at Narita
airport had disappeared. Though there was still a bitter
aftertaste.
*
There were only a few tourists on board, so I guessed that the
island I was heading for was not such a popular holiday spot.
The vast majority of passengers were locals, mainly old people
who’d taken care of business on Rhodes and were heading
home. Their purchases lay carefully at their feet, like fragile
animals. The old people’s faces were all deeply etched with
wrinkles and deadpan, as if the overpowering sun and a
lifetime of hard work had robbed them of all expression.
There were also a few young soldiers on board. And two
hippie travellers, heavy-looking backpacks in hand, sitting on
the deck. Both with skinny legs and grim faces.
There was a teenage Greek girl, too, in a long skirt. She was
lovely, with deep, dark eyes. Her long hair blew in the breeze
as she chatted to her girlfriend. A gentle smile played around
the corners of her mouth, as if something wonderful was about

97
to occur. Her gold earrings glinted brightly in the sun. The
young soldiers leaned against the deck railing, smoking,
looking cool, throwing a quick glance in the girl’s direction
from time to time.
I sipped a lemon soda I’d bought at the ferry’s canteen and
gazed at the deep blue sea and the tiny islands floating by.
Most were not so much islands as crags in the sea, completely
deserted. White seabirds rested on the tip of the rocks, scanning
the ocean for fish. They ignored our ship. Waves broke at the
foot of the cliffs, creating a dazzling white border. Occasionally
I spotted an inhabited island. Tough-looking trees grew all over
it, and white-walled houses dotted the slopes. Brightly
coloured boats bobbed in the inlet, their tall masts inscribing
arcs as they rolled with the waves.
A wrinkled old man sitting next to me offered me a cigarette.
Thank you, I smiled, waving my hand, but I don’t smoke. He
proffered a stick of spearmint gum instead. I took it gratefully,
and continued to gaze out to sea as I chewed.
It was after seven when the ferry reached the island. The
blazing sun had passed its zenith, but the sky was as light as
before, the summer light actually increasing in brilliance. As if
on some huge nameplate, the name of the island was written in
gigantic letters on the white walls of a building in the harbour.
The ferry sidled up to the wharf, and one by one the passengers
walked down the gangplank, luggage in hand. An open-air
café faced the harbour, and people who’d come to meet the
ship waited there until they recognized the people they were
looking for.
As soon as I debarked I looked around for Miu. But there was
no one around who might be her. Several owners of inns came
up, asking me if I was looking for a place to stay for the night.

98
“No, I’m not,” I said each time, shaking my head. Even so, each
one handed me a card before leaving.
The people who’d left the ship with me scattered in all
directions. Shoppers trudged home, travellers went off to
hotels and inns. As soon as the people who’d come to greet
their returning friends spotted them, they hugged each other
tightly or shook hands, and off they’d go. The two lorries and
the Peugeot, too, were unloaded and roared off into the
distance. Even the cats and dogs that had assembled out of
curiosity were gone before long. The only ones left were a
group of sunburned old folks with time on their hands. And
me, gym bag in hand, thoroughly out of place.
I took a seat at the café and ordered an iced tea, wondering
what I should do next. There wasn’t much I could do. Night
was fast approaching, and I knew nothing about the island and
the layout of the land. If nobody came after a while, I’d get a
room somewhere and the next morning come back to the
harbour, hopefully to meet with Miu. According to Sumiré,
Miu was a methodical woman, so I couldn’t believe she’d stand
me up. If she couldn’t make it to the harbour, there must be
some very good explanation. Maybe she didn’t think I’d get
here so quickly.
I was starving. A feeling of such extreme hunger I felt sure
you could see through me. All the fresh sea air must have made
my body realize it hadn’t had any nourishment since morning.
I didn’t want to miss Miu, though, so I decided to wait some
more in the cafe. Every so often a local would pass by and give
me a curious glance.
At the kiosk next to the cafe I bought a small English
pamphlet about the history and geography of the island. I
leafed through it as I sipped the incredibly tasteless iced tea.

99
The island’s population ranged from 3,000 to 6,000, depending
on the season. The population went up in the summer with the
number of tourists, down in winter when people went
elsewhere in search of work. The island had no industry to
speak of, and agriculture was pretty limited—olives and a
couple of varieties of fruit. And there was fishing and sponge-
diving. Which is why, since the beginning of the twentieth
century, most of the islanders had emigrated to America. The
majority moved to Florida, where they could put their fishing
and sponging skills to good use. There was even a town in
Florida with the same name as the island.
On top of the hills was a military radar installation. Near the
civilian harbour was a second, smaller harbour where military
patrol ships docked. With the Turkish border nearby, the
Greeks wanted to prevent illegal border crossings and
smuggling, which is why there were soldiers in the town.
Whenever there was a dispute with Turkey—in fact small-scale
skirmishes often broke out—traffic in and out of the harbour
picked up.
More than 2,000 years ago, when Greek civilization was at its
peak, this island, situated along the main route to Asia,
flourished as a trading centre. Back then the hills were still
covered with green trees, put to good use by the thriving ship-
building industry. When Greek civilization declined, though,
and all the trees had been cut down (an abundant greenery
never to return again), the island quickly slid downhill
economically. Finally, the Turks came in. Their rule was
draconian, according to the pamphlet. If something wasn’t to
their liking, they’d lop off people’s ears and noses as easily as
pruning trees. At the end of the nineteenth century, after
countless bloody battles, the island finally won its

100
independence from Turkey, and the blue-and-white Greek flag
fluttered over the harbour. Next came Hitler. The Germans
built a radar and weather station on top of the hills to monitor
the nearby sea, since the hills provided the best possible view.
An English bombing force from Malta bombed the station. It
bombed the harbour as well as the hilltop, sinking a number of
innocent fishing boats and killing some hapless fishermen.
More Greeks died in the attack than did Germans, and some
old-timers still bore a grudge over the incident.
*
Like most Greek islands there was little flat space here, it was
mostly steep, unforgiving hills, with only one town along the
shore, just south of the harbour. Far from the town was a
beautiful, quiet beach, but to get to it you had to climb over a
steep hill. The easily accessible places didn’t have such nice
beaches, which might be one reason the number of tourists
remained static. There were some Greek Orthodox monasteries
up in the hills, but the monks led strictly observant lives, and
casual visitors weren’t allowed. As far as I could tell from
reading the pamphlet, this was a pretty typical Greek island.
For some reason, though, Englishmen found the island
particularly charming (the British are a bit eccentric) and, in
their zeal for the place, built a colony of summer cottages on a
rise near the harbour. In the late 1960s several British writers
lived there and wrote their novels while gazing at the blue sea
and the white clouds. Several of their works became critically
acclaimed, resulting in the island garnering a reputation among
the British literati as a romantic spot. As far as this notable
aspect of their island’s culture was concerned, though, the local
Greek inhabitants couldn’t have cared less.
*

101
I read all this to take my mind off how hungry I was. I closed
the pamphlet and looked around me again. The old people in
the café gazed unceasingly at the sea, as if they were
contestants in a staring contest. It was already eight o’clock,
and my hunger was turning into something close to physical
pain. The smell of roast meat and grilled fish drifted over from
somewhere and, like a good-natured torturer, seized me by the
guts. I couldn’t endure it any more and stood up. Just as I
picked up my bag and was about to start searching for a
restaurant, a woman silently appeared before me.
*
The sun, finally sinking into the sea, shone directly on the
woman, her knee-length white skirt rippling slightly as she
strode down the stone steps. She wore small tennis shoes, and
her legs were girlish. She had on a sleeveless light-green
blouse, a narrow-brimmed hat and carried a small cloth
shoulder bag. The way she walked was so natural, so ordinary,
she blended into the scenery, and at first I took her for a local.
But she was heading straight for me, and as she approached I
could make out her Asian features. Half reflexively I sat down,
then stood up again. The woman removed her sunglasses and
spoke my name.
“Sorry I’m so late,” she said. “I had to go to the police station,
and all the paperwork took a long time. And I never imagined
you’d be here today. Tomorrow at noon at the earliest, I
thought.”
“I managed to make all my connections,” I said. The police
station?
Miu looked straight at me and smiled faintly. “If it’s all right
with you, why don’t we go somewhere to eat and talk. I’ve
only had breakfast today. How about you? Are you hungry?”

102
You’d better believe it, I replied.
*
She led me to a taverna on a side street near the harbour. There
was a charcoal grill set up near the entrance and all kinds of
fresh seafood cooking away on the iron grill. Do you like fish?
Asked Miu, and I said I did. She spoke to the waiter, ordering
in broken Greek. First he brought a carafe of white wine, bread,
and olives. Without any toasts or further ado, we poured
ourselves some wine and started drinking. I ate some of the
coarse bread and a few olives to ease my hunger pangs.
Miu was beautiful. My first impression was of that clear and
simple fact. No, maybe it wasn’t that clear or that simple.
Maybe I was under some terrible mistaken impression. Maybe
for some reason I’d been swallowed up in some other person’s
unalterable dream. Thinking about it now, I can’t rule out that
possibility. All I can say for sure is that at that moment I saw
her as an extremely lovely woman.
She wore several rings on her slim fingers. One was a simple
gold wedding band. While I tried hurriedly to arrange my first
impressions of her in some kind of order, she gazed at me with
gentle eyes, taking an occasional sip of wine.
“I feel like I’ve met you before,” she said. “Perhaps because I
hear about you all the time.”
“Sumire’s told me a lot about you, too,” I said.
Miu beamed. When she smiled, and then only, charming
small lines appeared at the corners of her eyes. “I guess we can
forgo introductions, then.”
I nodded.
What I liked most about Miu was that she didn’t try to hide
her age. According to Sumire, she must be 38 or 39. And indeed
she looked that age. With her slim, tight figure, a little make-up

103
and she’d easily pass for late twenties. But she didn’t make the
effort. Miu let age naturally rise to the surface, accepted it for
what it was, and made her peace with it.
*
Miu popped an olive into her mouth, grasped the pit with her
fingers and, like a poet getting the punctuation just right,
gracefully discarded it in an ashtray.
“I’m sorry to call you up like that in the middle of the night,”
she said. “I wish I could have explained things better then, but I
was too upset and didn’t know where to begin. I’m still not
totally calm, but my initial confusion has settled a bit.”
“What in the world happened?” I asked.
Miu brought her hands together on the table, separated them,
brought them together again. “Sumire has disappeared.”
“Disappeared?”
“Like smoke,” Miu said. She took a sip of wine.
She continued. “It’s a long story, so I think I’d better start at
the beginning and tell it in the right order. Otherwise some of
the nuances might not come through. The story itself is quite
subtle. But let’s eat first. It’s not like each second counts right
now, and it’s hard to think straight if you’re hungry. Also, it’s a
bit too noisy to talk here.”
The restaurant was filled with Greeks gesturing and talking
boisterously. So that we didn’t have to shout at each other, Miu
and I leaned forward across the table, our heads close together
as we talked. Presently the waiter brought over a heaping plate
of Greek salad and a large grilled whitefish. Miu sprinkled
some salt on the fish, squeezed out half a lemon, and dripped
some olive oil onto her portion. I did the same. We
concentrated on eating for a while. As she said, first things first.
We needed to assuage our hunger.

104
How long could I stay here? she asked. “The new term
begins in a week,” I replied, “so I have to be back by then.
Otherwise things will be a bit sticky.” Miu gave a matter-of-fact
nod. She pursed her lips and seemed to be working out
something. She didn’t say anything predictable, like “Don’t
worry, you’ll be back by then,” or “I wonder if things’ll be all
settled by then.” She came to her own private conclusion,
which she tucked away in a drawer, and silently went back to
her meal.
After dinner, as we were having coffee, she broached the
subject of the air fare. Would you mind taking the amount in
dollar traveller’s cheques? she asked. Or else I could have the
money transferred to your account in yen after you return to
Tokyo. Which do you prefer? I’m not strapped for funds, I
answered, I can pay it myself. But Miu insisted on paying. I’m
the one who asked you to come, she said.
I shook my head. “It’s not like I’m being polite or anything. A
little bit later on, and I probably would have come here of my
own accord. That’s what I’m trying to say.”
Miu gave it some thought and nodded. “I am very grateful to
you. For coming here. I can’t tell you how much.”
*
When we left the restaurant, the sky was a brilliant splash of
colours. The kind of air that felt like if you breathed it in, your
lungs would be dyed the same shade of blue. Tiny stars began
to twinkle. Barely able to wait for the long summer day to be
over, the locals were out for an after-dinner stroll around the
harbour. Families, couples, groups of friends. The gentle scent
of the tide at the end of the day enveloped the streets. Miu and
I walked through the town. The right side of the street was
lined with shops, small hotels, and restaurants with tables set

105
up on the pavement. Cosy yellow lights shone at small,
wooden-shuttered windows, and Greek music filtered down
from a radio. On the left side the sea spread out, dark waves
placidly breaking on the wharves.
“In a while the road goes uphill,” Miu said. “We can either
take some steep stairs or a gentle slope. The stairs are faster. Do
you mind?”
“No, I don’t,” I answered.
Narrow stone stairs paralleled the slope of the hill. They were
long and steep, but Miu’s trainer-clad feet showed no signs of
tiring, and she never slackened her pace. The hem of her skirt
just in front of me swished pleasantly from side to side, her
tanned, shapely calves shone in the light of the almost full
moon. I got winded first and had to stop to take some deep
breaths. As we made our way up, the lights of the harbour
became smaller and further away. All the activities of the
people who’d been right beside me were absorbed into that
anonymous line of lights. It was an impressive sight, something
I wanted to cut out with scissors and pin to the wall of my
memory.
The place where Miu and Sumire were staying was a small
cottage with a veranda facing the sea. White walls and a red-
tiled roof, the door painted a deep green. A riot of red
bougainvilleas overgrew the low stone wall that surrounded
the house. She opened the unlocked door and invited me in.
The cottage was pleasantly cool. There was a living room and
a medium-sized dining room and kitchen. The walls were
white stucco, with a couple of abstract paintings. In the living
room there was a sofa and bookshelf, and a compact stereo.
Two bedrooms and a small but clean-looking tiled bathroom.
None of the furniture was very appealing, just cosy and lived

106
in.
Miu took off her hat and laid her bag down on the kitchen
worktop. “Would you like something to drink?” she asked. “Or
would you like a shower first?”
“Think I’ll take a shower first,” I said.
I washed my hair and shaved. Blow-dried my hair and
changed into a fresh T-shirt and shorts. Made me feel halfway
back to normal. Below the mirror in the bathroom there were
two toothbrushes, one blue, the other red. I wondered which
was Sumire’s.
I went back into the living room and found Miu in an easy
chair, brandy glass in hand. She invited me to join her, but
what I really wanted was a cold beer. I got an Amstel beer from
the fridge and poured it into a tall glass. Sunk deep in her chair,
Miu was quiet for a long time. It didn’t look like she was trying
to find the right words she wanted to say, rather that she was
immersed in some personal memory, one without beginning
and without end.
“How long have you been here?” I ventured.
“Today is the eighth day,” Miu said after thinking about it.
“And Sumire disappeared from here?”
“That’s right. Like I said before, just like smoke.”
“When did this happen?”
“At night, four days ago,” she said, looking around the room
as if seeking a clue. “I don’t know where to begin.”
“Sumire told me in her letters about going to Paris from
Milan,” I said. “Then about taking the train to Burgundy. You
stayed at your friend’s large estate house in a Burgundy
village.”
“Well, then, I’ll pick up the story from there,” she said.

107
8

“I’ve known the wine producers around that village for ages,
and I know their wines like I know the layout of my own
house. What kind of wine the grapes on a certain slope in a
certain field will produce. How that year’s weather affects the
flavour, which producers are working hardest, whose son is
trying his best to help his father. How much in loans certain
producers have taken out, who’s bought a new Citroen. Those
kinds of things. Wine is like breeding thoroughbreds—you
have to know the lineage and the latest information. You can’t
do business based just on what tastes good and what doesn’t.”
Miu stopped for a moment to catch her breath. She seemed
unable to decide whether to go on or not. She continued.
“There are a couple of places in Europe I buy from, but that
village in Burgundy is my main supplier. So I try to spend a
fair amount of time there at least once a year, to renew old
friendships and gather the latest news. I always go alone, but

108
this time we were visiting Italy first, and I decided to take
Sumire with me. It’s more convenient sometimes to have
another person with you on trips like this, and besides, I’d had
her study Italian. In the end I decided I would rather go alone
and planned to make up some excuse to have her go back
home before I set out for France. I’ve been used to travelling
alone ever since I was young, and no matter how close you are
to them it’s not easy to be with someone else day after day.
“Sumire was surprisingly capable and took care of lots of
details for me. Buying tickets, making hotel reservations,
negotiating prices, keeping expense records, searching out
good local restaurants. Those kinds of things. Her Italian was
much improved, and I liked her healthy curiosity, which
helped me experience things I never would have if I’d been
alone. I was surprised at how easy it is to be with someone else.
I felt that way, I think, because of something special that
brought us together.”
*
“I remember very well the first time we met and we talked
about Sputniks. She was talking about Beatnik writers, and I
mistook the word and said ‘Sputnik’. We laughed about it, and
that broke the ice. Do you know what ‘Sputnik’ means in
Russian? ‘Travelling companion’. I looked it up in a dictionary
not long ago. Kind of a strange coincidence if you think about
it. I wonder why the Russians gave their satellite that strange
name. It’s just a poor little lump of metal, spinning around the
Earth.”
Miu was silent for just a moment, then continued.
*
“Anyway, I ended up taking Sumire with me to Burgundy.
While I was seeing old acquaintances and taking care of

109
business, Sumire, whose French was nonexistent, borrowed the
car and drove around the area. In one town she happened to
meet a wealthy old Spanish lady, and they chatted in Spanish
and got to be friends. The lady introduced Sumire to an
Englishman who was staying in their hotel. He was more than
50, a writer of some sort, very refined and handsome. I’m
positive he was gay. He had a secretary with him who seemed
to be his boyfriend.
“They invited us for dinner. They were very nice people, and
as we talked we realized we had some mutual acquaintances,
and I felt like I’d found some kindred spirits.
“The Englishman told us he had a small cottage on an island
in Greece and would be happy if we used it. He always used
the cottage for a month in the summer, but this summer he had
some work that kept him from going. Houses are best
occupied, otherwise the caretakers will get lazy, he told us. So
if it isn’t any bother, please feel free to use it. This cottage, in
other words.”
Miu gazed around the room.
*
“When I was in college I visited Greece. It was one of those
whirlwind tours where you leap from port to port, but still I
fell in love with the country. That’s why it was such an enticing
offer to have a free house on a Greek island to use for as long as
we wanted. Sumire jumped at the chance, too. I offered to pay a
fair price to rent the cottage, but the Englishman refused,
saying he wasn’t in the rental business. We batted some ideas
around for a while, and ended up agreeing that I would send a
case of red wine to his home in London to thank him.
“Life on the island was like a dream. For the first time in I
don’t know how long I could enjoy a real holiday, without any

110
schedule to worry about. Communications are a bit backward
here—you know about the awful phone service—and there
aren’t any faxes or the Internet. Getting back to Tokyo later
than originally planned would cause a bit of a problem for
other people, but once I got here it didn’t seem to matter any
more.
“Sumire and I got up early every morning, packed a bag with
towels, water, sunscreen, and walked to the beach on the other
side of the mountains. The shore is so beautiful it takes your
breath away. The sand is pure white, and there are hardly any
waves. It’s a little out of the way, though, and very few people
go there, particularly in the morning. Everyone, men and
women, swims nude. We did, too. It feels fantastic to swim in
the pure blue sea in the morning, as bare as the day you were
born. You feel like you’re in another world.
“When we tired of swimming, Sumire and I would lie on the
beach and get a tan. At first we were a little embarrassed to be
nude in front of each other, but once we got used to it, it was no
big deal. The energy of the place was working on us, I suppose.
We’d spread sunscreen on each other’s backs, loll in the sun,
reading, dozing, just chatting. It made me feel truly free.
“We’d walk back home over the mountains, take showers
and have a simple meal, then set off down the stairs to town.
We’d have tea in a harbour cafe, read the English paper, buy
some food in a shop, go home, then spend our time as we
pleased until evening—reading out on the veranda or listening
to music. Sometimes Sumire was in her room, writing
apparently. I could hear her opening up her PowerBook and
clattering away on the keys. In the evening we’d go out to the
harbour to watch the ferryboat come in. We’d have a cool drink
and watch the people getting off the ship.

111
*
“There we were, sitting quietly on the edge of the world, and
no one could see us. That’s the way it felt—like Sumire and I
were the only ones here. There was nothing else we had to
think about. I didn’t want to move, didn’t want to go
anywhere. I just wanted to stay this way for ever. I knew that
was impossible—our life here was just a momentary illusion,
and someday reality would yank us back to the world we came
from. But until that time came I wanted to enjoy each day to the
fullest, without worrying about anything. We loved our life
here. Until four days ago.”
*
On their fourth morning there they went as usual to the beach,
skinny-dipped, returned home, and left again for the harbour.
The waiter at the cafe remembered them—the generous tips
Miu always left didn’t hurt—and greeted them warmly. He
made some polite comment about how beautiful they looked.
Sumire went to the kiosk and bought a copy of the English
newspaper published in Athens. That was their only link with
the outside world. Sumire’s job was reading the paper. She’d
check the exchange rate and translate and read aloud to Miu
any major news item or interesting article she happened to
come across.
The article Sumire picked to read aloud that particular day
was a report of a 70-year-old lady who was eaten by her cats. It
happened in a small suburb of Athens. The dead woman had
lost her husband, a businessman, eleven years before and ever
since had lived a quiet life in a two-room apartment with
several cats as her only friends. One day the woman collapsed
face down on her sofa from a heart attack and expired. It
wasn’t known how much time had elapsed between her attack

112
and her death. At any rate, the woman’s soul passed through
all the set stages to bid farewell to its old companion, the body
it had inhabited for 70 years. She didn’t have any relatives or
friends who visited her regularly, and her body wasn’t
discovered until a week later. The doors were shut, the
windows shuttered, and the cats couldn’t get out after the
death of their owner. There wasn’t any food in the apartment.
There must have been something in the refrigerator, but cats
don’t possess the necessary skill to open fridge doors. Starving,
they devoured the flesh of their owner.
Taking an occasional sip from her coffee cup, Sumire
translated the article in stages. Some bees buzzed around the
table, licking the jam a previous patron had spilled. Miu gazed
at the sea through her sunglasses, listening intently to Sumire.
“And then what happened?” Miu asked.
“That’s it,” said Sumire, folding the tabloid in half and laying
it on the table. “That’s all the newspaper says.”
“What could have happened to the cats?”
“I don’t know …” Sumire said, pursing her lips to one side
and giving it some thought. “Newspapers are all the same.
They never tell you what you really want to know.”
The bees, as if sensing something, flew up in the air and with
a ceremonious buzz circled for a while, then settled again on
the table. They returned to their jam licking.
“And what was the fate of the cats, one wonders,” Sumire
said, tugging at the collar of her oversize T-shirt and smoothing
out the wrinkles. She had on a T-shirt and shorts and—Miu
happened to know—no underwear underneath. “Cats that
develop a taste for human flesh might turn into man-eating
cats, so maybe they destroyed them. Or maybe the police said,
‘Hey, you guys have suffered enough,’ and they were

113
acquitted.”
“If you were the mayor or chief of police in that town, what
would you do?”
Sumire thought about it. “How about placing them in an
institution and reforming them? Turn them into vegetarians.”
“Not a bad idea.” Miu laughed. She took off her sunglasses
and turned to face Sumire. “That story reminds me of the first
lecture I heard when I entered a Catholic junior high school.
Did I ever tell you I went to a very strict Catholic girls’ school
for six years? I attended an ordinary elementary school, but I
went into that school in junior high. Right after the entrance
ceremony a decrepit old nun took all of us new students into
the auditorium and gave a talk on Catholic ethics. She was a
French nun, but her Japanese was fluent. She talked about all
kinds of things, but what I recall is the story of cats and the
deserted island.”
“That’s sounds interesting,” Sumire said.
“You’re shipwrecked, washed up on a deserted island. Only
you and a cat made it to the lifeboat. You drift for a while and
end up on this island, just a rocky island with nothing you can
eat. No water, either. In your lifeboat you have ten days’ worth
of biscuits and water for one person, and that’s it. That’s how
the story went.
“The nun looked all around the auditorium and she said this
in a strong, clear voice. ‘Close your eyes and imagine this
scene. You’re washed up on a deserted island with a cat. This is
a solitary island in the middle of nowhere. It’s almost
impossible that someone would rescue you within ten days.
When your food and water run out, you may very well die.
Well, what would you do? Since the cat is suffering as you are,
should you divide your meagre food with it?’ The sister was

114
silent again and looked at all our faces. ‘No. That would be a
mistake,’ she continued. ‘I want you to understand that
dividing your food with the cat would be wrong. The reason
being that you are precious beings, chosen by God, and the cat
is not. That’s why you should eat all the food yourself.’ The
nun had this terribly serious look on her face.
“At first I thought it was some kind of joke. I was waiting for
the punchline. But there wasn’t one. She turned her talk to the
subject of human dignity and worth, and it all went over my
head. I mean, really, what was the point of telling that kind of
story to kids who’d just entered the school? I couldn’t figure it
out—and I still can’t.”
Sumire thought it over. “Do you mean whether it would be
okay in the end, to eat the cat?”
“Well, I don’t know. She didn’t take it that far.”
“Are you a Catholic?”
Miu shook her head. “That school just happened to be near
my house, so I went. I liked their uniforms, too. I was the only
non-Japanese citizen in the school.”
“Did you have any bad experiences?”
“Because I was Korean?”
“Yes.”
Again Miu shook her head. “The school was quite liberal.
The rules were pretty strict, and some of the sisters were
eccentrics, but the atmosphere was generally progressive, and
no, I never experienced any prejudice. I made some good
friends, and overall I’d say I enjoyed school. I’ve had a few
unpleasant experiences, but that was after I went out into the
real world. But that’s nothing unusual—it happens to most
people.”
“I heard they eat cats in Korea. Is it true?”

115
“I’ve heard the same thing. But nobody I know does.”
*
It had been the hottest time of day, and the early afternoon
town square was nearly deserted. Almost everyone in town
was shut up in a cool house, taking a nap. Only curious
foreigners ventured out at that time of day.
There was a statue of a hero in the square. He’d led a
rebellion in mainland Greece and fought the Turks who
controlled the island, but was captured and put to death by
skewering. The Turks set up a sharpened stake in the square
and lowered the pitiful hero onto it, naked. Ever so slowly, the
stake went through his anus, and finally all the way to his
mouth, taking him hours to die. The statue was supposedly
erected on the spot where this happened. When it was erected,
the valiant bronze statue must have been quite a sight, but over
the intervening years, what with the sea wind, dust, and
seagull droppings, you could barely make out the man’s
features. Island folk hardly gave the shabby statue a passing
glance, and the statue itself looked like it had turned its back on
the world.
*
“Speaking of cats,” Sumire had blurted out, “I have a very
strange memory of one. When I was in second grade we had a
pretty little six-month-old tortoiseshell cat. I was on the
veranda one evening, reading a book, when the cat started to
run like crazy around the base of this large pine tree in the
garden. Cats do that. There’s nothing there, but suddenly they
hiss, arch their backs, jump, hair standing on end and tail up, in
attack mode.
“The cat was so worked up it didn’t notice me watching it
from the veranda. It was such a strange sight I laid down my

116
book and watched the cat. It didn’t seem to tire of its solitary
game. Actually, as time passed it got more determined. Like it
was possessed.”
Sumire took a drink of water and lightly scratched her ear.
“The more I watched, the more frightened I became. The cat
saw something that I couldn’t see, and whatever it was drove it
into a frenzy. Finally the cat started racing around and around
the tree trunk at a tremendous speed, like the tiger that changes
into butter in that children’s story. Finally, after running
forever, it leaped up the tree trunk. I could see its tiny face
peeping out between the branches way up high. From the
veranda I called out its name in a loud voice, but it didn’t hear
me.
“Finally the sun set and the cold late-autumn wind began to
blow. I sat on the veranda, waiting for the cat to come down. It
was a friendly cat, and I thought that if I sat there for a while, it
would come down. But it didn’t. I couldn’t even hear it
miaowing. It got darker and darker. I got scared and told my
family. ‘Don’t worry,’ they said, ‘just leave it alone and it’ll
come down before long.’ But the cat never came back.”
“What do you mean—never came back?” asked Miu.
“It just disappeared. Like smoke. Everybody told me the cat
must have come down from the tree in the night and gone off
somewhere. Cats get worked up and climb tall trees, then get
frightened when they realize how high they are, and won’t
come down. Happens all the time. If the cat was still there, they
said, it’d miaow for all it’s worth to let you know. But I didn’t
believe that. I thought the cat must be clinging to a branch,
scared to death, unable to cry out. When I came back from
school, I sat on the veranda, looked at the pine tree, and every
once in a while called out the cat’s name. No reply. After a

117
week, I gave up. I loved that little cat, and it made me so sad.
Every time I happened to look at the pine tree I could picture
that pitiful little cat, stone-cold dead, still clinging to a branch.
The cat never going anywhere, starving to death and
shrivelling up there.”
Sumire looked at Miu.
“I never had a cat again. I still like cats, though I decided at
the time that that poor little cat who climbed the tree and never
returned would be my first and last cat. I couldn’t forget that
little cat and start loving another.”
*
“That’s what we talked about that afternoon at the cafe,” said
Miu. “I thought they were just a lot of harmless memories, but
now everything seems significant. Maybe it’s just my
imagination.”
Miu turned and looked out of the window. The breeze
blowing in from the sea rustled the pleated curtains. With her
gazing out at the darkness, the room seemed to acquire an even
deeper silence.
“Do you mind if I ask a question? I’m sorry if it seems off the
subject, but it’s been bothering me,” I said. “You said Sumire
disappeared, vanished ‘like smoke’, as you put it. Four days
ago. And you went to the police. Right?”
Miu nodded.
“Why did you ask me to come instead of getting in touch
with Sumire’s family?”
“I didn’t have any clues about what happened to her. And
without any solid evidence, I didn’t know if I should upset her
parents. I agonized over it for some time and decided to wait
and see.”
I tried picturing Sumire’s handsome father taking the ferry to

118
the island. Would her stepmother, understandably hurt by the
turn of events, accompany him? That would be one fine mess.
As far as I was concerned, though, things were already a mess.
How could a foreigner possibly vanish on such a small island
for four days?
“But why did you call me?”
Miu brought her bare legs together again, held the hem of
her skirt between her fingers, and tugged it down. “You were
the only one I could count on.”
“But you’d never met me.”
“Sumire trusted you more than anyone else. She said you
think deeply about things, no matter what the subject.”
“Definitely a minority opinion, I’m afraid.”
Miu narrowed her eyes and smiled, those tiny wrinkles
appearing around her eyes.
I stood up and walked in front of her, taking her empty glass.
I went into the kitchen, poured some Courvoisier into the glass,
then went back to the living room. She thanked me and took
the brandy. Time passed, the curtain silently fluttering. The
breeze had the smell of a different place.
“Do you really, really want to know the truth?” Miu asked
me. She sounded drained, as if she’d come to a difficult
decision.
I looked up and gazed into her face. “One thing I can say
with absolute certainty,” I said, “is that if I didn’t want to know
the truth, I wouldn’t be here.”
Miu squinted in the direction of the curtains. And finally
spoke, in a quiet voice. “It happened that night, after we’d
talked about cats at the café.”

119
9

After their conversation at the harbour cafe about cats, Miu and
Sumire went grocery shopping and returned to the cottage. As
usual, they relaxed until dinner. Sumire was in her room,
writing on her laptop. Miu lay on the sofa in the living room,
hands folded behind her head, eyes closed, listening to Julius
Katchen’s recording of Brahms’s ballads. It was an old LP, but
the performance was graceful, emotional, and utterly
memorable. Not a bit presumptuous, but fully expressive.
“Does the music bother you?” Miu asked once, looking in at
the door to Sumire’s room. The door was wide open.
“Brahms never bothers me,” Sumire said, turning around.
This was the first time Miu had seen Sumire writing so
intently. Her mouth was tight, like a prowling animal’s, her
eyes deeper than usual.
“What are you writing?” Miu asked. “A new Sputnik novel?”
The tenseness around Sumire’s mouth softened a little.

120
“Nothing much. Just things that came to mind that might be of
use someday.”
Miu returned to her sofa and sank back down in the
miniature world the music traced in the afternoon sunlight;
how wonderful it would be, she mused, to play Brahms so
beautifully. In the past I always had trouble with Brahms’s
minor works, especially the ballads, she thought. I never could
give myself up to that world of capricious, fleeting nuances and
sighs. Now, though, I should be able to play Brahms more
beautifully than before. But Miu knew very well: I can’t play
anything. Ever again.
*
At 6.30 the two of them prepared dinner in the kitchen and ate
out on the veranda. A soup of sea bream and fragrant herbs,
salad, and bread. They had some white wine and, later, hot
coffee. They watched as a fishing boat appeared in the lee of
the island and inscribed a short white arc as it sailed into the
harbour. No doubt a hot meal was awaiting the fishermen in
their homes.
“By the way, when will we be leaving here?” asked Sumire
as she washed the dishes in the sink.
“I’d like to stay one more week, but that’s about as long as I
can manage,” Miu replied, looking at the calendar on the wall.
“If I had my way, I’d stay here for ever.”
“If I had my way, me too,” Sumire said, beaming. “But what
can you do? Wonderful things always come to an end.”
*
Following their usual routine, they each went to their rooms
before ten. Miu changed into long-sleeve, white cotton pyjamas
and fell asleep as soon as her head hit the pillow. But soon she
woke up, as if shaken by the beating of her own heart. She

121
glanced over at the travel alarm clock next to her; it was past
12.30. The room was pitch black, enveloped by total silence. She
sensed someone nearby, hiding with bated breath. Miu pulled
the covers up to her neck and pricked up her ears. Her heart
thumped loudly, drowning out everything else. It wasn’t just a
bad dream spilling over into wakefulness—someone was
definitely in the room with her. Careful not to make a sound,
she reached out and pulled aside the window curtain an inch
or two. Pale, watery moonlight stole into the room. Keeping
perfectly still, she swept the room with her eyes.
As her eyes adjusted to the dark, she could distinguish an
outline of something gradually forming in a corner of the room.
In the shadow of the wardrobe beside the door, where the
darkness was deepest. Whatever it was, it was low, rolled into
a thick ball like some large, long-forgotten postbag. An animal?
A large dog? But the front door was locked, the door to her
room shut. A dog wouldn’t be able to get in.
Miu continued to breathe quietly and stared fixedly. Her
mouth was dry, and she could catch a faint whiff of the brandy
she’d had before going to bed. She reached out and drew the
curtain back a little to let more moonlight in. Slowly, like
unravelling a tangled thread, she could make out the outline of
the black lump on the floor. It looked like a person’s body: hair
hanging down in front, two thin legs bent at an acute angle.
Someone was sitting on the floor, rolled up, head between legs,
scrunched up as if to protect herself from something falling
from the sky.
It was Sumire. Wearing her usual blue pyjamas, she crouched
like an insect between the door and the wardrobe. Not moving.
Not even breathing, as far as Miu could tell.
Miu gave a sigh of relief. But what in the world was Sumire

122
doing here? Miu sat up quietly in bed and switched on the
lamp. Yellow light lit up the entire room, but Sumire didn’t
budge an inch. She didn’t even seem to realize the light was on.
*
“What’s the matter?” Miu called out. First in a small voice, then
more loudly.
There was no response. Miu’s voice didn’t appear to reach
Sumire. Miu got out of bed and walked over to her. The feel of
the carpet was rougher than ever against her bare feet.
“Are you sick?” Miu asked, crouching beside Sumire.
Still no answer.
Miu noticed that Sumire was holding something in her
mouth. A pink facecloth that was always hanging in the
bathroom. Miu tried to pull it out, but Sumire’s mouth was
clamped down hard. Her eyes were open, but unseeing. Miu
gave up and rested a hand on her shoulder. Sumire’s pyjamas
were soaking wet.
“You’d better take your pyjamas off,” Miu said. “You’re
sweating so much you’ll catch cold.”
Sumire looked stupefied, not hearing anything, not seeing
anything. Miu decided to get Sumire’s pyjamas off; otherwise
her body would freeze. It was August, but sometimes nights on
the island were chilly. The two of them swam nude every day
and were used to seeing each other’s bodies, so Miu thought
Sumire wouldn’t mind if she undressed her.
Supporting Sumire’s body, she unbuttoned the pyjamas and,
after a time, was able to get the top off. Then the bottoms.
Sumire’s body was rigid, but gradually relaxed and ended up
limp. Miu took the facecloth out of her mouth. It was soaked
from her saliva. There was a perfect set of teethmarks on it.
Sumire had no panties on under the pyjamas. Miu grabbed a

123
towel nearby and wiped the sweat from her body. First her
back, then under her arms, then her chest. She wiped her belly,
then very quickly the area from her waist to her thighs. Sumire
was subdued, unresisting. She appeared unconscious, though
looking into her eyes Miu could make out a glint of
comprehension.
Miu had never touched Sumire’s naked body before. Her
skin was taut, smooth like a young child’s. Lifting her up, Miu
found that Sumire’s body was heavier than she had imagined,
and smelled of sweat. Wiping the sweat from her, Miu felt
again her own heart thumping in her chest. Saliva gathered in
her mouth, and she had to swallow again and again.
Bathed in moonlight, Sumire’s body glistened like some
ancient ceramic. Her breasts were small, but shapely, with well-
formed nipples. Her black pubic hair was wet with sweat and
glittered like grass in the morning dew. Her limp, naked body
was completely different from the one Miu had seen under the
blazing sun at the beach. Her body was a mix of still-girlish
elements and a budding maturity blindly wrenched open by
the painful flow of time.
Miu felt like she was peering into someone’s else’s secrets,
something forbidden she shouldn’t be seeing. She avoided
looking at her naked skin as she continued to wipe away the
sweat from Sumire’s body, all the while replaying in her mind
a Bach piece she’d memorized as a child. She wiped Sumire’s
sweaty fringe, which was plastered to her forehead. Even the
inside of Sumire’s tiny ears were sweaty.
Miu felt Sumire’s arm silently go around her own body.
Sumire’s breath grazed her neck.
“All you all right?” she asked.
Sumire didn’t reply. But her arm held on a bit more tightly.

124
Half carrying her, Miu helped her into her own bed. She lay her
down and pulled the covers over her. Sumire lay there,
unmoving, and closed her eyes.
*
Miu watched her for a while, but Sumire didn’t move a muscle.
She seemed to have fallen asleep. Miu went to the kitchen and
gulped down several glasses of mineral water. She took a few
deep breaths and managed to calm down. Her heart had
stopped pounding, though her chest ached with the tension of
the last few moments. Everything was cloaked in a choking
silence. No voices, not even a dog barking. No waves, no sound
of the wind. Why, Miu wondered, is everything so deadly still?
Miu went into the bathroom and took Sumire’s sweaty
pyjamas, the towel she’d used to wipe her down, and the
facecloth with the teethmarks and tossed them into the laundry
basket. She washed her face and gazed at her reflection in the
mirror. Since coming to the island she hadn’t dyed her hair,
which was now pure white, like newly fallen snow.
When Miu went back into the room Sumire’s eyes were open.
A thin, translucent veil seemed to cover them, but a glimmer of
consciousness had returned. She lay there, the covers up to her
shoulders.
“I’m sorry,” she said huskily. “Sometimes I get this way.”
Miu sat down on a corner of the bed, smiled, and reached out
to touch Sumire’s still-damp hair. “You should take a good,
long shower. You were really sweating.”
“Thanks,” said Sumire. “I just want to lie here.”
Miu nodded and handed Sumire a fresh bath towel, took out
a pair of her own clean pyjamas from the chest of drawers and
laid them beside Sumire. “You can use these. I don’t imagine
you have another pair, do you?”

125
“Can I sleep here tonight?” asked Sumire.
“All right. Just go to sleep. I’ll sleep in your bed.”
“My bed must be soaked,” Sumire said. “The covers,
everything. And I don’t want to be alone. Don’t leave me here.
Would you sleep beside me? Just for tonight? I don’t want to
have any more nightmares.”
Miu thought about it, then nodded. “But first put on a pair of
pyjamas. I don’t think I’d like having somebody naked lying
right next to me—especially in such a small bed.”
*
Sumire got up slowly and pushed back the covers. She stood
up, still naked, and tugged on Miu’s pyjamas. She leaned
forward and slipped on the bottoms, then the top. It took some
time to get the buttons all fastened. Her fingers wouldn’t work
right. Miu didn’t help, she just sat there watching. Sumire
buttoned up the pyjamas in such a deliberate way it struck Miu
as an almost religious ceremony. The moonlight lent a strange
hardness to her nipples.
She might be a virgin, Miu suddenly thought.
After putting on the silk pyjamas, Sumire lay down again in
bed, on the far side. Miu got into bed, where the scent of sweat
remained strong.
“Can I,” Sumire began, “just hold you for a while?”
“Hold me?”
“Yes.”
While Miu wondered how to respond, Sumire reached out
and clasped her hand. Her palm was still sweaty, warm and
soft. She reached both hands behind Miu. Sumire’s breasts
pushed against Miu, just above her stomach. Sumire pressed
her cheek between Miu’s breasts. They remained that way for a
long time. Sumire seemed to be shaking, ever so slightly. She

126
must be crying, Miu thought. But it was as if she couldn’t let it
all out. Miu reached around Sumire’s shoulder and drew her
closer. She’s still a child, Miu thought. Lonely and frightened,
she wants someone’s warmth. Like that kitten clinging to a
pine branch.
Sumire shifted her body upwards a bit. The tip of her nose
brushed Miu’s neck. Their breasts pressed together. Miu
gulped. Sumire’s hand wandered over her back.
“I really like you,” Sumire said in a small voice.
“I like you, too,” Miu said. She didn’t know what else to say.
And it was the truth.
Sumire’s fingers started to unbutton the front of Miu’s
pyjamas. Miu tried to stop her. But Sumire wouldn’t stop. “Just
a little,” she said. “Just a little—please.”
Miu lay there unresisting. Sumire’s fingers gently traced the
contours of Miu’s breasts. Her nose flickered back and forth at
Miu’s throat. She touched Miu’s nipple, stroked it gently, and
held it between two fingers. Hesitantly at first, then more
boldly.
*
Miu stopped speaking. She looked up, searchingly, at me. Her
cheeks were slightly flushed.
“There’s something I need to explain to you. A long time ago
I had a very unusual experience, and my hair turned pure
white. Overnight, completely. Since then I’ve dyed my hair.
Sumire knew I dyed it, and since it was too much trouble after
we came to this island, I gave up. Nobody knows me here, so it
didn’t matter. But knowing you’d be coming, I dyed it again. I
didn’t want to give you a strange first impression.”
Time flowed past in the ensuing silence.
*

127
“I’ve never had a homosexual experience, and never
considered I had those tendencies. But if that’s what Sumire
really wanted, I thought I could oblige. At least I didn’t find it
disgusting. As long as it was with Sumire, that is. So I didn’t
resist when she started feeling me all over, or when she stuck
her tongue inside my mouth. It felt strange, but I tried to get
used to it. I let her do what she wanted. I like Sumire, and if it
made her happy, I didn’t mind what she did.
“But my body and my mind are two different things. A part
of me was happy that Sumire was caressing me so lovingly. But
no matter how happy my mind was, my body resisted. It
wouldn’t yield to her. My heart and my head were aroused, but
the rest of me was like a hard, dry stone. It’s sad, but I couldn’t
help it. Of course Sumire picked up on that. Her body was
flushed and gently damp, but I couldn’t respond.
“I told her how I felt. ‘I’m not rejecting you,’ I said, ‘but I just
can’t do that kind of thing. Ever since that happened to me, 14
years ago, I haven’t been able to give myself to anyone in this
world. It’s something that’s out of my hands, decided
somewhere else.’ I told her that if there was anything I could
do, you know, with my fingers, or mouth, I would. But that
isn’t what she wanted. I knew that already.”
*
”She kissed me on the forehead and said she was sorry. ‘It’s
just that I like you,’ she said. ‘I’ve worried about it for so long,
and I had to try.’ ‘I like you, too,’ I told her. ‘So don’t worry
about it. I still want you to be with me.’
“As if a dam had burst, Sumire sobbed into her pillow for the
longest time. As she cried, I rubbed her bare back from the top
of her shoulder to her waist, feeling all her bones. I wanted to
cry along with her, but I couldn’t.

128
“And it came to me then. That we were wonderful travelling
companions, but in the end no more than lonely lumps of metal
on their own separate orbits. From far off they look like
beautiful shooting stars, but in reality they’re nothing more
than prisons, where each of us is locked up alone, going
nowhere. When the orbits of these two satellites of ours
happened to cross paths, we could be together. Maybe even
open our hearts to each other. But that was only for the briefest
moment. In the next instant we’d be in absolute solitude. Until
we burned up and became nothing.”
*
“After crying her heart out, Sumire got up, picked up the
pyjamas that had fallen to the floor and slipped them on,” said
Miu. “She said she wanted to be alone and was going back to
her room. ‘Don’t think too deeply about things,’ I told her.
‘Tomorrow’s a new day, things will work out just like before.
You’ll see.’ ‘I guess so,’ Sumire said. She leaned over and held
her cheek against mine. Her cheek was wet and warm. She
whispered something in my ear, I think. But in such a small
voice I couldn’t make it out. I was about to ask her what she
said, but she’d already turned away.”
*
”Sumire wiped her tears away with the bath towel and left the
room. The door closed, and I snuggled back under the covers
and closed my eyes. After an experience like that, I thought it
would be hard to sleep, but strangely enough I soon fell fast
asleep.
“When I woke up at seven the next morning, Sumire was
nowhere in the house. Perhaps she woke up early—or maybe
never got back to sleep—and went to the beach by herself. She
said she wanted to be alone for a while. It was odd that she

129
didn’t even leave a note, but considering the night before, I
guessed she was still pretty upset and confused.
“I did the washing, hung out her bedding to dry, and sat on
the veranda, reading, waiting for her to come back. The whole
morning passed, and no Sumire. I was worried, so I looked
through her room, even though I knew I shouldn’t. I was afraid
maybe she’d left the island. But her bags were still open, her
passport was still in her handbag, her swimsuit and socks
drying in a corner of her room. Coins, notepaper, and a bunch
of keys lay scattered on her desk. One of the keys was for the
front door of the cottage.
“It all felt weird to me. What I mean is whenever we went to
the beach we always wore heavy trainers and T-shirts over our
swimsuits as we walked over the mountains. With a canvas bag
with our towels and mineral water. But she’d left it all
behind—the bag, shoes, and swimsuit. The only things missing
were the pair of cheap flip-flops she’d bought at a local shop
and the pair of thin silk pyjamas I’d lent her. Even if you only
meant to take a walk around the neighbourhood, you wouldn’t
stay out long dressed like that, would you?
“In the afternoon I went out to scour the area for her. I made
a couple of circuits nearby, went to the beach, then walked
back and forth down the streets of the town, and finally
returned home. But Sumire was nowhere to be found. The sun
was setting, and night came on. The wind had picked up. All
night long I could hear the sound of the waves. Any little
sound woke me up. I left the front door unlocked. Dawn came,
and still no Sumire. Her bed was just as I’d left it. So I went
down to the local police station near the harbour.”
*
“I explained everything to one of the policemen, one who

130
spoke English. ‘The girl who was travelling with me has
disappeared,’ I told him, ‘and hasn’t been back for two nights.’
He didn’t take me seriously. ‘Your friend will be back,’ he said.
‘It happens all the time. Everyone lets their hair down here. It’s
summer, they’re young, what do you expect?’ I went again the
next day, and this time they paid a bit more attention. Not that
they were going to do anything about it. I phoned the Japanese
embassy in Athens and explained the situation. Thankfully, the
person there was quite kind. He said something in no uncertain
terms in Greek to the police chief, and the police finally started
getting an investigation up and running.
“They were simply clueless. They questioned people in the
harbour and around our cottage, but no one had seen Sumire.
The captain of the ferry, and the man who sold ferry tickets,
had no recollection of any young Japanese girl getting on the
boat in the last couple of days. Sumire must still be on the
island. She didn’t have any money on her to buy a ticket in the
first place. On this little island a young Japanese girl wandering
about in pyjamas wouldn’t escape people’s notice. The police
questioned a German couple who’d been swimming for a long
time that morning at the beach. They hadn’t seen any Japanese
girl, either at the beach or on the road there. The police
promised me they’d continue to do their best, and I think they
did. But time passed without a single clue.”
Miu took a deep breath and covered half her face with her
hands.
“All I could do was call you in Tokyo and ask you to come. I
was at my wits’ end.”
*
I pictured Sumire, alone, wandering the rugged hills in a pair
of thin silk pyjamas and flip-flops.

131
“What colour were the pyjamas?” I asked.
“Colour?” said Miu, a dubious look on her face.
“The pyjamas Sumire was wearing when she disappeared.”
“What colour were they? I’m not sure. I bought them in
Milan and hadn’t worn them yet. A light colour. Pale green,
maybe? They were very lightweight, with no pockets.”
“I’d like you to call the embassy in Athens again and ask
them to send somebody here. Insist on it. Then have the
embassy contact Sumire’s parents. It’ll be hard on them, but
you can’t keep it from them any more.”
Miu gave a small nod.
“Sumire can be a little outrageous at times, as you know,” I
said, “and she does the craziest things. But she wouldn’t leave
for four days without a word. She’s not that irresponsible. She
wouldn’t disappear unless there’s a very good reason. What
reason, I don’t know, but it must be serious. Maybe she fell
down a well out in the country, and she’s waiting for someone
to rescue her. Maybe somebody kidnapped her. For all we
know she could be murdered and buried somewhere. A young
girl wandering at night in pyjamas—anything could happen.
At any rate, we’ve got to come up with a plan. But let’s sleep on
it. Tomorrow’s going to be a long day.”
“Do you think maybe … Sumire … killed herself?” Miu
asked.
“We can’t rule that out. But she would have left a note. She
wouldn’t have left everything scattered like this for you to pick
up the pieces. She liked you, and I know she would consider
your feelings.”
Arms folded, Miu looked at me for a while. “You really think
so?”
I nodded. “Absolutely. That’s the way she is.”

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“Thank you. That’s what I wanted to hear most.”
*
Miu led me to Sumire’s room. Devoid of decorations, the boxy
room reminded me of a big cube. There was a small wooden
bed, a writing desk, a wardrobe, and a small dresser. At the
foot of the desk was an average-size red suitcase. The front
window was open to the hills beyond. On top of the desk was a
brand new Macintosh PowerBook.
“I’ve straightened up her things so you can sleep here.”
Left alone, I grew suddenly sleepy. It was nearly midnight. I
undressed and got under the covers, but I couldn’t sleep. Until
just a while ago, I thought, Sumire was sleeping in this bed.
The excitement of the long trip reverberated in my body. I was
struck by the illusion that I was on a journey without end.
In bed I reviewed everything Miu had told me, making a
mental list of the important points. But my mind wouldn’t
work. Systematic thought was beyond me. Leave it for
tomorrow, I concluded. Out of the blue, the image came to me
of Sumire’s tongue inside Miu’s mouth. Forget about it, I willed
my brain. Leave that for tomorrow as well. But the chances of
tomorrow being an improvement on today were,
unfortunately, slim. Gloomy thoughts weren’t going to get me
anywhere, I decided, and closed my eyes. I soon fell into a deep
sleep.

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1 0

When I woke up, Miu was setting the table for breakfast out on
the veranda. It was 8.30, and a brand-new sun was flooding the
world with sunlight. Miu and I sat down on the veranda and
had breakfast, gazing at the bright sea as we ate. We had toast
and eggs and coffee. Two white birds glided down the slope
towards the coast. A radio was playing nearby, an announcer’s
voice, speaking quickly, reading the news in Greek.
*
A strange jet-lag numbness filled my head. I couldn’t separate
the boundary between what was real and what only seemed
real. Here I was on a small Greek island, sharing a meal with a
beautiful older woman I’d met only the day before. This
woman loved Sumire, but couldn’t feel any sexual desire for
her. Sumire loved this woman and desired her. I loved Sumire

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and felt sexual desire for her. Sumire liked me, but didn’t love
me, and didn’t feel any desire for me. I felt sexual desire for a
woman who will remain anonymous. But I didn’t love her. It
was all so complicated, like something out of an existential
play. Everything hit a dead end there, no alternatives left. And
Sumire had exited stage right.
*
Miu refilled my empty coffee cup. I thanked her.
“You like Sumire, don’t you?” Miu asked me. “As a woman, I
mean.”
I gave a slight nod as I buttered my toast. The butter was cold
and hard, and it took some time to spread it on the bread. I
looked up and added, “Of course that’s not something you
necessarily can choose. It just happens.”
We continued eating breakfast in silence. The news ended,
and the radio started to play Greek music. The wind swelled
up and shook the bougainvilleas. If you looked closely, you
could make out whitecaps appearing.
“I’ve given it a great deal of thought, and I think I should go
to Athens right away,” Miu said, peeling some fruit. “I’d
probably get nowhere over the phone, so it’d be better if I went
straight to the embassy and talked with them face to face.
Maybe someone from the embassy will be willing to come back
with me, or I might wait for Sumire’s parents to arrive in
Athens and come back with them. At any rate, I’d like you to
stay here as long as you can. The police might get in touch, and
there’s always the possibility that Sumire will come back.
Would you do that for me?”
Of course, I replied.
“I’m going to go to the police station again to check on the
investigation, then charter a boat to take me to Rhodes. A

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return trip to Athens takes time, so most likely I’ll get a hotel
room and stay a couple of days.”
I nodded.
Miu finished peeling the orange and wiped it carefully with a
napkin. “Have you ever met Sumire’s parents?”
I never have, I said.
Miu gave a sigh like the wind at the edge of the world. “I
wonder how I’m going to explain it to them.”
I could understand her confusion. How can you explain the
inexplicable?
Miu and I walked down to the harbour. She had a small bag
with a change of clothes, wore leather high-heeled shoes, and
carried a Mila Sch[umlaut]on shoulder bag. We stopped by the
police station. We told them I was a relative of Miu’s who
happened to be travelling nearby. They still didn’t have a
single clue. “But it’s all right,” they said cheerily. “Not to
worry. Look around you. This is a peaceful island. We have
some crime, of course—lovers’ quarrels, drunks, political
fights. We’re dealing with people, after all, and everywhere
you go it’s the same. But those are domestic squabbles. In the
last 15 years there’s never once been a foreigner who’s been the
victim of a crime on this island.”
That might very well be true. But when it came to explaining
Sumire’s disappearance, they had nothing to say.
“There’s a large limestone cave on the north shore of the
island,” the police ventured. “If she wandered in there, maybe
she couldn’t find her way out. It’s like a maze inside. But it’s
very, very far away. A girl like that couldn’t have walked that
far.”
Could she have drowned? I asked.
The policemen shook their heads. There’s no strong current

136
around here, they said. And the weather this past week has
been mild, the sea calm. Lots of fishermen go out to fish every
day, and if the girl had drowned, one of them would have
come across her body.
“What about wells?” I asked. “Couldn’t she have fallen in a
deep well somewhere while she was out for a walk?”
The chief of police shook his head. “There aren’t any wells on
the island. We have a lot of natural springs so there’s no need
to dig any. Besides, the bedrock is hard and digging a well
would be a major undertaking.”
After we left the police station I told Miu I wanted to walk to
the beach she and Sumire had frequented, if possible in the
morning. She bought a simple map of the island at a kiosk and
showed me the road; it takes 45 minutes one way, she
cautioned, so be sure to wear some sturdy shoes. She went to
the harbour and, in a mixture of French and English, quickly
concluded negotiations with the pilot of a small taxi boat to
take her to Rhodes.
“If only we had a happy ending,” Miu said as she left. But
her eyes told another story. She knew that things didn’t work
out that simply. And so did I. The boat’s engine started up, and
she held down her hat with her left hand and waved to me
with her right. When her boat disappeared offshore, I felt like
my insides were missing a couple of parts. I wandered around
the harbour for a while and bought some dark sunglasses at a
souvenir shop. Then I climbed the steep stairs back to the
cottage.
*
As the sun rose higher it grew fiercely hot. I put a short-sleeve
cotton shirt on over my trunks, put on my sunglasses and
jogging shoes, and set off over the steep mountain road to the

137
beach. I soon regretted not bringing a hat, but decided to forge
on. I soon got thirsty walking uphill. I stopped and took a drink
and rubbed the sunscreen Miu had lent me over my face and
arms. The path was white with dust, which swirled into the air
whenever the wind blew. Occasionally I’d pass villagers
leading donkeys. They’d greet me in a loud voice: “Kali mera!”
I’d say the same thing back to them. I supposed it was the thing
to do.
The mountainside was covered with short, twisted trees.
Mountain goats and sheep made their way over the craggy
rock face, crabby looks on their faces. The bells around their
necks made a matter-of-fact little tinkling sound. The people
herding the flocks were either children or old people. As I
passed they’d glance at me out of the corner of their eyes and
then half raise their hand in some sort of sign. I raised my hand
the same way in greeting. Sumire couldn’t have come this way
by herself. There was no place to hide, and someone would
have seen her.
*
The beach was deserted. I took off my shirt and trunks and
swam in the nude. The water was clear and felt wonderful. You
could see all the way to the stones on the bottom. A yacht was
anchored at the mouth of the inlet, sail stowed, and the tall
mast swayed back and forth like a giant metronome. Nobody
was on deck. Each time the tide went out, countless little stones
were left behind, clattering listlessly. After swimming, I went
back to the beach and lay down, still naked, on my towel and
gazed up at the high, pure blue sky. Seabirds circled above the
inlet searching for fish. The sky was utterly cloudless. I dozed
there for perhaps half an hour, during which time no one
visited the beach. Before long a strange hush fell over me. This

138
beach was a little too quiet for a person to visit alone, a little too
beautiful. It made me imagine a certain way of dying. I dressed
and walked over the mountain path, back towards the cottage.
The heat was even more intense than before. Mechanically
moving one foot after the other, I tried to imagine what Sumire
and Miu must have talked about when the two of them walked
this road together.
Sumire might very well have been pondering the sexual
desire she felt. The same way I thought about my own desire
when I was with her. It wasn’t hard for me to understand how
she felt. Sumire pictured Miu naked beside her and wanted
nothing so much as to hold her tight. An expectation was there,
mixed with so many other emotions—excitement, resignation,
hesitation, confusion, fear—that would well up, then wither on
the vine. You’re optimistic one moment, only to be wracked the
next by the surety that it will all fall to pieces. And in the end it
does.
I walked to the top of the mountain, took a break and a drink
of water, then headed downhill. Just as the roof of the cottage
came into view, I remembered what Miu had said about
Sumire feverishly writing something in her room after they
came to the island. What could she have been writing? Miu
hadn’t said anything more, and I didn’t push it. There might—
just might—be a clue in what Sumire wrote. I could have kicked
myself for not having thought of it before.
*
When I got back to the cottage I went to Sumire’s room, turned
on her PowerBook, and opened the hard drive. Nothing looked
promising. There was a list of expenses for their European trip,
addresses, a schedule. All business items related to Miu’s work.
No personal files. I opened the RECENT DOCUMENTS

139
menu—nothing. She probably didn’t want anybody to read it
and had erased it all. Which meant that she had saved her
personal files on a floppy disk somewhere. It was unlikely
she’d taken the disk with her when she disappeared; for one
thing, her pyjamas didn’t have any pockets.
I rummaged around in the desk drawers. There were a
couple of disks, but they were copies of what was on the hard
drive or other work-related files. Nothing looked promising. I
sat at the desk and thought. If I were Sumire, where would I
put it? The room was small; there weren’t many places to hide
something. Sumire was very particular about deciding who
could read what she wrote.
Of course—the red suitcase. This was the only thing in the
room that could be locked.
Her new suitcase seemed empty, it was so light; I shook it,
but it didn’t make any sound. The four-digit padlock was
locked, however. I tried several combinations of numbers I
knew Sumire was likely to use—her birthday, her address,
telephone number, post code—but none of them worked. Not
surprising, since a number that someone could easily guess
wasn’t much use as a combination number. It had to be
something she could remember, but that wasn’t based on
something personal. I thought about it for a long time, and then
it hit me. I tried the area code for Kunitachi—my area code, in
other words. 0-4-2-5.
The lock clicked open.
A small black cloth bag was stuck inside the inner side
pocket of the suitcase. I unzipped it and found a little green
diary and a floppy disk inside. I opened the diary first. It was
written in her usual handwriting. Nothing leaped out at me. It
was just information about where they went. Who they saw.

140
Names of hotels. The price of petrol. Dinner menus. Brands of
wine and what they tasted like. Basically just a list. A lot of the
pages were blank. Keeping a diary wasn’t one of Sumire’s
strong points, apparently.
*
The disk was untitled. The label just had the date on it, in
Sumire’s distinctive handwriting. August 19**. I slipped the
disk inside the PowerBook and opened it. The menu showed
two documents, neither of which had a title. They were just
Document 1 and Document 2.
Before opening them, I slowly looked around the room.
Sumire’s coat was hanging in the wardrobe. I saw her goggles,
her Italian dictionary, her passport. Inside the desk were her
ballpoint pen and propelling pencil. In the window above the
desk the gentle, craggy slope was visible. A black cat was
walking on top of the wall of the house next door. The bare
little box room was enveloped in the late afternoon silence. I
closed my eyes and could still hear the waves on the deserted
beach that morning. I opened my eyes again, and this time
listened closely to the real world. I couldn’t hear a thing.
*
I set my pointer on Document 1 and double-clicked the icon.

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1 1

Document 1

Did You Ever See Anyone Shot by a Gun without Bleeding?

Fate has led me to a conclusion—an ad hoc conclusion, mind you
(is there any other kind? interesting question, but I’ll leave it for
some other time)—and here I am on an island in Greece. A small
island whose name I’d never even heard of until recently. The time
is … a little past four in the morning. Still dark out, of course.
Innocent goats have slipped into their peaceful, collective sleep.
The line of olive trees outside in the field is sipping at the
nourishment the darkness provides. And the moon, like some
melancholy priest, rests above the rooftop, stretching out its
hands to the barren sea.
No matter where I find myself, this is the time of day I love best.
The time that’s mine alone. It’ll be dawn soon, and I’m sitting here
writing. Like Buddha, born from his mother’s side (the right or the
left, I can’t recall), the new sun will lumber up and peek over the
edge of the hills. And the ever discreet Miu will quietly wake up. At
six we’ll make a simple breakfast together, and afterwards go over
the hills to our ever lovely beach. Before this routine begins, I want

142
to roll up my sleeves and finish a bit of work.
*
Except for a few letters, it’s been a long time since I’ve written
something purely for myself, and I’m not very confident I can
express myself the way I’d like to. Not that I’ve ever had that
confidence. Somehow, though, I always feel driven to write.
Why? It’s simple, really. In order for me to think about
something, I have to first put it into writing.
It’s been that way since I was little. When I didn’t understand
something, I gathered up the words scattered at my feet, and lined
them up into sentences. If that didn’t help, I’d scatter them again,
rearrange them In a different order. Repeat that a number of
times, and I was able to think about things like most people.
Writing for me was never difficult. Other children gathered pretty
stones or acorns, and I wrote. As naturally as breathing, I’d scribble
down one sentence after another. And I’d think.
No doubt you think It’s a time-consuming process to reach a
conclusion, seeing as how every time I thought about something I
had to go through all those steps. Or maybe you wouldn’t think
that. But In actual practice it did take time. So much so that by the
time I entered elementary school people thought I was retarded. I
couldn’t keep up with the other kids.
When I finished elementary school the feeling of alienation this
gave me had lessened considerably. By then I’d found a way to
keep pace with the world around me. Still, until I left college and
broke off any relations with officialdom, this gap existed inside
me—like a silent snake in the grass.
My provisional theme here: On a day-to-day basis I use writing to
work out who I am.
*
Right?
Right you are!
*
I’ve written an incredible amount up till now. Nearly every day. It’s
like I was standing in a huge pasture, cutting the grass all by

143
myself, and the grass grows back almost as fast as I can cut it.
Today I’d cut over here, tomorrow over there… By the time I
make one complete round of the pasture the grass in the first spot
is as tall as it was in the beginning.
But since I met Miu I’ve barely written. Why is that? The Fiction =
Transmission theory K. told me does make sense. On one level
there’s some truth to it. But it doesn’t explain everything. I’ve got
to simplify my thinking here.
Simplify, simplify.
*
What happened after I met Miu was I stopped thinking. (Of course
I’m using my own individual definition of thinking here.) Miu and I
were always together, two interlocking spoons, and with her I was
swept away somewhere—someplace I couldn’t fathom—and I just
thought, Okay, go with the flow.
In other words, I had to get rid of a lot of baggage to get closer
to her. Even the act of thinking became a burden. I think that
explains it. No matter how tall the grass got, I couldn’t be
bothered. I sprawled on my back, gazing up at the sky, watching
the billowy clouds drift by. Consigning my fate to the clouds.
Giving myself up to the pungent aroma of the grass, the murmur
of the wind. And after a time I couldn’t have cared less about the
difference between what I knew and what I didn’t know.
No, that’s not true. From day one I couldn’t have cared less. I
have to be a bit more precise in my account here.
Precision, precision.
*
I see now that my basic rule of thumb in writing has always been
to write about things as if I didn’t know them—and this would
include things that I did know, or thought I knew about. If I said
from the beginning, Oh, I know that, no need to spend my precious
time writing about it, my writing would never have got off the
ground. For example, if I think about somebody, I know that guy,
no need to spend time thinking about him, I’ve got him down, I run

144
the risk of being betrayed (and this would apply to you as well). On
the flip side of everything we think we absolutely understand lurks
an equal amount of the unknown.
Understanding is but the sum of our misunderstandings.
Just between us, that’s my way of comprehending the world. In
a nutshell.
*
In the world we live in, what we know and what we don’t know are
like Siamese twins, inseparable, existing in a state of confusion.
Confusion, confusion.
Who can really distinguish between the sea and what’s reflected
in it? Or tell the difference between the falling rain and loneliness?
Without any fuss, then, I gave up worrying about the difference
between knowing and not knowing. That became my point of
departure. A terrible place to start, perhaps—but people need a
makeshift springboard, right? All of which goes to explain how I
started seeing dualisms such as theme and style, object and
subject, cause and effect, the joints of my hand and the rest of me,
not as black-and-white pairs, but as indistinguishable one from the
other. Everything had spilled on the kitchen floor—the salt,
pepper, flour, starch. All mixed into one fine blob.
*
The joints of my hand and the rest of me … I notice sitting here in
front of the computer that I’m back to my old bad habit of
cracking my knuckles. This bad habit made quite a comeback after
I stopped smoking. First I crack the joints of the five fingers of my
right hand—crack crack—then the joints of my left hand. I’m not
trying to brag, but I can crack my joints so loud you’d think
someone’s neck’s getting broken. I was the champion knuckle-
cracker in elementary school. Put the boys to shame.
When I was at college, K. let me know In no uncertain terms that
this wasn’t exactly a skill I should be proud of. When a girl reaches
a certain age she can’t be snapping her knuckles all over the place.
Especially in front of other people. Otherwise you’ll end up like

145
Lotte Lenya In From Russia with Love. Now why hadn’t anybody
ever told me that before? I tried to break the habit. I mean, I really
like Lotte Lenya, but not enough to want to be her. Once I stopped
smoking, though, I realized that whenever I sat down to write,
unconsciously I was cracking my knuckles all over again. Snap
crackle pop.
The name’s Bond. James Bond.
*
Let me get back to what I was saying. Time’s limited—no room for
detours. Forget Lotte Lenya. Sorry, metaphors—gotta split. As I
said before, inside us what we know and what we don’t know
share the same abode. For convenience’s sake most people erect a
wall between them. It makes life easier. But I just swept that wall
away. I had to. I hate walls. That’s just the kind of person I am.
*
To use the image of the Siamese twins again, it’s not like they
always get along. They don’t always try to understand each other.
In fact the opposite is more often true. The right hand doesn’t try
to know what the left hand’s doing—and vice versa. Confusion
reigns, we end up lost—and we crash smack-bang right into
something. Thud.
*
What I’m getting at is that people have to come up with a clever
strategy if they want what they know and what they don’t know
to live together in peace. And that strategy—yep, you’ve got it!—
is thinking. We have to find a secure anchor. Otherwise, no mistake
about it, we’re on an awful collision course.
*
A question.
So what are people supposed to do if they want to avoid a
collision (thud!) but still lie in the field, enjoying the clouds drifting
by, listening to the grass grow—not thinking, in other words?
Sounds hard? Not at all. Logically, it’s easy. C’est simple. The
answer is dreams. Dreaming on and on. Entering the world of
dreams, and never coming out. Living in dreams for the rest of

146
time.
In dreams you don’t need to make any distinctions between
things. Not at all. Boundaries don’t exist. So in dreams there are
hardly ever collisions. Even if there are, they don’t hurt. Reality is
different. Reality bites.
Reality, reality.
*
Way back when the Sam Peckinpah film The Wild Bunch premiered,
a woman journalist raised her hand at the press conference and
asked the following: “Why in the world do you have to show so
much blood all over the place?” She was pretty worked up about
it. One of the actors, Ernest Borgnine, looked a bit perplexed and
fielded the question. “Lady, did you ever see anyone shot by a gun
without bleeding?” This film came out at the height of the Vietnam
War.
I love that line. That’s gotta be one of the principles behind
reality. Accepting things that are hard to comprehend, and leaving
them that way. And bleeding. Shooting and bleeding.

Did you ever see anyone shot by a gun without bleeding?

Which explains my stance as a writer. I think—in a very ordinary
way—and reach a point where, in a realm I cannot even give a
name to, I conceive a dream, a sightless foetus called
understanding, floating in the universal, overwhelming amniotic
fluid of incomprehension. Which must be why my novels are
absurdly long and, up till now, at least, never reach a proper
conclusion. The technical, and moral, skills needed to maintain a
supply line on that scale are beyond me.
*
Of course I’m not writing a novel here. I don’t know what to call it.
Just writing. I’m thinking aloud, so there’s no need to wrap things
up neatly. I have no moral obligations. I’m merely—hmm—
thinking. I haven’t done any real thinking for the longest time, and

147
probably won’t for the foreseeable future. But right now, at this
very moment, I am thinking. And that’s what I’m going to do until
morning. Think.
*
That being said, though, I can’t rid myself of my old familiar dark
doubts. Aren’t I spending all my time and energy in some useless
pursuit? Hauling a bucket of water to a place that’s on the verge of
flooding? Shouldn’t I give up any useless effort and just go with
the flow?
Collision? What’s that?
*
Let me put it a different way.
Okay—what different way was I going to use?
Oh, I remember—this is what it is.
If I’m going to merely ramble, maybe I should just snuggle under
the warm covers, think of Miu, and play with myself. That’s what I
meant.
I love the curve of Miu’s rear end. The exquisite contrast
between her jet-black pubic hair and snow-white hair, the nicely
shaped arse, clad in tiny black panties. Talk about sexy. Inside her
black panties, her T-shaped pubic hair, every bit as black.
I’ve got to stop thinking about that. Switch off the circuit of
pointless sexual fantasies (click) and concentrate on writing. Can’t
let these precious pre-dawn moments slip away. I’ll let somebody
else, in some other context, decide what’s effective and what isn’t.
Right now I don’t have a glass of barley tea’s worth of interest in
what they might say.
*
Right?
Right you are!
So—onward and upward.
*
They say it’s a dangerous experiment to include dreams (actual
dreams or otherwise) in the fiction you write. Only a handful of
writers—and I’m talking the most talented—are able to pull off

148
the kind of irrational synthesis you find in dreams. Sounds
reasonable. Still, I want to relate a dream, one I had recently. I
want to record this dream simply as a fact that concerns me and
my life. Whether it’s literary or not, I don’t care. I’m just the keeper
of the warehouse.
*
I’ve had the same type of dream many times. The details differ,
including the setting, but they all follow the same pattern. And the
pain I feel upon waking is always the same. A single theme is
repeated there over and over, like a train blowing its whistle at the
same blind curve night after night.

Sumire’s Dream

(I’ve written this in the third person. It feels more authentic that
way.)
*
Sumire is climbing a long spiral staircase to meet her mother, who
died a long time ago. Her mother is waiting at the top of the stairs.
She has something she wants to tell Sumire, a critical piece of
information Sumire desperately needs in order to live. Sumire’s
never met a dead person before, and she’s afraid. She doesn’t
know what kind of person her mother is. Maybe—for some reason
Sumire can’t imagine—her mother hates her. But she has to meet
her. This is her one and only chance.
*
The stairs go on forever. Climb and climb and she still doesn’t
reach the top. Sumire rushes up the stairs, out of breath. She’s
running out of time. Her mother won’t always be here, In this
building. Sumire’s brow breaks out in a sweat. And finally the stairs
come to an end.
At the top of the staircase there’s a broad landing, a thick stone
wall at the very end facing her. Right at eye level there’s a kind of
round hole like a ventilation shaft. A small hole about 20 inches In
diameter. And Sumire’s mother, as if she’d been pushed inside feet

149
first, is crammed inside that hole. Sumire realizes that her time is
nearly up.
*
In that cramped space, her mother faces outwards, towards her.
She looks at Sumire’s face as if appealing to her. Sumire knows in a
glance that It’s her mother. She’s the person who gave me life and
flesh, she realizes. But somehow the woman here is not the
mother in the family photo album. My real mother is beautiful, and
youthful. So that person in the album wasn’t really my mother
after all, Sumire thinks. My father tricked me.
“Mother!” Sumire bravely shouts. She feels a wall of sorts melt
away inside her. No sooner does she utter this word than her
mother is pulled deeper into that hole, as if sucked by some giant
vacuum on the other side. Her mother’s mouth is open, and she’s
shouting something to Sumire. But the hollow sound of the wind
rushing out of the hole swallows up her words. In the next instant
her mother is yanked into the darkness of the hole and vanishes.
Sumire looks back, and the staircase is gone. She’s surrounded
by stone walls. Where the staircase had been there’s a wooden
door. She turns the knob and opens the door, and beyond is the
sky. She’s at the top of a tall tower. So high it makes her dizzy to
look down. Lots of tiny objects, like aeroplanes, are buzzing
around in the sky. Simple little planes anybody could make,
constructed of bamboo and light pieces of lumber. In the rear of
each plane there’s a tiny fist-sized engine and propeller. Sumire
yells out to one of the passing pilots to come and rescue her. But
none of the pilots pays any attention.
*
It must be because I’m wearing these clothes, Sumire decides.
Nobody can see me. She has on an anonymous white hospital
gown. She takes it off, and is naked—there’s nothing on
underneath. She discards the gown on the ground next to the
door, and like a soul now unfettered it catches an updraught and
sails out of sight. The same wind caresses her body, rustles the hair

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between her legs. With a start she notices that all the little
aeroplanes have changed into dragonflies. The sky is filled with
multicoloured dragonflies, their huge bulbous eyes glistening as
they gaze around. The buzz of their wings grows steadily louder,
like a radio being turned up. Finally it’s an unbearable roar. Sumire
crouches down, eyes closed, and covers her ears.
*
And she wakes up.
*
Sumire could recall every last detail of the dream. She could have
painted a picture of it. The only thing she couldn’t recall was her
mother’s face as it was sucked into that black hole. And the critical
words her mother spoke, too, were lost for ever in that vacant
void. In bed, Sumire violently bit her pillow and cried and cried.

The Barber Won’t Be Digging Any More Holes

After this dream I came to an important decision. The tip of my
somewhat industrious pickaxe will finally begin to chip away at the
solid cliff. Thwack. I decided to make it clear to Miu what I want. I
can’t stay like this forever, hanging. I can’t be like a spineless little
barber digging a hole in his back garden, revealing to no one the
fact that I love Miu. Act that way and slowly but surely I will fade
away. All the dawns and all the twilights will rob me, piece by
piece, of myself, and before long my very life will be shaved away
completely—and I would end up nothing.
*
Matters are as clear as crystal.
Crystal, crystal.
I want to make love to Miu, and be held by her. I’ve already
surrendered so much that’s Important to me. There’s nothing
more I can give up. It’s not too late. I have to be with Miu, enter
her. And she must enter me. Like two greedy, glistening snakes.
And if Miu doesn’t accept me, then what?
I’ll cross that bridge when the times comes.

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“Did you ever see anyone shot by a gun without bleeding?”
*
Blood must be shed. I’ll sharpen my knife, ready to slit a dog’s
throat somewhere.
*
Right?
Right you are!
*
What I’ve written here is a message to myself. I toss it into the air
like a boomerang. It slices through the dark, lays the little soul of
some poor kangaroo out cold, and finally comes back to me.
But the boomerang that returns is not the same one I threw.
Boomerang, boomerang.

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1 2

Document 2

It’s 2.30 in the afternoon. Outside it’s as bright and hot as hell. The
cliffs, the sky, and the sea are sparkling. Look at them long enough
and the boundaries begin to dissolve, everything melting into a
chaotic ooze. Consciousness sinks into the sleepy shadows to
avoid the light. Even the birds have given up flying. Inside the
house, though, it’s pleasantly cool. Miu is in the living room
listening to Brahms. She’s wearing a blue summer dress with thin
straps, her pure-white hair pulled back simply. I’m at my desk,
writing these words.
“Does the music bother you?” Miu asks me.
Brahms never bothers me, I answer.
*
I’ve been searching my memory, trying to reproduce the story Miu
told me a few days ago in the village in Burgundy. It’s not easy. She
told the story in fits and starts, the chronology thoroughly mixed
up. Sometimes I couldn’t unravel which events happened first, and
which came later, what was cause, what was effect. I don’t blame
her, though. The cruel conspiratorial razor buried in her memory

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slashed out at her, and as the stars faded with the dawn above the
vineyard, so the life force drained from her cheeks as she told me
her tale.
Miu told the story only after I insisted on hearing it. I had to run
through a whole gamut of appeals to get her to talk -alternately
encouraging her, bullying her, indulging, praising, enticing her to
continue. We drank red wine and talked till dawn. Hands clasped
together we followed the traces of her memories, piecing them
together, analysing the results. Still there were places Miu couldn’t
dredge up from her memory. Once she dipped her foot there she
grew quietly confused, and downed more wine. These were the
danger zones of memory. Whenever we came across these, we’d
give up the search and gingerly withdraw to higher ground.
*
I persuaded Miu to tell me the story after I became aware that she
dyed her hair. Miu is such a careful person that only a very few
people around her have any idea she dyes her hair. But I noticed it.
Travelling together for so long, spending each day together, you
tend to pick up on things like that. Or maybe Miu wasn’t trying to
hide it. She could have been much more discreet if she’d wanted
to. Maybe she thought it was inevitable I’d find out, or maybe she
wanted me to find out. (Hmm—pure conjecture on my part.)
*
I asked her straight out. That’s me—never beat about the bush.
How much of your hair is white? I asked. How long have you been
dyeing it? Fourteen years, she answered. Fourteen years ago my
hair turned entirely white, every single strand. Were you sick? No,
that wasn’t it, said Miu. Something happened, and all my hair
turned pure white. Overnight.
I’d like to hear the story, I said, imploring her. I want to know
everything about you. You know I wouldn’t hide a thing from you.
But Miu quietly shook her head. She’d never once told anyone the
story; even her husband didn’t know what had happened. For
fourteen years it had been her own private secret.

154
But in the end we talked all night. Every story has a time to be told,
I convinced her. Otherwise you’ll be forever a prisoner to the
secret inside you.
Miu looked at me as if gazing at some far-off scene. Something
floated to the surface of her eyes, then slowly settled to the
bottom again. “I have nothing I have to clear up,” she said. “They
have accounts to settle—not me.”
I couldn’t understand what she was driving at.
“If I do tell you the story,” Miu said, “the two of us will always
share it. And I don’t know if that’s the right thing to do. If I lift
open the lid now, you’ll be implicated. Is that what you want? You
really want to know something I’ve sacrificed so much trying to
forget?”
Yes, I said. No matter what it is, I want to share it with you. I
don’t want you to hide a thing.
Obviously confused, Miu took a sip of wine and closed her eyes.
A silence followed In which time itself seemed to bend and buckle.
In the end, though, she began to tell the story. Bit by bit, one
fragment at a time. Some elements of the story took on a life of
their own, while others never even quivered into being. There
were the inevitable gaps and elisions, some of which themselves
had their own special significance. My task now, as narrator, is to
gather—ever so carefully—all these elements into a whole.

The Tale of Miu and the Ferris Wheel

One summer Miu stayed alone in a small town In Switzerland near
the French border. She was 25 and lived in Paris, where she studied
the piano. She came to this little town at her father’s request to
take care of some business negotiations. The business itself was a
simple matter, basically just having dinner once with the other
party and having him sign a contract. Miu liked the little town the
first time she laid eyes on it. It was such a cosy, lovely place, with a

155
lake and medieval castle beside it. She thought it would be fun to
live there, and took the plunge. Besides, a music festival was being
held in a nearby village, and if she rented a car she could attend
every day.
She was lucky enough to find a furnished apartment on a short-
term lease, a pleasant, tidy little building on top of a hill on the
outskirts of town. The view was superb. Nearby was a place where
she could practise piano. The rent wasn’t cheap, but if she found
herself strapped for cash she could always rely on her father to
help out.
Thus Miu began her temporary but placid life in the town. She’d
attend concerts at the music festival, take walks in the
neighbourhood, and before long got to make a few acquaintances.
She found a nice little restaurant and café that she began to
frequent. Out of the window of her apartment she could see an
amusement park outside town. There was a giant Ferris wheel in
the park. Colourful boxes with doors forever wed to the huge
wheel, all of which would slowly rotate through the sky. Once it
reached its upward limit, it began to descend. Naturally. Ferris
wheels don’t go anywhere. They go up, they come back down, a
roundabout trip that, for some strange reason, most people find
pleasant.
In the evenings the Ferris wheel was speckled with countless
lights. Even after it shut down for the night and the amusement
park closed, the wheel twinkled all night long, as if vying with the
stars in the sky. Miu would sit near her window, listening to music
on the radio, and gaze forever at the up-and-down motion of the
Ferris wheel. Or, when it was stopped, at the monument-like
stillness of it.
She got to know a man who lived in the town. A handsome, 50-ish
Latin type. He was tall, with a thoroughly handsome nose and dark
straight hair. He introduced himself to her at the cafe. Where are
you from? he asked. I’m from Japan, she answered. And the two of
them began talking. His name was Ferdinando. He was from

156
Barcelona, and had moved here five years before to work in
furniture design.
He spoke in a relaxed way, often joking. They chatted for a
while, then said goodbye. Two days later they met each other at
the same cafe. He was single, divorced, she found out. He told her
he left Spain to begin a new life. Miu didn’t have a very good
impression of the man. She could sense he was trying to move In
on her. She sniffed a hint of sexual desire, and it frightened her.
She decided to avoid the cafe.
Still, she bumped into Ferdinando many times in town—often
enough to make her feel he was following her. Perhaps it was just
a silly delusion. It was a small town, so running across the same
person wasn’t so strange. Every time he saw her, he smiled
broadly and said hello in a friendly way. Still, ever so slowly, Miu
became irritated and uneasy. She started to see Ferdinando as a
threat to her peaceful life. Like a dissonant cymbal at the
beginning of a musical score, an ominous shadow began to cloud
her pleasant summer.
*
Ferdinando, though, turned out to be just a glimpse of a greater
shadow. After living there ten days, she started to feel a kind of
impediment attaching itself to her life in the town. The thoroughly
lovely, neat-as-a-pin town now seemed narrow-minded, self-
righteous. The people were friendly and kind enough, but she
started to feel an invisible prejudice against her as an Asian. The
wine she drank in restaurants suddenly had a bad aftertaste. She
found worms In the vegetables she bought. The performances at
the music festival sounded listless. She couldn’t concentrate on
her music. Even her apartment, which she thought quite
comfortable, began to look to her like a poorly decorated, squalid
place. Everything lost its initial lustre. The ominous shadow spread.
And she couldn’t escape it.
The phone would ring at night, and she’d pick it up. “Alio?” she’d
say. But the phone would go dead. This happened again and again.

157
It had to be Ferdinando, she thought. But she had no proof. How
would he know her number? The phone was an old model, and she
couldn’t just unplug it. She had trouble sleeping, and started
taking sleeping pills. Her appetite had gone.
*
I’ve got to get out of here, she decided. But for some reason she
couldn’t fathom, she couldn’t drag herself away from the town.
She made up a list of reasons to stay. She’d already paid a month’s
rent, and bought a pass to the music festival. And she’d already let
out her apartment in Paris for the summer. She couldn’t just up
and leave now, she told herself. And besides, nothing had actually
happened. She hadn’t been hurt in any real way, had she? No one
had treated her badly. I must just be getting overly sensitive to
things, she convinced herself.
One evening, about two weeks after she began living there, she
dined out as usual at a nearby restaurant. After dinner she decided
to enjoy the night air for a change, and took a long stroll. Lost in
thought, she wandered from one street to the next. Before she
realized it, she was at the entrance to the amusement park. The
park with the Ferris wheel. The air was filled with lively music, the
sound of carnival barkers, and children’s happy shouts. The visitors
were mostly families, and a few couples from town. Miu
remembered her father taking her to an amusement park once
when she was little. She could remember even now the scent of
her father’s tweed coat as they rode the whirling teacups. The
whole time they were on the ride, she clung to her father’s sleeve.
To young Miu that odour was a sign of the far-off world of adults,
a symbol of security. She found herself missing her father.
*
Just for fun, she bought a ticket and went inside the park. The
place was filled with different little shops and stands—a shooting
gallery, a snake show, a fortune-teller’s booth. Crystal ball in front
of her, the fortune-teller, a largish woman, beckoned to Miu:
“Mademoiselle, come here, please. It’s very important. Your fate is

158
about to change.” Miu just smiled and passed by.
She bought some ice-cream and sat on a bench to eat it,
watching the people passing by. She felt herself far removed from
the bustling crowds around her. A man started to talk to her in
German. He was about 30, small, with blond hair and a moustache,
the kind of man who’d look good in a uniform. She shook her head
and smiled and pointed to her watch. “I’m waiting for somebody,”
she said in French. Her voice sounded higher, and remote to her.
The man said nothing further, grinned sheepishly, gave her a brief
wave of the hand and was gone.
*
Miu stood up, and wandered around. Somebody was throwing
darts and a balloon burst. A bear was stomping around in a dance.
An organ played “The Blue Danube Waltz”. She looked up, and
saw the Ferris wheel leisurely turning through the air. It would be
fun to see my apartment from the Ferris wheel, she suddenly
thought, instead of the other way around. Fortunately she had a
small pair of binoculars in her shoulder bag. She had left them in
there since the last time she was at the music festival, where they
came in handy for seeing the stage from her far-off seat on the
lawn. They were light and strong enough. With these she should
be able to see right into her room.
*
She went to buy a ticket at the booth in front of the Ferris wheel.
“We’ll be closing pretty soon, Mademoiselle,” the ticket seller, an
old man, told her. He looked down as he mumbled this, as if
talking to himself. And he shook his head. “We’re almost finished
for the day. This will be the last ride. One time around and we’re
finished.” White stubble covered his chin, his whiskers stained by
tobacco smoke. He coughed. His cheeks were as red as if buffeted
for years in a north wind.
“That’s all right. Once is enough,” Miu replied. She bought a
ticket and stepped up on the platform. She was the only person
waiting to board, and as far as she could make out, the little

159
gondolas were all empty. Empty boxes swung idly through the air
as they revolved, as if the world itself were fizzling out towards its
end.
She got inside the red gondola, sat on the bench, while the old
man came over, closed the door, and locked it from the outside.
For safety’s sake, no doubt. Like some ancient animal coming to
life, the Ferris wheel clattered and began its ascent. The assorted
throng of booths and attractions shrank below her. As they did,
the lights of the city rose up before her. The lake was on her left-
hand side, and she could see lights from excursion boats reflected
gently on the surface of the water. The far-off mountainside was
dotted with lights from tiny villages. Her chest tightened at the
beauty of it all.
*
The area where she lived, on the hilltop, came into view. Miu
focused her binoculars and searched for her apartment, but it
wasn’t easy to find. The Ferris wheel steadily rose higher and
higher. She’d have to hurry. She swept the binoculars back and
forth in a frantic search. But there were too many buildings that
looked alike. The Ferris wheel reached the top, and began its
downward turn. Finally she spotted the building. That’s it! But
somehow it had more windows than she remembered. Lots of
people had their windows open to catch the summer breeze. She
moved her binoculars from one window to the next, and finally
located the second apartment from the right on the third floor.
But by then the Ferris wheel was getting closer to ground level.
The walls of other buildings got in the way. It was a shame—just a
few more seconds and she could have seen right inside her place.
*
The Ferris wheel approached the ground, ever so slowly. She tried
to open the door to get out, but it wouldn’t budge. Of course—it
was locked from the outside. She looked around for the old man in
the ticket booth, but he was nowhere to be seen. The light in the
booth was already out. She was about to call to someone, but

160
there wasn’t anyone to yell to. The Ferris wheel began rising once
more. What a mess, she thought. How could this happen? She
sighed. Maybe the old man had gone to the toilet and missed the
timing. She’d have to make one more circuit.
It’s alt right, she thought. The old man’s forgetfulness would
give her a second free spin on the wheel. This time for sure she’d
spot her apartment. She grasped the binoculars firmly and stuck
her face out of the window. Since she’d located the general area
and position last time around, this time it was an easy task to spot
her own room. The window was open, the light on. She hated to
come back to a dark room, and had planned to come back straight
after dinner.
*
It gave her a guilty feeling to look at her own room from so far
away through the binoculars, as if she were peeking in on herself.
But I’m not there, she assured herself. Of course not. There’s a
phone on the table. I’d really like to place a call to that phone.
There’s a letter I left on the table, too. I’d like to read it from here,
Miu thought. But naturally she couldn’t see that much detail.
*
Finally the Ferris wheel passed its zenith and began to descend. It
had only gone down a short while when it suddenly stopped. She
was thrown against the side of the car, banging her shoulder and
nearly dropping the binoculars on the floor. The sound of the
Ferris wheel motor ground to a halt, and everything was wrapped
in an unearthly silence. All the lively background music she’d heard
was gone. Most of the lights in the booths down below were out.
She listened carefully, but heard only the faint sound of the wind
and nothing more. Absolute stillness. No voices of carnival barkers,
no children’s happy shouts. At first she couldn’t grasp what had
happened. And then it came to her: she’d been abandoned.
She leaned out of the half-open window, and looked down
again. She realized how high up she was. Miu thought to yell out
for help, but knew that no one would hear her. She was too high

161
up, her voice too small.
Where could that old man have gone to? He must have been
drinking. His face that colour, his breath, his thick voice—no
mistake about it. He forgot all about putting me on the Ferris
wheel and turned the machinery off. At this very moment he’s
probably getting pissed in some bar, having a beer or gin, getting
even more drunk and forgetting what he’s done. Miu bit her lip. I
might not get out of here until tomorrow afternoon, she thought.
Or maybe evening? When did the amusement park open for
business? She had no idea.
*
Miu was dressed only in a light blouse and short cotton skirt, and
though it was the middle of summer the Swiss night air was chilly.
The wind had picked up. She leaned out of the window once more
to look at the scene below. There were even fewer lights than
before. The amusement park staff had finished for the day and
gone home. There had to be a guard around somewhere. She took
a deep breath and shouted for help at the top of her lungs. She
listened. And yelled again. And again. No response.
She took a small notebook from her shoulder bag, and wrote on
it in French: “I’m locked Inside the Ferris wheel at the amusement
park. Please help me.” She dropped the note out of the window.
The sheet flew off on the wind. The wind was blowing towards the
town, so if she was lucky it might end up there. But if someone
actually did pick it up and read it, would he (or she) believe it? On
another page, she wrote her name and address along with the
message. That should be more believable. People might not take it
for a joke then, but realize she was in serious trouble. She sent half
the pages in her notebook flying out on the wind.
Suddenly she got an idea, took everything out of her wallet
except a ten-franc note, and put a note inside: “A woman is locked
inside the Ferris wheel up above you. Please help.” She dropped
the wallet out the window. It fell straight down towards the
ground. She couldn’t see where it fell, though, or. hear the thud of

162
it hitting the ground. She put the same kind of note inside her
purse and dropped that as well.
Miu looked at her wristwatch. It was 10.30. She rummaged
around inside her shoulder bag to see what else she could find.
Some simple make-up and a mirror, her passport. Sunglasses. Keys
to her rental car and her apartment. An army knife for peeling
fruit. A small plastic bag with three crackers inside. A French
paperback. She’d eaten dinner, so she wouldn’t be hungry until
morning. With the cool air, she wouldn’t get too thirsty. And
fortunately she didn’t have to go to the toilet yet.
She sat down on the plastic bench, and leaned her head back
against the wall. Regrets spun through her mind. Why had she
come to the amusement park, and got on this Ferris wheel? After
she left the restaurant she should have gone straight home. If only
she had, she’d be taking a nice hot bath right now, snuggling into
bed with a good book, as she always did. Why hadn’t she done
that? And why in the world would they hire a hopeless drunk like
that old man?
*
The Ferris wheel creaked in the wind. She tried to close the
window so the wind wouldn’t get in, but it didn’t give an inch. She
gave up and sat on the floor. I knew I should have brought a
sweater, she thought. As she’d left her apartment she’d paused,
wondering if she should drape a cardigan over her shoulders. But
the summer evening had looked so pleasant, and the restaurant
was only three blocks from her place. At that point walking to the
amusement park and getting on the Ferris wheel were the furthest
things from her mind. Everything had gone wrong.
To help her relax, she removed her wristwatch, her thin silver
bracelet, and the seashell-shaped earrings and stored them in her
bag. She curled up in a corner of the floor, and hoped she could
just sleep till morning. Naturally she couldn’t get to sleep. She was
cold, and uneasy. An occasional gust of wind shook the gondola.
She closed her eyes and mentally played a Mozart sonata in C

163
minor, moving her fingers on an imaginary keyboard. For no
special reason, she’d memorized this piece that she’d played when
she was a child. Halfway through the second movement, though,
her mind grew dim. And she fell asleep.
*
How long she slept, she didn’t know. It couldn’t have been long.
She woke with a start, and for a minute had no idea where she
was. Slowly her memory returned. That’s right, she thought, I’m
stuck inside a Ferris wheel at an amusement park. She pulled her
watch out of her bag; it was after midnight. Miu slowly stood up.
Sleeping in such a cramped position had made all her joints ache.
She yawned a couple of times, stretched, and rubbed her wrists.
Knowing she wouldn’t be able to get back to sleep for a while,
she took the paperback out of her bag to take her mind off her
troubles, and began reading where she’d left off. It was a new
mystery she’d bought at a bookshop in town. Luckily, the lights on
the Ferris wheel were left on all night. After she’d read a few
pages, though, she realized she wasn’t following the plot. Her eyes
were following the lines all right, but her mind was miles away.
Miu gave up and shut the book. She looked at the night sky. A
thin layer of clouds covered the sky, and she couldn’t make out
any stars. There was a dim sliver of moon. The lights cast her
reflection clearly on the gondola’s glass window. She stared at her
face for a long time. When will this be over? she asked herself.
Hang in there. Later on this will all be just a funny story you’ll tell
people. Imagine getting locked inside a Ferris wheel in an
amusement park in Switzerland!
But it didn’t become a funny story.
This is where the real story begins.
*
A little later, she picked up her binoculars and looked out at the
window of her apartment. Nothing had changed. Well, what do
you expect? she asked herself, and smiled.
She looked at the other windows in the building. It was past

164
midnight, and almost everyone was asleep. Most of the windows
were dark. A few people, though, were up, lights on in their
apartments. People on the lower floors had taken the precaution
of closing their curtains. Those on the upper floors didn’t bother,
and left their curtains open to catch the cool night breeze. Life
within these rooms was quietly, and completely, open to view.
(Who would ever imagine that someone looking in with binoculars
was hidden away in a Ferris wheel in the middle of the night?) Miu
wasn’t very interested in peeking in on others’ private lives,
though. She found looking in her own empty room far more
absorbing.
*
When she made one complete circuit of the windows and returned
to her own apartment, she gasped. There was a naked man in her
bedroom. At first she thought she had the wrong apartment. She
moved the binoculars up and down, back and forth. But there was
no mistake; it was her room all right. Her furniture, her flowers in
the vase, her apartment’s paintings hanging on the wall. The man
was Ferdinando. No mistake about it. He was sitting on her bed,
stark naked. His chest and stomach were hairy, and his long penis
hung down flaccidly like some drowsy animal.
What could he be doing in my room? A thin sheen of sweat
broke out on Miu’s forehead. How did he get in? Miu couldn’t
understand it. She was angry at first, then confused. Next, a
woman appeared in the window. She had on a short-sleeve white
blouse and a short blue cotton skirt. A woman? Miu clutched the
binoculars tighter and fixed her eyes on the scene.
What she saw was herself.
*
Miu’s mind went blank. I’m right here, looking at my room through
binoculars. And in that room is me. Miu focused and refocused the
binoculars. But no matter how many times she looked, it was her
inside the room. Wearing the exact same clothes she had on now.
Ferdinando held her close and carried her to the bed. Kissing her,

165
he gently undressed the Miu inside the room. He took off her
blouse, undid her bra, pulled off her skirt, kissed the base of her
neck as he caressed her breasts with his hands. After a while, he
pulled off her panties with one hand, panties exactly the same as
the ones she had on now. Miu couldn’t breathe. What was
happening?
Before she realized it, Ferdinando’s penis was erect, as stiff as a
rod. She’d never seen one so huge. He took Miu’s hand, and
placed it on his penis. He caressed her and licked her from head to
toe. He took his own sweet time. She didn’t resist. She—the Miu in
the apartment—let him do whatever he wanted, thoroughly
enjoying the rising passion. From time to time she would reach out
and caress Ferdinando’s penis and balls and allow him to touch her
everywhere.
Miu couldn’t drag her gaze away from this strange sight. She felt
sick. Her throat was so parched she couldn’t swallow. She felt as if
she was going to vomit. Everything was grotesquely exaggerated,
menacing, like some medieval allegorical painting. This is what Miu
thought: that they were deliberately showing her this scene. They
know I’m watching. But still she couldn’t pull her eyes away.
*
A blank.
*
Then what happened?
Miu didn’t remember. Her memory came to an abrupt halt at
this point.
“I can’t recall,” she said. She covered her face with her hands.
“All I know is that it was a horrifying experience,” she added
quietly. “I was right here, and another me was over there. And that
man—Ferdinando—was doing all kinds of things to me over
there.”
“What do you mean, all kinds of things?”
“I just can’t remember. All kinds of things. With me locked inside
the Ferris wheel, he did whatever he wanted—to the me over

166
there. It’s not like I was afraid of sex. There was a time when I
enjoyed casual sex a lot. But that wasn’t what I was seeing there.
It was all meaningless and obscene, with only one goal in mind—to
make me thoroughly polluted. Ferdinando used all the tricks he
knew to soil me with his thick fingers and mammoth penis—not
that the me over there felt that this was making her dirty. And in
the end it wasn’t even Ferdinando any more.
Not Ferdinando any more? I stared at Miu. If it wasn’t
Ferdinando, then who was it?
I don’t know. I can’t recall. But in the end it wasn’t Ferdinando
any more. Or maybe from the beginning it wasn’t him.
*
The next thing she knew, Miu was lying in a hospital bed, a white
hospital gown covering her naked body. All her joints ached. The
doctor explained what had happened. In the morning one of the
workers at the amusement park had found the wallet she’d
dropped and worked out what had happened. He got the Ferris
wheel down and called an ambulance. Inside the gondola Miu was
unconscious, collapsed in a heap. She looked like she was in shock,
her pupils non-reactive. Her face and arms were covered with
abrasions, her blouse bloody. They took her to the hospital for
treatment. Nobody could work out how she’d got the injuries.
Thankfully none of them would leave any lasting scars. The police
hauled in the old man who ran the Ferris wheel for questioning,
but he had no memory at all of giving her a ride just near closing
time.
The next day some local policemen came to question her. She
had trouble answering their questions. When they compared her
face with her picture in her passport, they frowned, strange
expressions on their faces like they’d swallowed something awful.
Hesitantly, they asked her: “Mademoiselle, we’re sorry to have to
ask, but are you really 25?”
“I am,” she replied, “just like it says in my passport.” Why did
they have to ask that?

167
A little while later, though, when she went to the bathroom to
wash her face, she understood. Every single hair on her head was
white. Pure white, like freshly driven snow. At first she thought it
was somebody else in the mirror. She spun around. But she was
alone in the bathroom. She looked in the mirror once more. And
the reality of it all came crashing down on her in that instant. The
white-haired woman staring back at her was herself. She fainted
and fell to the floor.
*
And Miu vanished.
“I was still on this side, here. But another me, maybe half of me,
had gone over to the other side. Taking with it my black hair, my
sexual desire, my periods, my ovulation, perhaps even the will to
live. And the half that was left is the person you see here. I’ve felt
this way for the longest time—that in a Ferris wheel in a small
Swiss town, for a reason I can’t explain, I was split in two for ever.
For all I know this may have been some kind of transaction. It’s not
like something was stolen away from me, because it all still exists,
on the other side, lust a single mirror separates us from the other
side. But I can never cross the boundary of that single pane of
glass. Never.”
Miu nibbled at her fingernails.
“I guess never is too strong a word. Maybe someday,
somewhere, we’ll meet again, and merge back into one. A very
important question remains unanswered, however. Which me, on
which side of the mirror, is the real me? I have no idea. Is the real
me the one who held Ferdinando? Or the one who detested him? I
don’t have the confidence to work that one out.”
*
After the summer holidays were over, Miu didn’t return to school.
She abandoned her studies abroad and went back to Japan. And
never again did she touch a keyboard. The strength to make music
had left her, never to return. A year later her father died and she
took over his company.
*

168
“Not being able to play the piano any more was definitely a shock,
but I didn’t brood about it. I had a faint idea that, sooner or later, it
was bound to happen. One of these days …” Miu smiled. “The
world is filled with pianists. Twenty active world-class pianists are
more than enough. Go to a record shop and check out all the
versions of the ‘Waldstein’, the ‘Kreisleriana’, whatever. There are
only so many classical pieces to record, only so much space on the
CD shelves at shops. As far as the recording industry’s concerned,
20 top-notch pianists are plenty. No one was going to care if I
wasn’t one of them.”
Miu spread her ten fingers out before her, and turned them over
again and again, as if she were making sure of her memory.
“After I’d been in France for about a year I noticed a strange
thing. Pianists whose technique was worse than mine, and who
didn’t practise nearly half as much as I did, were able to move their
audiences more than I ever could. In the end they defeated me. At
first I thought it was just a misunderstanding. But the same thing
happened so many times it made me angry. It’s so unfair! I
thought. Slowly but surely, though, I understood—that something
was missing from me. Something absolutely critical, though I
didn’t know what. The kind of depth of emotion a person needs to
make music that will inspire others, I guess. I hadn’t noticed this
when I was in Japan. In Japan I never lost to anyone, and I certainly
didn’t have the time to criticize my own performance. But in Paris
surrounded by so many talented pianists, I finally understood that.
It was entirely clear—like when the sun rises and the fog melts
away.”
Miu sighed. She looked up and smiled.
“Ever since I was little I’ve enjoyed making my own private rules
and living by them. I was a very independent, super-serious type of
girl. I was born in Japan, went to Japanese schools, grew up
playing with Japanese friends. Emotionally I was completely
Japanese, but by nationality I was a foreigner. Technically speaking
Japan will always be a foreign country. My parents weren’t the

169
kind to be strict about things, but that’s one thing they drummed
into my head since I can remember: You are a foreigner here. I
decided that in order for me to survive I needed to make myself
stronger.”
Miu continued in a calm voice.
“Being tough isn’t of itself a bad thing. Looking back on it,
though, I can see I was too used to being strong, and never tried
to understand those who were weak. I was too used to being
fortunate, and didn’t try to understand those less fortunate. Too
used to being healthy, and didn’t try to understand the pain of
those who weren’t. Whenever I saw a person in trouble,
somebody paralysed by events, I decided it was entirely their
fault—they just weren’t trying hard enough. People who complain
were just plain lazy. My outlook on life was unshakeable, and
practical, but lacked any human warmth. And not a single person
around me pointed this out.
“I lost my virginity at 17, and slept with quite a few men. I had a
lot of boyfriends, and if the mood struck me, I didn’t mind one-
night stands. But never once did I truly love someone. I didn’t have
the time. All I could think about was becoming a world-class
pianist, and deviating from that path was not an option.
Something was missing in me, but by the time I noticed that gap, it
was too late.”
Again she spread out both hands in front of her, and thought for
a while.
“In that sense, what happened in Switzerland 14 years ago may
well have been something I created myself. Sometimes I believe
that.”
*
Miu married at 29. Ever since the incident in Switzerland, she was
totally frigid, and couldn’t manage sex with anyone. Something
inside her had vanished for ever. She shared this fact—and this
fact alone—with the man she ended up marrying. That’s why I
can’t marry anyone, she explained. But the man loved Miu, and

170
even if it meant a platonic relationship, he wanted to share the
rest of his life with her. Miu couldn’t come up with a valid reason
for turning down his proposal. She’d known him since she was a
child, and had always been fond of him. No matter what form the
relationship might take, he was the only person she could picture
sharing her life with. Also, on the practical side, being married was
important as far as carrying on her family business was concerned.
Miu continued.
“My husband and I see each other only at weekends, and
generally get along well. We’re like good friends, life partners able
to pass some pleasant time together. We talk about all sorts of
things, and we trust each other implicitly. Where and how he has a
sex life I don’t know, and I don’t really care. We never make love,
though—never even touch each other. I feel bad about it, but I
don’t want to touch him. I just don’t want to.”
Worn out with talking, Miu quietly covered her face with her
hands. Outside, the sky had turned light.
“I was alive in the past, and I’m alive now, sitting here talking to
you. But what you see here isn’t really me. This is just a shadow of
who I was. You are really living. But I’m not. Even these words I’m
saying right now sound empty, like an echo.”
Wordlessly I put my arm around Miu’s shoulder. I couldn’t find
the right words, so I just held her.
I’m in love with Miu. With the Miu on this side, needless to say.
But I also love the Miu on the other side just as much. The moment
this thought struck me it was like I could hear myself -with an
audible creak—splitting in two. As if Miu’s own split became a
rupture that had taken hold of me. The feeling was overpowering,
and I knew there was nothing I could do to fight it.
One question remains, however. If this side, where Miu is, is not
the real world—if this side is actually the other side—what about
me, the person who shares the same temporal and spatial plane
with her?
Who in the world am I ?

171
1 3

I read both documents twice, a quick run-through at first, then
slowly, paying attention to the details, engraving them on my
mind. The documents were definitely Sumire’s; the writing was
filled with her one-of-a-kind phrasing. There was something
different about the overall tone, though, something I couldn’t
pin down. It was more restrained, more distanced. Still, there
was no doubt about it—Sumire had written both.
After a moment’s hesitation, I slipped the floppy disk into the
pocket of my bag. If Sumire were to come back without
incident, I’d just put it back where it belonged. The problem
was what to do if she didn’t return. If somebody went through
her belongings, they were bound to find the disk, and I
couldn’t abide the thought of other eyes prying into what I had
just read.
After I read the documents, I had to get out of the house. I
changed into a new shirt, left the cottage, and clambered down

172
the staircase to town. I exchanged $100-worth of traveller’s
cheques, bought an English-language tabloid at the kiosk, and
sat under a parasol at a cafe, reading. A sleepy waiter took my
order for lemonade and melted cheese on toast. He wrote down
the order with a stubby pencil, in no particular hurry. Sweat
had seeped through the back of his shirt, forming a large stain.
The stain seemed to be sending out a message, but I couldn’t
decipher it.
I mechanically leafed through half the paper, then gazed
absently at the harbour scene. A skinny black dog came out of
nowhere, sniffed my legs, then, losing interest, padded away.
People passed the languid summer afternoon, each in his own
personal spot. The only ones who seemed to be moving were
the waiter and the dog, though I had my doubts about how
long they’d keep at it. The old man at the kiosk where I’d
bought the paper had been fast asleep under a parasol, legs
spread wide apart. The statue of the hero in the square stood
impassively as always, back turned to the intense sunlight.
I cooled my palms and forehead with the cold glass of
lemonade, turning over and over in my mind any connections
there might be between Sumire’s disappearance and what
she’d written.
For a long time Sumire had not written. When she first met
Miu at the wedding reception, her desire to write had flown
out of the window. Still, here on this little island, she’d
managed those two pieces in a short space of time. No mean
feat to complete that much in a few days. Something must have
driven Sumire to sit at her desk and write. Where was the
motivation?
More to the point, what theme tied these two pieces of
writing together? I looked up, gazed at the birds resting on the

173
wharf, and gave it some thought.
It was far too hot to think about complicated matters.
Admittedly I was confused and tired. Still, as if marshalling
together the remnants of a defeated army—minus any drums
and trumpets—I rallied my scattered thoughts. My mind
focused, I began to piece it together.
“What’s really important here,” I whispered aloud to myself,
“is not the big things other people have thought up, but the
small things you, yourself, have.” My standard maxim I taught
my own students. But was it really true? It’s easy to say, but
putting it into practice isn’t. One’s hard put to start with even
the small things, let alone the Big Picture. Or maybe the smaller
the notion, the harder it is to grasp? Plus it didn’t help that I
was so far from home.
Sumire’s dream. Miu’s split.
*
These are two different worlds, I realized. That’s the common
element here.

Document 1: This relates a dream Sumire had. She’s climbing a
long staircase to go to see her dead mother. But the moment
she arrives, her mother is already returning to the other side.
And Sumire can’t stop her. And she’s left standing on the spire
of a tower, surrounded by objects from a different world.
Sumire’s had many similar dreams.

Document 2: This one concerns the strange experiences Miu
had 14 years ago. She was stuck inside a Ferris wheel overnight
in an amusement park in a small Swiss town, and looking
through binoculars at her own room she saw a second self
there. A doppelgänger. And this experience destroyed Miu as a

174
person—or at least made this destruction tangible. As Miu put
it, she was split in two, with a mirror in between each self.
Sumire had persuaded Miu to tell the story and wrote it down
as best she could.
*
This side—the other side. That was the common thread. The
movement from one side to the other. Sumire must have been
drawn by this motif and motivated enough to spend so much
time writing it all down. To borrow her own word, writing all
this helped her think.
The waiter came to clear away the remnants of my toast, and
I ordered a refill of lemonade. “Put in lots of ice,” I asked him.
When he brought the drink over I took a sip and used it again
to cool my forehead.
“And if Miu doesn’t accept me, then what?” Sumire had
written. “I’ll cross that bridge when the times comes. Blood
must be shed. I’ll sharpen my knife, ready to slit a dog’s throat
somewhere.”
What was she trying to convey? Was she hinting that she
might kill herself? I couldn’t believe that. Her words didn’t
have the acrid smell of death. What I sensed in them was rather
the will to move forwards, the struggle to make a new start.
Dogs and blood are just metaphors, like I’d explained to her on
that bench at Inogashira Park. They get their meaning from
magical, life-giving forces. The story about the Chinese gates
was a metaphor of how a story captures that magic.
Ready to slit a dog’s throat somewhere.
Somewhere?
My thoughts slammed into a solid wall. A total dead end.
Where could Sumire have gone to? Is there somewhere she
had to go to on this island?

175
*
I couldn’t shake the image of Sumire falling down a well in
some remote area and waiting, alone, for help to arrive.
Injured, lonely, starving, and thirsty. The thought of this nearly
drove me crazy.
The police had made clear that there wasn’t a single well on
the island. They’d never heard of any holes either anywhere
near town. If there were, we’d be the first to know, they
declared. I had to grant them that.
I decided to venture a theory.
Sumire went over to the other side.
That would explain a lot. Sumire broke through the mirror
and journeyed to the other side. To meet the other Miu who
was there. If the Miu on this side rejected her, wouldn’t that be
the logical thing to do?
I dredged up from memory what she’d written: “So what
should we do to avoid a collision? Logically, it’s easy. The
answer is dreams. Dreaming on and on. Entering the world of
dreams, and never coming out. Living there for the rest of
time.”
One question remains, however. A major question. How are
you supposed to go there?
Put in simple logical terms, it’s easy. Though explaining it
isn’t.
I was right back where I started.
*
I thought about Tokyo. About my apartment, the school where
I taught, the kitchen rubbish I’d stealthily tossed in a bin at the
station. I’d only been away from Japan for two days, but
already it seemed like a different world. The new term was
going to start in a week. I pictured myself standing in front of

176
35 pupils. Seen from this distance, the thought of my teaching
anyone—even ten-year-old kids—seemed absurd.
I removed my sunglasses, wiped my sweating brow with a
handkerchief, and put them on again, then gazed at the
seabirds.
I thought about Sumire. About the colossal hard-on I had the
time I sat beside her when she moved into her new place. The
kind of awesome, rock-hard erection I’d never experienced
before. Like my whole body was about to explode. At the time,
in my imagination—something like the world of dreams Sumire
wrote of—I made love to her. And the sensation was far more
real than any sex I’d ever had.
I gulped down some lemonade to clear my throat.
*
I returned to my hypothesis, taking it one step further. Sumire
had somehow found an exit. What kind of exit that was, and
how she discovered it, I had no way of knowing. I’ll put that on
hold. Suppose it’s a kind of door. I closed my eyes and
conjured up a mental image—an elaborate image of what this
door looked like. Just an ordinary door, part of an ordinary
wall. Sumire happened to find this door, turned the knob, and
slipped outside—from this side to the other. Clad only in thin
silk pyjamas and a pair of flip-flops.
What lay beyond that door was beyond my powers of
imagination. The door closed, and Sumire wouldn’t be coming
back.
I went back to the cottage and made a simple dinner from
things I found in the fridge. Tomato and basil pasta, a salad, an
Amstel beer. I went out to sit on the veranda, lost in thought.
Or maybe thinking of nothing. Nobody phoned. Miu might be
trying to call from Athens, but you couldn’t count on the

177
phones to work.
Moment by moment the blue of the sky turned deeper, a
large circular moon rising from the sea, a handful of stars
piercing holes in the sky. A breeze blew up the slopes, rustling
the hibiscus. The unmanned lighthouse at the tip of the pier
blinked on and off with its ancient-looking light. People were
slowly heading down the slope, leading donkeys as they went.
Their loud conversation came closer, then faded into the
distance. I silently took it all in, this foreign scene seeming
entirely natural.
In the end the phone didn’t ring, and Sumire didn’t appear.
Quietly, gently, time slipped by, the evening deepening. I took
a couple of cassettes from Sumire’s room and played them on
the living room stereo. One of them was a collection of Mozart
songs. The handwritten label read: Elisabeth Schwarzkopf and
Walter Gieseking (p). I don’t know much about classical music,
but one listen told me how lovely this music was. The singing
style was a bit dated, but it reminded me of reading some
beautiful, memorable prose—it demanded that you sit up
straight and pay attention. The performers were right there in
front of me, it seemed, their delicate phrasing swelling up, then
retreating, then swelling up again. One of the songs in the
collection must be “Sumire”. I sank back in my chair, closed my
eyes, and shared this music with my missing friend.
*
I was awakened by music. Far-off music, barely audible.
Steadily, like a faceless sailor hauling in an anchor from the
bottom of the sea, the faint sound brought me to my senses. I
sat up in bed, leaned towards the open window, and listened
carefully. It was definitely music. The wristwatch next to my
bed showed it was past one o’clock. Music? At this time of

178
night?
I put on my trousers and a shirt, slipped on my shoes, and
went outside. The lights in the neighbourhood were all out, the
streets deserted. No wind, not even the sound of waves. Just
the moonlight bathing the earth. I stood there, listening again.
Strangely, the music seemed to be coming from the top of the
hills. There weren’t any villages on the steep mountains, just a
handful of shepherds and monasteries where monks lived their
cloistered lives. It was hard to imagine either group putting on
a festival at this time of night.
Outside, the music was more audible. I couldn’t make out the
melody, but by the rhythm it was clearly Greek. It had the
uneven, sharp sound of live music, not something played
through speakers.
*
By then I was wide awake. The summer night air was pleasant,
with a mysterious depth to it. If I hadn’t been worried about
Sumire, I might very well have felt a sense of celebration. I
rested my hands on my hips, stretched, looking up at the sky,
and took a deep breath. The coolness of the night washed
inside me. Suddenly a thought struck me—maybe, at this very
moment, Sumire is listening to the same music.
I decided to walk for a while in the direction of the sound. I
had to find out where it was coming from, who was playing it.
The road to the hilltop was the same one I’d taken that morning
to go to the beach, so I knew the way. I’ll go as far as I can, I
decided.
The brilliant moonlight lit everything, making walking easy.
It created complex shadows between the cliffs, dyeing the
ground with unlikely shades. Every time the soles of my
running shoes crushed a pebble on the road, the sound was

179
amplified. The music grew more pronounced as I made my
way further up the slopes. As I’d surmised, it was coming from
the top of the hill. I could make out some kind of percussion
instrument, a bouzouki, an accordion, and a flute. Possibly a
guitar. Other than that, I couldn’t hear a thing. No singing, no
people shouting. Just that music playing endlessly, at a
detached, almost monotonous pace.
I wanted to see what was taking place on top of the
mountain, yet at the same time I thought I should keep my
distance. Irrepressible curiosity vied with an instinctive fear.
Still, I had to go forward. I felt as if I was in a dream. The
principle that made other choices possible was missing. Or was
it the choice that made that principle possible that was
missing?
For all I knew, a few days before Sumire had awakened to
the same music, her curiosity getting the better of her as she
clambered up the slope in her pyjamas.
*
I stopped and turned to look behind me. The slope twisted
palely down towards the town like the tracks of some gigantic
insect. I looked up at the sky then, under the moonlight, and
glanced at my palm. With a rush of understanding I knew this
wasn’t my hand any more. I can’t explain it. But at a glance I
knew. My hand was no longer my hand, my legs no longer my
legs.
Bathed in the pallid moonlight, my body, like some plaster
puppet, had lost all living warmth. As if a voodoo magician
had put a spell on me, blowing my transient life into this lump
of clay. The spark of life had vanished. My real life had fallen
asleep somewhere, and a faceless someone was stuffing it in a
suitcase, about to leave.

180
An awful chill swept through me and I felt choked.
Someone had rearranged my cells, untied the threads that held
my mind together. I couldn’t think straight. All I was able to do
was retreat as fast as I could to my usual place of refuge. I took
a huge breath, sinking in the sea of consciousness to the very
bottom. Pushing aside the heavy water I plunged down quickly
and grabbed a huge rock there with both arms. The water
crushed my eardrums. I squeezed my eyes tightly closed, held
my breath, resisting. Once I made up my mind, it wasn’t that
difficult. I grew used to it all—the water pressure, the lack of
air, the freezing darkness, the signals the chaos emitted. It was
something I’d mastered again and again as a child.
Time reversed itself, looped back, collapsed, reordered itself.
The world stretched out endlessly—and yet was defined and
limited. Sharp images—just the images alone—passed down
dark corridors, like jellyfish, like souls adrift. But I steeled
myself not to look at them. If I acknowledged them, even a
little, they would envelop themselves in meaning. Meaning
was fixed to the temporal, and the temporal was trying to force
me to rise to the surface. I shut my mind tight to it all, waiting
for the procession to pass.
How long I remained that way, I don’t know. When I bobbed
to the surface, opened my eyes, and took a silent breath, the
music had already stopped. The enigmatic performance was
finished. I listened carefully. I couldn’t hear a thing. Absolutely
nothing. No music, no people’s voices, no rustle of the wind.
I tried to check the time, but I wasn’t wearing a watch. I’d left
it by my bedside.
The sky was now filled with stars. Or was it my imagination?
The sky itself seemed to have changed into something
different. The strange sense of alienation I’d felt inside had

181
vanished. I stretched, bent my arm, my fingers. No sense of
being out of place. My underarms were clammy, but that was
all.
I stood up from the grass and continued to climb uphill. I’d
come this far and might as well reach the top. Had there really
been music there? I had to see for myself, even if only the
faintest clues remained. In five minutes I reached the summit.
Towards the south the hill sloped down to the sea, the harbour,
and the sleeping town. A scattering of streetlights lit the coast
road. The other side of the mountain was wrapped in darkness,
not a single light visible. I gazed fixedly into the dark, and
finally a line of hills beyond floated into sight in the moonlight.
Beyond them lay an even deeper darkness. And here around
me, no indication whatsoever that a lively festival had taken
place only a short while before.
Though the echo of it remained deep inside my head, now I
wasn’t even sure I’d heard music. As time passed, I became less
and less certain. Maybe it had all been an illusion, my ears
picking up signals from a different time and place. It made
sense—the idea that people would get together on a
mountaintop at 1 a.m. to play music was pretty preposterous.
In the sky above the summit, the coarse-looking moon
loomed awfully near. A hard ball of stone, its skin eaten away
by the merciless passage of time. Ominous shadows on its
surface were blind cancer cells stretching out feelers towards
the warmth of life. The moonlight warped every sound,
washed away all meaning, threw every mind into chaos. It
made Miu see a second self. It took Sumire’s cat away
somewhere. It made Sumire disappear. And it brought me
here, in the midst of music that—most likely—never existed.
Before me lay a bottomless darkness; behind me, a world of

182
pale light. I stood there on the top of a mountain in a foreign
land, bathed in moonlight. Maybe this had all been
meticulously planned, from the very beginning.
*
I returned to the cottage and downed a glass of Miu’s brandy. I
tried to get to sleep, but I couldn’t. Not a wink. Until the
eastern sky grew light, I was held in the grip of the moon, and
gravity, and something astir in the world.
I pictured cats, starving to death in a closed-up apartment.
Soft, small carnivores. I—the real me—was dead, and they were
alive, devouring my flesh, chewing on my heart, sucking my
blood. If I listened very carefully, somewhere far, far away I
could hear the cats lapping up my brain. Three lithe cats,
surrounding my broken head, slurping up the mushy grey
soup within. The tips of their red, rough tongues licked the soft
folds of my mind. And with each lick of their tongues, my
mind—like a shimmer of hot air—flickered and faded away.

183
1 4

In the end we never found out what happened to Sumire. As
Miu put it, she vanished like smoke.
Two days later Miu came back to the island on the noon ferry
together with an official from the Japanese embassy and a
police official in charge of tourist affairs. They met with the
local police and launched a full-scale investigation involving
the islanders. The police put out a public appeal for
information, publishing a blown-up version of Sumire’s
passport photo in a national newspaper. Many people got in
touch, but nothing connected. The information always turned
out to be about someone else.
Sumire’s parents came to the island, too. I left just before they
arrived. The new school term was around the corner, but
mostly I couldn’t stand the thought of facing them. Besides, the
mass media in Japan had caught wind of events and had begun
to contact the Japanese embassy and the local police. I told Miu

184
it was about time for me to be getting back to Tokyo. Staying
any longer on the island wasn’t going to help find Sumire.
She nodded. “You’ve done so much already,” she said.
“Really. If you hadn’t come, I would have been completely lost.
Don’t worry. I’ll explain things to Sumire’s parents. And I’ll
handle any reporters. Leave it to me. You had no responsibility
for any of this to begin with. I can be pretty businesslike when I
need to be, and I can hold my own.”
*
She saw me off at the harbour. I was taking the afternoon ferry
to Rhodes. It was exactly ten days since Sumire had
disappeared. Miu hugged me just before I left. A very natural
embrace. For a long moment, she silently rubbed my back as
she held me. The afternoon sun was hot, but strangely her skin
felt cool. Her hand was trying to tell me something. I closed my
eyes and listened to those words. Not words -something that
couldn’t coalesce into language. In the midst of our silence,
something passed between us. “Take care of yourself,” said
Miu.
“You, too,” I said. For a while we stood there in front of the
gangplank.
“I want you to tell me something, honestly,” She said in a
serious tone, just before I boarded the ferry. “Do you believe
Sumire is no longer alive?”
*
I shook my head. “I can’t prove it, but I feel like she’s still
alive somewhere. Even after this much time, I just don’t have
the sense that she’s dead.”
*
Miu folded her tanned arms and looked at me.
“Actually I feel exactly the same,” she said. “That Sumire
isn’t dead. But I also feel that I’ll never see her again. Though I

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can’t prove anything either.”
I didn’t say a word. Silence wove itself into the spaces of
everything around us. Seabirds squawked as they cut across
the cloudless sky, and in the café the ever-sleepy waiter hoisted
yet another tray of drinks.
Miu pursed her lips and was lost in thought. “Do you hate
me?” she finally asked.
“Because Sumire disappeared?”
“Yes.”
“Why would I hate you?”
“I don’t know.” Her voice was tinged with a long-suppressed
exhaustion. “I have the feeling I’ll never see you again, either.
That’s why I asked.”
“I don’t hate you,” I said.
“But who can tell, maybe later on?”
“I don’t hate people over things like that.”
Miu took off her hat, straightened her fringe, and put it back
on. She squinted at me.
“That might be because you don’t expect anything from
anyone,” she said. Her eyes were deep and clear, like the twilit
darkness on the day we met. “I’m not like that. I just want you
to know that I like you. Very much.”
*
And we said goodbye. The ship edged backwards out of the
harbour, the propeller churning up the water as it lumbered
through a 180° change of direction; all the while, Miu stood on
the wharf watching me go. She wore a tight white dress and
occasionally reached out to keep her hat from flying away in
the wind. Standing there on that wharf on this little Greek
island, she looked like something from a different world,
fleeting, full of grace and beauty. I leaned against the railing on

186
deck and watched her for a long time.
Time seemed to stand still, the scene forever etched on my
memory.
*
But time began to move again, and Miu got smaller and
smaller, first a vague dot, then swallowed up whole in the
shimmering air. The town grew distant, the shape of the
mountains indistinct, and finally the island merged into the
mist of light, blurred, and vanished altogether. Another island
rose up to take its place and likewise disappeared into the
distance. As time passed, all the things I left behind there
seemed never to have existed at all.
Maybe I should have stayed with Miu. So what if the new
school term was starting? I should encourage Miu, do
everything I could to help in the search, and if something awful
happened, then I should hold her, give her what comfort I
could. Miu wanted me, I believe, and in a sense I wanted her as
well.
*
She’d grabbed hold of my heart with a rare intensity.
I realized all this for the first time as I stood on the deck and
watched her disappear in the distance. A feeling came over me,
like a thousand strings were tugging at me. Perhaps not full-
blown romantic love, but something very close. Flustered, I sat
on a bench on the deck, placed my gym bag on my knees, and
gazed out at the white wake trailing behind the ship. Seagulls
flew after the ferry, clinging to the wake. I could still feel Miu’s
small palm on my back, like a soul’s tiny shadow.
I planned to fly straight back to Tokyo, but for some reason
the reservation I’d made the day before was cancelled, and I
ended up spending the night in Athens. I took the airline

187
shuttle bus and stayed at a hotel in the city that the airline
recommended. A pleasant, cosy hotel near the Plaka district,
which, unfortunately, was crowded with a boisterous German
tour group. With nothing else to do, I wandered around the
city, bought some souvenirs for no one in particular, and in the
evening walked to the top of the Acropolis. I lay down on a
slab of stone, the twilight breeze blowing over me as I gazed at
the white temple floating up in the bluish floodlights. A lovely,
dreamy scene.
But all I felt was an incomparable loneliness. Before I knew it,
the world around was drained of colour. From the shabby
mountaintop, the ruins of those empty feelings, I could see my
own life stretching out into the future. It looked just like an
illustration in a science fiction novel I read as a child: the
desolate surface of a deserted planet. No sign of life at all. Each
day seemed to last for ever, the air either boiling hot or
freezing. The spaceship that brought me there had
disappeared, and I was stuck. I’d have to survive on my own.
*
All over again I understood how important, how irreplaceable,
Sumire was to me. In her own special way she’d kept me
tethered to the world. As I talked to her and read her stories,
my mind quietly expanded, and I could see things I’d never
seen before. Without even trying, we grew close. Like a pair of
young lovers undressing in front of each other, Sumire and I
had exposed our hearts to one another, an experience I’d never
have with anyone else, anywhere. We cherished what we had
together, though we never put into words how very precious it
was.
Of course it hurt that we could never love each other in a
physical way. We would have been far happier if we had. But

188
that was like the tides, the change of seasons—something
immutable, an immovable destiny we could never alter. No
matter how cleverly we might shelter it, our delicate friendship
wasn’t going to last for ever. We were bound to reach a dead
end. That was painfully clear.
I loved Sumire more than anyone else and wanted her more
than anything in the world. And I couldn’t just shelve those
feelings, for there was nothing to take their place.
I dreamed that someday there’d be a sudden, major
transformation. Even if the chances of it coming true were slim, I
could dream about it, couldn’t I? But I knew it would never
come true.
Like the tide receding, the shoreline washed clean, with Sumire
gone I was left in a distorted, empty world. A gloomy, cold
world in which what she and I had would never ever take
place again.
We each have a special something we can get only at a special
time of our life. Like a small flame. A careful, fortunate few
cherish that flame, nurture it, hold it as a torch to light their
way. But once that flame goes out, it’s gone for ever. What I’d
lost was not just Sumire. I’d lost that precious flame.
*
What is it like—on the other side? Sumire was over there, and so
was the lost part of Miu. Miu with black hair and a healthy
sexual appetite. Perhaps they’ve come across each other there,
loving each other, fulfilling each other. “We do things you can’t
put into words,” Sumire would probably tell me, putting it into
words all the same.
*
Is there a place for me over there? Could I be with them? While
they make passionate love, I’d sit in the corner of a room

189
somewhere and amuse myself reading the Collected Works of
Balzac. After she showered, Sumire and I would take long
walks and talk about all kinds of things—with Sumire, as
usual, doing most of the talking. But would our relationship
last for ever? Is that natural? “Of course,” Sumire would tell
me. “No need to ask that. ‘Cause you’re my one and only true
friend!”
*
But I hadn’t a clue how to get to that world. I rubbed the slick,
hard rock face of the Acropolis. History had seeped through
the surface and was stored up inside. Like it or not, I was shut
up in that flow of time. I couldn’t escape. No—that’s not
entirely true. The truth is, I really don’t want to escape.
*
Tomorrow I’ll get on a plane and fly back to Tokyo. The
summer holidays are nearly over, and I have to step once more
in that endless stream of the everyday. There’s a place for me
there. My apartment’s there, my desk, my classroom, my
pupils. Quiet days await me, novels to read. The occasional
affair.
But tomorrow I’ll be a different person, never again the
person I was. Not that anyone will notice after I’m back in
Japan. On the outside nothing will be different. But something
inside has burned up and vanished. Blood has been shed, and
something inside me is gone. Face turned down, without a
word, that something makes its exit. The door opens; the door
shuts. The light goes out. This is the last day for the person I am
right now. The very last twilight. When dawn comes, the
person I am won’t be here any more. Someone else will occupy
this body.
*
Why do people have to be this lonely? What’s the point of it

190
all? Millions of people in this world, all of them yearning,
looking to others to satisfy them, yet isolating themselves.
Why? Was the Earth put here just to nourish human loneliness?
I turned face-up on the slab of stone, gazed at the sky, and
thought about all the man-made satellites spinning around the
Earth. The horizon was still etched in a faint glow, and stars
began to blink on in the deep, wine-coloured sky. I gazed
among them for the light of a satellite, but it was still too bright
out to spot one with the naked eye. The sprinkling of stars
looked nailed to the spot, unmoving. I closed my eyes and
listened carefully for the descendants of Sputnik, even now
circling the Earth, gravity their only tie to the planet. Lonely
metal souls in the unimpeded darkness of space, they meet,
pass each other, and part, never to meet again. No words
passing between them. No promises to keep.

191
1 5

The phone rang on a Sunday afternoon. The second Sunday
after the new school term began in September. I was fixing a
late lunch and had to turn off the gas range before I answered.
The phone rang with a kind of urgency—at least it felt that
way. I was sure it was Miu calling with news of Sumire’s
whereabouts. The call wasn’t from Miu, though, but from my
girlfriend.
“Something’s happened,” she said, skipping her usual
opening pleasantries. “Can you come straightaway?”
It sounded like something awful. Had her husband found out
about us? I took a deep breath. If people discovered I was
sleeping with the mother of one of the kids in my class, I’d be
in a major fix to say the least. Worst-case scenario, I could lose
my job. At the same time, though, I was resigned to it. I knew
the risks.
“Where are you?” I asked.

192
“At a supermarket,” she said.
*
I took the train to Tachikawa, arriving at the station near the
supermarket at 2.30. The afternoon was blazing hot, the
summer back in force, but I had on a white dress-shirt, tie, and
light grey suit, the clothes she’d asked me to wear. “You look
more like a teacher that way,” she said, “and you’ll give a
better impression. Sometimes you still look like a college
student,” she added.
At the entrance to the supermarket I asked a young assistant
who was rounding up stray shopping trolleys where the
security office was. He told me it was across the street on the
third floor of an annexe, an ugly little three-storey building
without even a lift. Hey, don’t worry about us, the cracks in the
concrete walls seemed to say, They’re just going to tear this
place down someday anyway. I walked up the narrow,
timeworn stairs, located the door with SECURITY on it, and
gave a couple of light taps. A man’s deep voice answered. I
opened the door and saw my girlfriend and her son inside
seated in front of a desk facing a middle-aged uniformed
security guard. Just the three of them.
The room was an in-between size, not too big, not too small.
Three desks were lined up along the window, a steel locker
against the wall opposite. On the wall between were a duty
rota and three security guard caps on a steel shelf. Beyond a
frosted-glass door at the far end of the room there seemed to be
a second room, which the guards probably used for taking
naps. The room we were all in was almost completely devoid
of decoration. No flowers, no pictures, not even a calendar. Just
an overly large round clock on the wall. A totally barren room,
like some ancient corner of the world that time forgot. On top

193
of which the place had a strange odour—of cigarette smoke,
mouldy documents, and perspiration mixed together over the
years.
The security guard in charge was a thickset man in his late
fifties. He had beefy arms and a large head covered with a thick
patch of coarse salt-and-pepper hair he’d plastered down with
some cheap hair tonic, the best he could probably afford on his
lowly security guard salary. The ashtray in front of him was
overflowing with Seven Star butts. When I came in the room,
he took off his black-framed glasses, wiped them with a cloth,
and put them back on. Maybe his set way of greeting new
people. With his glasses off, his eyes were as cold as moon
rocks. When he put them back on, the coldness retreated,
replaced by a kind of powerful glazed look. Either way, this
wasn’t a look to put people at their ease.
The room was oppressively hot; the window was wide open,
but not a breath of air came in. Only the noise from the road
outside. A large lorry coming to a halt at a red light blatted out
a hoarse air brake, reminding me of Ben Webster on the tenor
sax in his later years. We were all sweating. I walked up to the
desk, introduced myself, and handed the security guard my
business card. He took it without a word, pursed his lips, and
stared at it for a while, then placed it on the desk and looked
up at me.
“You’re pretty young for a teacher, aren’t you?” he said.
“How long have you been teaching?”
*
I pretended to think it over and answered, “Three years.”
“Hmm,” he said. And didn’t say anything else. But the
silence spoke volumes. He picked up my card and read my
name again, as if re-checking something.

194
“My name’s Nakamura, I’m the chief of security here,” he
introduced himself. He didn’t proffer a business card of his
own. “Just pull up a chair from over there if you would. I’m
sorry about how hot it is. The air conditioner’s on the blink,
and no one will come out to fix it on a Sunday. They aren’t nice
enough to give me a fan, so I sit and suffer. Take off your jacket
if you’d like. We might be here for a while, and it makes me hot
just looking at you.”
I did as he told me, pulling over a chair and removing my
jacket. My sweaty shirt clung to my skin.
“You know, I’ve always envied teachers,” the guard began.
A stillborn smile played around his lips, yet his eyes remained
those of a deep-sea predator searching my depths for the
slightest movement. His words were polite enough, but that
was only a veneer. The word teacher sounded like an insult.
“You have over a month off in the summer, don’t have to
work on Sundays or at night, and people give you gifts all the
time. Pretty nice life if you ask me. I sometimes wish I’d
studied harder and become a teacher myself. Destiny
intervened and here I am—a security guard at a supermarket. I
wasn’t smart enough, I suppose. But I tell my kids to grow up
to be teachers. I don’t care what anybody says, teachers have it
made.”
*
My girlfriend wore a simple blue, half-sleeve dress. Her hair
was piled up neatly on top of her head, and she had on a pair
of small earrings. White sandals with heels completed her
outfit, and a white bag and small, cream-coloured handkerchief
rested on her lap. It was the first time I’d seen her since I got
back from Greece. She looked back and forth between me and
the guard, her eyes puffy from crying. She’d been through a lot,

195
it was clear.
We exchanged a quick glance, and I turned to her son. His
name was Shin’ichi Nimura, but his classmates nicknamed him
Carrot. With his long, thin face, his shock of unkempt, curly
hair, the name fitted. I usually called him that, too. He was a
quiet boy, hardly ever speaking more than was necessary. His
grades weren’t bad; he rarely forgot to bring his homework and
never failed to do his share of the cleaning up. Never got into
trouble. But he lacked initiative and never once raised his hand
in class. Carrot’s classmates didn’t dislike him, but he wasn’t
what you’d call popular. This didn’t please his mother much,
but from my point of view he was a good kid.
*
“I assume you’ve heard about what happened from the boy’s
mother,” the security guard said.
“Yes, I have,” I replied. “He was caught shoplifting.”
“That’s correct,” the guard said and set a cardboard box that
was at his feet on top of the table. He pushed it towards me.
Inside was a collection of identical small staplers still in their
packaging. I picked one up and examined it. The price tag said
¥850.
“Eight staplers,” I commented. “Is this all?”
“Yep. That’s the lot of it.”
I put the stapler back in the box. “So the whole thing would
come to ¥6,800.”
“Correct. ¥6,800. You’re probably thinking, ‘Well, okay, he
shoplifted. It’s a crime, sure, but why get so worked up about
eight staplers? He’s just a school kid.’ Am I right?”
I didn’t reply.
“It’s okay to think that. ‘Cause it’s the truth. There are a lot
worse crimes than stealing eight staplers. I was a policeman

196
before I became a security guard, so I know what I’m talking
about.”
The guard looked directly into my eyes as he spoke. I held
his gaze, careful not to appear defiant.
“If this were his first offence, the store wouldn’t raise such a
fuss. Our business is dealing with customers, after all, and we
prefer not to get too upset over something small-scale like this.
Normally I’d bring the child here to this room and I’d put a
little of the fear of God into him. In worse cases we’d contact
the parents and have them punish the child. We don’t get in
touch with the school. That’s our store’s policy, to take care of
children shoplifting quietly.
“The problem is, this isn’t the first time this boy’s shoplifted.
In our store alone we know he’s done it three times. Three times!
Can you imagine? And what’s worse is both other times he
refused to give us his name or the name of his school. I was the
one who took care of him, so I remember it well. He wouldn’t
say a word, no matter what we asked. The silent treatment, we
used to call it in the police force. No apologies, no remorse, just
adopt a crummy attitude and stonewall it. If he didn’t tell me
his name this time, I was going to turn him over to the police,
but even this didn’t raise a reaction. Nothing else to do, so I
forced him to show me his bus pass, and that’s how I found out
his name.”
He paused, waiting for it all to sink in. He was still staring
fixedly at me, and I continued to hold his gaze.
“Another thing is the kind of things he stole. Nothing cute
about it. The first time he stole 15 propelling pencils. Total
value, ¥9,750. The second time it was eight compasses, ¥8,000
altogether. In other words, each time he just steals a pile of the
same things. He’s not going to use them himself. He’s just

197
doing it for kicks, or else he’s planning to sell it all to his friends
at school.”
I tried conjuring up a mental image of Carrot selling stolen
staplers to his friends during lunch hour. I couldn’t picture it.
“I don’t quite understand,” I said. “Why keep stealing from
the same shop? Wouldn’t that just increase the chances you’d
get caught—and worsen your punishment when you were? If
you’re trying to get away with it, wouldn’t you normally try
other shops?”
“Don’t ask me. Maybe he was stealing from other shops. Or
maybe ours just happens to be his favourite. Maybe he doesn’t
like my face. I’m just a simple security guard for a
supermarket, so I’m not going to think out all the ramifications.
They don’t pay me enough for that. If you really want to know,
ask him yourself. I hauled him in here three hours ago and not
a peep so far. Pretty amazing. Which is why I dragged you in
here. I’m sorry you had to come in on your day off … One
thing I’ve been wondering about since you came in, though.
You look so tanned. Not that it’s relevant, but did you go
somewhere special for your summer holidays?”
“No, nowhere special,” I replied.
Even so, he continued to scrutinize my face carefully, as if I
were an important piece in the puzzle.
I picked up the stapler again and examined it in detail. Just
an ordinary, small stapler, the kind you’d find in any home or
office. An office supply about as cheap as they come.
Seven Star cigarette dangling from his lips, the security guard
lit it with a Bic lighter and, turning to one side, blew out a
cloud of smoke.
I turned to the boy and gently asked, “Why staplers?”
Carrot had been staring the whole time at the floor, but now

198
he quietly lifted his face and looked at me. But he didn’t say
anything. I noticed for the first time that his expression was
completely changed—strangely expressionless, eyes out of
focus. He seemed to be staring into a void.
“Did somebody bully you into doing it?”
Still no answer. It was hard to tell if my words were getting
through. I gave up. Asking the boy anything at this point
wasn’t going to be productive. His door was closed, the
windows shut tight.
“Well, sir, what do you propose we do?” the guard asked me.
“I get paid to make my rounds of the shop, check the monitors,
catch shoplifters, and bring them back to this room. What
happens afterwards is another matter entirely. Especially hard
to deal with when it’s a child. What do you suggest we do? I’m
sure you’re more knowledgeable in this area. Should we just let
the police handle the whole thing? That would certainly be
easier for me. Keep us from wasting our time when we’re just
treading water anyway.”
Actually, at that moment I was thinking about something
else. This dumpy little supermarket security room reminded
me of the police station on the Greek island. Thoughts of which
led straight to Sumire. And the fact that she was gone.
It took me a few moments to work out what this man was
trying to say to me.
“I’ll let his father know,” Carrot’s mother said in a monotone,
“and make sure my son knows in no uncertain terms that
shoplifting is a crime. I promise he won’t ever bother you
again.”
“In other words you don’t want this to be taken to court.
You’ve said that over and over,” the security guard said in a
bored tone. He tapped his cigarette on the ashtray, flicking the

199
ash into it. He turned to me again and said, “But from where I
sit, three times is just too many. Somebody’s gotta put a stop to
it. What are your feelings about this?”
I took a deep breath, pulling my thoughts back to the
present. To the eight staplers and a Sunday afternoon in
September.
“I can’t say anything unless I talk to him,” I replied. “He’s a
smart boy, and he’s never caused any problems before. I have
no clue why he’d do something so stupid, but I’m going to
spend time myself and get to the bottom of this. I really
apologize for all the trouble he’s caused.”
“Yeah, but I just don’t get it,” the guard said, frowning
behind his glasses. “This boy—Shin’ichi Nimura?—he’s in your
class, right? So you see him every day, correct?”
“That’s right.”
“He’s in fourth grade, which means he’s been in your class
for a year and four months. Am I right?”
“Yes, that’s correct. I’ve been in charge of his class since they
were in third grade.”
“And how many pupils are in your class?”
“Thirty-five.”
“So you can keep an eye on them all. You’re telling me you
never had any hint that this boy was going to cause trouble. No
sign at all?”
“That’s right.”
“Wait a sec—as far as we know, he’s been shoplifting for a
half year. Always alone. Nobody’s threatening him to do it.
And it’s not spur of the moment. And he’s not doing it for the
money either. According to his mother he gets plenty of pocket
money. He’s doing it just to get away with stealing. This boy
has problems, in other words. And you’re telling me there

200
wasn’t any indication of this whatsoever?”
“I’m speaking as a teacher here,” I replied, “but especially
with children, habitual shoplifting is not so much a criminal act
as the result of a subtle emotional imbalance. Maybe if I’d paid
a little more attention I would have noticed something. I fell
down on the job, definitely. But with emotionally disturbed
children there’s not always something outward to go on. If you
separate the act from everything else and punish the child, the
basic problem isn’t going to be cured. Unless you find the
fundamental cause and treat that, the same problem will
surface later on in a different form. Often children are trying to
send a message by shoplifting, so even if it isn’t the most
efficient way of handling the problem, it’s important to take the
time to talk things out.”
The guard crushed out his cigarette and, mouth half open,
stared at me for a long time, as if I were some odd-looking
animal. His fingers resting on the tabletop were terribly thick,
like ten little furry black creatures. The more I looked at them,
the harder I found it to breathe.
“Is that what they teach you in college, in teacher-training or
whatever you call it?”
“Not necessarily. It’s basic psychology. You can find it in any
book.”
“You can find it in any book,” he said, repeating my words
listlessly. He picked up his hand towel and wiped away the
sweat from his thick neck.
“A subtle emotional imbalance—what’s that supposed to
mean? When I was a policeman I spent every day, morning till
night, dealing with characters who were imbalanced, all right.
But there was nothing subtle about it. The world’s full of
people like that. Ten a penny. If I took the time to listen to each

201
and every one of the messages those people were sending out,
I’d need ten more brains. And that still wouldn’t be enough.”
He sighed, and placed the box of staplers back under the
desk.
“Okay—you’re absolutely right. Children have pure hearts.
Corporal punishment is bad. People are all equal. You can’t
judge people by their grades. Take the time to talk and work
out a solution. I don’t have a major problem with that. But do
you think that’s how the world will get to be a better place? No
way. It’ll only get worse. How can people all be equal? I’ve
never heard such a thing. Consider this—110 million people are
elbowing one another out of the way every day in Japan. Try
making all of them equal. It’d be hell on earth.
“It’s easy to say all these sweet words. Close your eyes,
pretend not to see what’s going on, and pass the buck. Don’t
make any waves, sing Auld Lang Syne’, hand the kids their
diplomas, and everybody lives happily ever after. Shoplifting is
a child’s message. Don’t worry about later on. That’s the easy
way out, so why not? But who’s going to clean up the mess?
People like me, that’s who. You think we do this because we
like it? You lot have this kind of hey-what’s-¥6,800?-look on
your faces, but think about the people he stole from. A hundred
people work here, and you better believe they take a difference
of one or two yen seriously. When they add up the receipts for
a cash register and there’s a ¥100 discrepancy, they work
overtime to straighten it out. Do you know how much an hour
the women who work the checkouts make here? Why don’t
you teach your pupils that?”
*
I didn’t say anything. Carrot’s mother was silent, as was the
boy. The security guard had worn himself out talking and sank

202
back into the general silence. In another room a phone rang,
and someone picked it up on the first ring. “So, what should
we do?” he asked.
I said: “How about we string him upside down from the
ceiling until he says he’s sorry?”
“I like it! ‘Course you know that we’d both be out on our
ears.”
“Well, then, the only thing we can do is patiently take the
time to discuss the problem. That’s all I can say.”
Someone from another room knocked at the door and
entered. “Mr Nakamura, could you lend me the key to the
storeroom?” he asked. Mr Nakamura rummaged through the
drawer in his desk for a while, but couldn’t find it.
“It’s gone,” he said. “That’s strange. I always keep it in here.”
“It’s very important,” the other man said. “I need it now.”
The way the two of them talked about it, it sounded like a very
important key, something that probably shouldn’t have been
kept in a drawer to begin with. They rifled through every
drawer, but came up empty-handed.
The three of us just sat there while this was going on. A
couple of times Carrot’s mother glanced at me beseechingly.
Carrot sat as before, expressionless, eyes pinned to the ground.
Pointless, random thoughts flashed through my head. The
room was stifling.
The man who needed the key gave up, grumbling as he left.
“That’s enough,” Mr Nakamura said, turning to us; in a
toneless, matter-of-fact voice he continued: “Thank you for
coming. We’re finished here. I’ll leave the rest up to you and
the boy’s mother. But get one thing clear—if he does this one
more time, he won’t get off this easy. You do understand that, I
hope? I don’t want any trouble. But I do have to do my job.”

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She nodded, and so did I. Carrot looked as though he hadn’t
heard a word. I stood up, and the two of them weakly followed
suit.
“One last thing,” the security guard said, still seated. He
looked up at me. “I know this is rude of me, but I’ll just go
ahead and say it. Since I laid eyes on you there’s something just
not quite right. You’re young, tall, make a good impression,
nicely tanned, logical. Everything you say makes absolute
sense. I’m sure the parents of your pupils like you a lot. I can’t
really explain it, but since I first saw you something’s been
gnawing at me. Something I just can’t swallow. Nothing
personal, so don’t get angry. It’s just something bothers me. But
what is it that’s gnawing at me, I wonder?”
“Would you mind if I ask you something personal?” I said.
“Ask away.”
“If people aren’t equal, where would you fit in?”
Mr Nakamura took a deep lungful of cigarette smoke, shook
his head, and exhaled ever so slowly, as if he were forcing
someone to do something. “I don’t know,” he replied.
“Don’t you worry, though. The two of us won’t be sharing
the same level.”
*
She’d parked her red Toyota Celica in the supermarket car
park. I called her over to one side, away from her son, and told
her to go on home alone.
“I need to talk to your son alone for a while,” I said. “I’ll
bring him home later.” She nodded. She was about to say
something, but didn’t, got in her car, took her sunglasses from
her bag, and started the engine.
After she left I took Carrot to a cheerful-looking little coffee
shop I noticed nearby. I relaxed in the air-conditioning, ordered

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an iced tea for myself and an ice-cream for the boy. I undid the
top button of my shirt, took off my tie, and slipped it in my
jacket pocket. Carrot remained sunk in silence. His expression
and the look in his eyes were unchanged from when we were
in the security office. He looked completely blank, like he was
going to be that way for a while. His small hands placed neatly
in his lap, he looked down at the floor, averting his face. I
drank my iced tea, but Carrot didn’t touch his ice-cream. It
slowly melted in the dish, but he didn’t seem to notice. We sat
facing each other like some married couple sharing an
awkward silence. Every time she stopped by our table, the
waitress looked tense.
*
“Things just happen,” I said finally. I wasn’t trying to break the
ice. The words just came bubbling up.
Carrot slowly raised his head and turned towards me. He
didn’t say a thing. I shut my eyes, sighed, and was silent for a
while.
“I haven’t told anybody yet,” I said, “but during the summer
holidays I went to Greece. You know where Greece is, don’t
you? We watched that video in social studies class, remember?
In southern Europe, next to the Mediterranean. They have lots
of islands and grow olives. Five hundred BC was the peak of
their civilization. Athens was the birthplace of democracy, and
Socrates took poison and died. That’s where I went. It’s a
beautiful place. But I didn’t go to have a good time. A friend of
mine disappeared on a small Greek island, and I went to help
search. But we didn’t find anything. My friend just quietly
vanished. Like smoke.”
Carrot opened his mouth a crack and looked at me. His
expression was still hard and lifeless, but a glimmer of light

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appeared. I’d got through to him.
*
“I really liked this friend of mine. Very, very much. My friend
was the most important person in the world to me. So I took a
plane to Greece to help search. But it didn’t help. We didn’t
find a clue. Since I lost my friend, I don’t have any more
friends. Not a single one.”
I wasn’t talking to Carrot as much as to myself. Thinking
aloud.
“You know what I’d really like to do the most right now?
Climb up to the top of some high place like the pyramids. The
highest place I can find. Where you can see as far as possible.
Stand on the very top, look all around the world, see all the
scenery, and see with my own eyes what’s been lost from the
world. I don’t know … Maybe I really don’t want to see that.
Maybe I don’t want to see anything any more.”
The waitress came over, removed Carrot’s plate of melted ice
cream, and left the bill.
*
”I feel like I’ve been alone ever since I was a child. I had
parents and an older sister at home, but I didn’t get along with
them. I couldn’t communicate with anyone in my family. So I
often imagined I was adopted. For some reason some distant
relatives gave me up to my family. Or maybe they got me from
an orphanage. Now I realize how silly that idea was. My
parents aren’t the type to adopt a helpless orphan. Anyway, I
couldn’t accept the fact that I was related by blood to these
people. It was easier to think they were complete strangers.
“I imagined a town far away. There was a house there, where
my real family lived. Just a modest little house, but warm and
inviting. Everyone there can understand one another, they say

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whatever they feel like. In the evening you can hear Mum
bustling around in the kitchen getting dinner ready, and there’s
a warm, delicious fragrance. That’s where I belong. I was
always picturing this place in my mind, with me as a part of
the picture.
“In real life my family had a dog, and he was the only one I
got along with. He was a mongrel, but pretty bright; once you
taught him something he never forgot. I took him for a walk
every day, and we’d go to the park; I’d sit on a bench and talk
about all sorts of things. We understood each other. Those were
my happiest moments as a child. When I was in fifth grade my
dog was hit by a lorry near our house and killed. My parents
wouldn’t let me buy another. They’re too noisy and dirty, they
told me, too much trouble.
“After my dog died I stayed in my room a lot, just reading
books. The world in books seemed so much more alive to me
than anything outside. I could see things I’d never seen before.
Books and music were my best friends. I had a couple of good
friends at school, but never met anyone I could really speak my
heart to. We’d just make small talk, play football together.
When something bothered me, I didn’t talk with anyone about
it. I thought it over all by myself, came to a conclusion, and
took action alone. Not that I really felt lonely. I thought that’s
just the way things are. Human beings, in the final analysis,
have to survive on their own.
“When I entered college, though, I made a friend, the one I
told you about. And my way of thinking started to change. I
came to understand that thinking just by myself for so long was
holding me back, keeping me to a single viewpoint. And I
started to feel that being all alone is a terribly lonely thing.
“Being all alone is like the feeling you get when you stand at

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the mouth of a large river on a rainy evening and watch the
water flow into the sea. Have you ever done that? Stand at the
mouth of a large river and watch the water flow into the sea?”
Carrot didn’t reply.
“I have,” I said.
Eyes wide open, Carrot looked in my face.
“I can’t really say why it’s such a lonely feeling to watch all
the river water mix together with the sea water. But it really is.
You should try it sometime.”
I picked up my jacket and the bill and slowly stood up. I
rested a hand on Carrot’s shoulder, and he got up, too. And we
left the coffee shop.
*
It took about 30 minutes to walk to his house. We walked
together, and I didn’t say a word.
Near his house was a small river, with a concrete bridge over
it. A bland little thing, really, less a river than a drainage ditch
that had been widened. When there was still farmland around
here it must have been used for irrigation. Now, though, the
water was cloudy, with a slight odour of detergent. Summer
grasses sprouted in the riverbed, a discarded comic book lay
open in the water. Carrot came to a halt in the middle of the
bridge, leaned over the railing, and gazed down. I stood beside
him and looked down, too. We stood like that for a long time.
He probably didn’t want to go back home. I could understand
that.
*
Carrot stuck a hand inside his trouser pocket, pulled out a key,
and held it towards me. Just an ordinary key, with a large red
tag on it. The tag said STORAGE 3 on it. The key for the
storeroom that the security guard, Nakamura, was looking for.

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Carrot must have been left alone in the room for a moment,
found it in the drawer, and slipped it into his pocket. This boy’s
mind was a bigger enigma than I’d imagined. He was an
altogether strange child.
I took the key and held it in my palm and could feel the
weight of countless people that had seeped into it. It struck me
as terribly wretched, dirty, small-minded. Flustered for a
moment, I ended up dropping the key into the river. It made a
tiny splash. The river wasn’t very deep, but the water was
cloudy, and the key disappeared from sight. Side by side on the
bridge, Carrot and I gazed at the water for a time. Somehow it
made me feel cheerful, my body lighter.
“It’s too late to take it back,” I said, more to myself than to
him. “I’m sure they have a spare somewhere. It’s their precious
storeroom, after all.”
I held my hand out, and Carrot softly took it in his. I could
feel his slim, small fingers in mine. A feeling that I’d
experienced somewhere—where could it have been?—a long
long time ago. I held his hand and we headed for his home.
*
His mother was waiting for us when we got there. She’d
changed into a smart little white, sleeveless blouse and a
pleated skirt. Her eyes were red and swollen. She must have
cried alone the whole time after she got home. Her husband ran
an estate agent’s in the city and on Sundays was either at work
or out playing golf. She had Carrot go to his room on the first
floor and took me not to the living room, but to the kitchen,
where we sat down at the table. Maybe it was easier for her to
talk there. The kitchen had a huge avocado-green fridge, an
island in the middle, and a sunny window facing east.
*

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“He looks a little better than he did before,” she said weakly.
“When I first saw him at that security office, I didn’t know
what to do. I’ve never seen him look that way. Like he was off
in another world.”
“There’s nothing to worry about. Just give it time and he’ll
get back to normal. For the time being it’d be better if you don’t
say anything to him. Just leave him alone.”
“What did you two do after I left?”
“We talked,” I said.
“About what?”
“Not much. Basically I did all the talking. Nothing special,
really.”
“Would you like something cold to drink?” I shook my head.
“I have no idea how to talk to him any more,” she said. “And
that feeling just grows stronger.”
“There’s no need to force yourself to talk to him. Children are
in their own world. When he wants to talk, he will.”
“But he barely talks at all.”
We were careful not to let our bodies touch as we faced each
other across the kitchen table. Our conversation was strained,
the kind you might expect of a teacher and a mother discussing
a problem child. As she spoke she played with her hands,
twisting her fingers, stretching them out, grasping her hands. I
thought about the things those hands had done to me in bed.
I won’t report what’s happened to the school, I told her. I’ll
have a good talk with him, and if there’s any problem, I’ll take
care of it. So don’t worry about it. He’s a smart boy, a good
boy; give it time and he’ll settle down. This is just a phase he’s
going through. The most important thing is for you to be calm
about it. I slowly, calmly repeated all this over and over, letting
it sink in. It seemed to make her feel better.

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She said she’d drive me back to my apartment in Kunitachi.
*
“Do you think my son senses what’s going on?” she asked me
when we were stopped at a traffic light. What she meant, of
course, was what was going on between her and me.
I shook my head. “Why do you say that?”
“While I was alone at home, waiting for you to come back,
the thought just struck me. I have nothing to go by, it’s just a
feeling. He’s very intuitive, and I’m sure he’s picked up on how
my husband and I don’t get along well.”
I was silent. She didn’t say any more.
*
She parked her car in the car park just beyond the intersection
where my apartment building stood. She pulled on the
handbrake and turned off the engine. It sputtered out, and with
the sound from the air-conditioning off, an uncomfortable
silence fell over the car. I knew she wanted me to take her in
my arms right then and there. I thought of her pliant body
beneath her blouse, and my mouth became dry.
“I think it’d be better for us not to meet any more,” I came
right out and said.
She didn’t say anything. Hands on the steering wheel, she
stared in the direction of the oil gauge. Almost all expression
had faded from her face.
“I’ve given it a lot of thought,” I said. “I don’t think it’s right
that I’m part of the problem. I can’t be part of the solution if I’m
part of the problem. It’s better for everyone that way.”
“Everyone?”
“Especially for your son.”
“For you, too?”
“Yes. Of course.”

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“What about me? Does that include me?”
Yes, I wanted to say. But I couldn’t get the word out. She
took off her dark green Raybans, then slipped them on again.
“It’s not easy for me to say this,” she said, “but if I can’t see
you any more it will be very hard on me.”
“It will be hard on me, too. I wish we could continue the way
we are. But it’s not right.”
She took a deep breath and let it out.
“What is right? Would you tell me? I don’t really know
what’s right. I know what’s wrong. But what is right?”
I didn’t have a good answer.
*
She looked like she was about to weep. Or cry out. But
somehow she held herself in check. She just gripped the
steering wheel tightly, the backs of her hands turning slightly
red.
“When I was younger all kinds of people talked to me,” she
said. “Told me all sorts of things. Fascinating stories, beautiful,
strange stories. But past a certain point nobody talked to me
any more. No one. Not my husband, my child, my friends …
no one. Like there was nothing left in the world to talk about.
Sometimes I feel like my body’s turning invisible, like you can
see right through me.”
She raised her hands from the steering wheel and held them
out in front of her.
“Not that you would understand what I’m trying to say.”
I searched for the right words, but nothing came.
“Thank you very much for everything today,” she said,
pulling herself together. Her voice was nearly her usual, calm
tone. “I don’t think I could have handled it alone. It’s very hard
on me. Having you there helped a lot. I’m grateful. I know

212
you’re going to be a wonderful teacher. You almost are.”
Was this meant to be sarcastic? Probably. No—definitely.
“Not yet,” I said. She smiled, ever so slightly. And our
conversation came to an end.
I opened the car door and stepped outside. The summer
Sunday afternoon sunlight had weakened considerably. I
found it hard to breathe and my legs felt strange as I stood
there. The Celica’s engine roared to life, and she drove out of
my life for ever. She rolled down her window and gave a small
wave, and I lifted my hand in response.
*
Back in the apartment I took off my sweaty shirt and tossed it
in the washing machine, took a shower, and washed my hair. I
went to the kitchen, finished preparing the meal I’d left half
done, and ate. Afterwards, I sank back in my sofa and read a
book I’d just started. But I couldn’t finish five pages. Giving up,
I closed the book and thought for a while about Sumire. And
the storeroom key I’d tossed in the filthy river. And my
girlfriend’s hands gripping the steering wheel. It had been a
long day, and it was finally over, leaving behind just random
memories. I’d taken a good long shower, but my body was still
steeped in the stink of tobacco. And my hand still retained a
sharp sensation—as if I’d crushed the life out of something.
Did I do what was right?
I didn’t think so. I’d only done what was necessary for me.
There’s a big difference. Everyone? she’d asked me. Does that
include me?

Truthfully, at that time I wasn’t thinking about everyone. I was
thinking only about Sumire. Not all of them there, or all of us
here.
Only of Sumire, who wasn’t anywhere.

213
1 6

I hadn’t heard a word from Miu since the day we’d said
goodbye at the harbour. This struck me as odd, since she
promised to get in touch regardless of whether there was any
news about Sumire. I couldn’t believe she’d forgotten me; she
wasn’t the type to make promises she didn’t intend to keep.
Something must have happened to keep her from contacting
me. I considered calling her, but I didn’t even know her real
name, or the name of her company or where it was. As far as
Miu was concerned, Sumire hadn’t left behind any solid leads.
Sumire’s phone still had the same message on it, but it was
soon disconnected. I thought about calling her family. I didn’t
know the number, though it wouldn’t have been hard to find
her father’s dental clinic in the Yokohama Yellow Pages. But
somehow I couldn’t take that step. Instead, I went to the library
and looked through the August newspapers. There was a tiny
article about her, about a 22-year-old Japanese girl travelling in

214
Greece who disappeared. The local authorities are
investigating, searching for her. But so far no clues. That was it.
Nothing I didn’t already know. Quite a few people travelling
abroad disappeared, it seemed. And she was merely one of
them.
I gave up trying to follow the news. Whatever the reasons for
her disappearance, however the investigation was proceeding,
one thing was certain: if Sumire were to come back, she’d get in
touch. That was all that mattered.
September came and went, autumn was over before I knew
it, and winter set in. 7 November was Sumire’s 23rd birthday,
and 9 December was my 25th. The New Year came and the
school year ended. Carrot didn’t cause any more problems and
went into fifth grade, into a new class. After that day I never
really talked to him about the shoplifting. Every time I saw
him, I realized it wasn’t necessary.
Since he had a new teacher now, there were fewer times I’d
come across my former girlfriend. Everything was over and
done with. Sometimes, though, a nostalgic memory of the
warmth of her skin would come to me, and I’d be on the verge
of picking up the phone. What brought me to a halt was the
feeling of that supermarket storeroom key in my hand. Of that
summer afternoon. And of Carrot’s little hand in mine.
*
Every time I met Carrot at school, I couldn’t help thinking that
he was one strange child. I had no inkling of what thoughts
were brewing behind that thin, calm face. But something was
definitely going on under that placid exterior. And if push
came to shove, he had the wherewithal to take action. I could
sense something deep about him. I believed that telling him the
feelings I held inside was the right thing to do. For him, and for

215
me. Probably more for my sake. It’s a little strange to say this,
but he understood me then and accepted me. And even forgave
me. To some extent, at least.
*
What kind of days—the seemingly endless days of youth—
would children like Carrot go through as they grew into
adulthood? It wouldn’t be easy for them. Hard times would
outnumber the easy. From my own experience, I could predict
the shape their pain would take. Would he fall in love with
somebody? And would that other person love him back? Not
that my thinking about it mattered. Once he graduated from
elementary school, he’d be gone, and I’d see him no more. And
I had my own problems to think about.
I went to a record shop, bought a copy of Elisabeth
Schwarzkopf singing Mozart’s lieder, and listened to it again
and again. I loved the beautiful stillness of the songs. If I closed
my eyes, the music always took me back to that night on the
Greek island.
*
Aside from some very vivid memories, including the one of the
overwhelming desire I felt the day I helped her move, all
Sumire left behind were several long letters and the floppy
disk. I read the letters and the two documents so many times I
nearly had them memorized. Every time I read them, I felt like
Sumire and I were together again, our hearts one. This warmed
my heart more than anything else could. Like you’re on a train
at night travelling across some vast plain, and you catch a
glimpse of a tiny light in the window of a farmhouse. In an
instant it’s sucked back into the darkness behind and vanishes.
But if you close your eyes, that point of light stays with you,
just barely, for a few moments.
*

216
I wake up in the middle of the night and get out of bed (I’m not
going to be able to sleep anyway), lie down on my sofa, and
relive memories of that small Greek island as I listen to
Schwarzkopf. I recollect each and every event, quietly turning
the pages of my memory. The lovely deserted beach, the
outdoor cafe at the harbour. The waiter’s sweat-stained shirt.
Miu’s graceful profile and the sparkle of the Mediterranean
from the veranda. The poor hero standing in the town square
who’d been impaled. And the Greek music I heard from the
mountaintop that night. I vividly relive the magical moonlight,
the wondrous echo of the music. The sensation of estrangement
I experienced when I was awakened by the music. That
formless, midnight pain, like my body, too, was silently,
cruelly, being impaled
Lying there, I close my eyes for a while, then open them. I
silently breathe in, then out. A thought begins to form in my
mind, but in the end I think of nothing. Not that there was
much difference between the two, thinking and not thinking. I
find I can no longer distinguish between one thing and another,
between things that existed and things that did not. I look out
the window. Until the sky turns white, clouds float by, birds
chirp, and a new day lumbers up, gathering together the sleepy
minds of the people who inhabit this planet.
Once in downtown Tokyo I caught a glimpse of Miu. It was
about six months after Sumire disappeared, a warm Sunday in
the middle of March. Low clouds covered the sky, and it
looked like it would rain at any minute. Everyone carried
umbrellas. I was on my way to visit some relatives who lived
downtown and was stopped at a traffic light in Hiroo, at the
intersection near the MEIDI-YA store, when I spotted the navy-
blue Jaguar inching its way forward in the heavy traffic. I was

217
in a taxi, and the Jaguar was in the through lane to my left. I
noticed the car because its driver was a woman with a stunning
mane of white hair. From a distance, her white hair stood out
starkly against the flawless navy-blue car. I had only seen Miu
with black hair, so it took me a while to put this Miu and the
Miu I knew together. But it was definitely her. She was as
beautiful as I remembered, refined in a rare and wonderful
way. Her breathtaking white hair kept one at arm’s length and
had a resolute, almost mythical air about it.
The Miu before me, though, was not the woman I had waved
goodbye to at the harbour on the Greek island. Only half a year
had passed, yet she looked like a different person. Of course
her hair colour was changed. But that wasn’t all.
An empty shell. Those were the first words that sprang to
mind. Miu was like an empty room after everyone’s left.
Something incredibly important—the same something that
pulled in Sumire like a tornado, that shook my heart as I stood
on the deck of the ferry—had disappeared from Miu for good.
Leaving behind not life, but its absence. Not the warmth of
something alive, but the silence of memory. Her pure-white
hair inevitably made me imagine the colour of human bones,
bleached by the passage of time. For a time, I couldn’t exhale.
*
The Jaguar Miu was driving sometimes got ahead of my taxi,
sometimes fell behind, but Miu didn’t notice I was watching
her from nearby. I couldn’t call out to her. I didn’t know what
to say, but even if I had, the windows of the Jaguar were shut
tight. Miu was sitting up straight, both hands on the steering
wheel, her attention fixed on the scene ahead of her. She might
have been thinking deeply about something. Or maybe she was
listening to the “Art of the Fugue” that was playing on her car

218
stereo. The entire time her icy, hardened expression didn’t
change, and she barely blinked. Finally the light turned green
and the Jaguar sped off in the direction of Aoyama, leaving
behind my taxi, which sat there waiting to make a right turn.
*
So that’s how we live our lives. No matter how deep and fatal
the loss, no matter how important the thing that’s stolen from
us—that’s snatched right out of our hands—even if we are left
completely changed people with only the outer layer of skin
from before, we continue to play out our lives this way, in
silence. We draw ever nearer to our allotted span of time,
bidding it farewell as it trails off behind. Repeating, often
adroitly, the endless deeds of the everyday. Leaving behind a
feeling of immeasurable emptiness.
*
Though she came back to Japan, Miu couldn’t get in touch with
me for some reason. Instead, she kept her silence, clutching her
memories close, seeking some nameless, remote place to
swallow her up. That’s what I imagined. I didn’t feel like
blaming Miu. Let alone hating her.
The image that came to mind at that moment was of the
bronze statue of Miu’s father in the little mountain village in
North Korea. I could picture the tiny town square, the low-
slung houses, and the dust-covered bronze statue. The wind
always blows hard there, twisting the trees into surreal shapes.
I don’t know why, but that bronze statue and Miu, hands on
the steering wheel of her Jaguar, melted into one in my mind.
Maybe, in some distant place, everything is already, quietly,
lost. Or at least there exists a silent place where everything can
disappear, melding together in a single, overlapping figure.
And as we live our lives we discover —drawing towards us the

219
thin threads attached to each—what has been lost. I closed my
eyes and tried to bring to mind as many beautiful lost things as
I could. Drawing them closer, holding on to them. Knowing all
the while that their lives are fleeting.
*
I dream. Sometimes I think that’s the only right thing to do. To
dream, to live in the world of dreams—just as Sumire said. But
it doesn’t last for ever. Wakefulness always comes to take me
back.
I wake up at 3 a.m., turn on the light, sit up, and look at the
phone beside my bed. I picture Sumire in a phone box, lighting
up a cigarette and pushing the buttons for my number. Her
hair’s a mess; she has on a man’s herringbone jacket many sizes
too big for her and mismatched socks. She frowns, choking a
bit on the smoke. It takes her a long time to push all the
numbers correctly. Her head is crammed full of things she
wants to tell me. She might talk until dawn, who knows?
About the difference, say, between symbols and signs. My
phone looks as though it will ring any minute now. But it
doesn’t ring. I lie down and stare at the silent phone.
But one time it does ring. Right in front of me, it actually
rings. Making the air of the real world tremble and shake. I
grab the receiver.
“Hello?”
“Hey, I’m back,” said Sumire. Very casual. Very real. “It
wasn’t easy, but somehow I managed it. Like a 50-word précis
of Homer’s Odyssey.”
“That’s good,” I said. I still couldn’t believe it. Being able to
hear her voice. The fact that this was happening.
“That’s good?” Sumire said, and I could almost hear the
frown. “What the heck do you mean by that? I’ve gone through

220
bloody hell, I’ll have you know. The obstacles I went through—
millions of them, I’d never finish if I tried to explain them all—
all this to get back, and that’s all you can say? I think I’m going
to cry. If it isn’t good that I’m back, where would that leave me?
That’s good. I can’t believe it! Save that kind of heartwarming,
witty remark for the kids in your class—when they finally
work out how to multiply!”
“Where are you now?”
“Where am I? Where do you think I am? In our good old
faithful telephone box. This crummy little square telephone box
plastered inside with ads for phony loan companies and escort
services. A mouldy-coloured half-moon’s hanging in the sky;
the floor’s littered with cigarette butts. As far as the eye can see,
nothing to warm the cockles of the heart. An interchangeable,
totally semiotic telephone box. So, where is it? I’m not exactly
sure. Everything’s just too semiotic—and you know me, right? I
don’t know where I am half the time. I can’t give directions
well. Taxi drivers are always yelling at me: Hey lady, where in
the world you trying to get to? I’m not too far away, I think.
Probably pretty close by.”
“I’ll come and get you.”
“I’d like that. I’ll find out where I am and call you back. I’m
running out of change, anyway. Wait for a while, okay?”
“I really wanted to see you,” I said.
“And I really wanted to see you, too,” she said. “When I
couldn’t see you any more, I realized that. It was as clear as if
the planets all of a sudden lined up in a row for me. I really
need you. You’re a part of me; I’m a part of you. You know,
somewhere—I’m not at all sure where—I think I cut
something’s throat. Sharpening my knife, my heart a stone.
Symbolically, like making a gate in China. Do you understand

221
what I’m saying?”
“I think so.”
“Then come and get me.”
*
Suddenly the phone cuts off. Still clutching the receiver, I stare
at it for a long time. Like the phone itself is some vital message,
its very shape and colour containing hidden meaning.
Reconsidering, I hang up. I sit up in bed and wait for the phone
to ring again. I lean back against the wall, my focus fixed on a
single point in the space before me, and I breathe slowly,
soundlessly. Making sure of the joints bridging one moment of
time and the next. The phone doesn’t ring. An unconditional
silence hangs in the air. But I’m in no hurry. There’s no need to
rush. I’m ready. I can go anywhere.
*
Right?
Right you are!
*
I get up out of bed. I pull back the old, faded curtain and open
the window. I stick my head out and look up at the sky. Sure
enough, a mouldy-coloured half-moon hangs in the sky. Good.
We’re both looking at the same moon, in the same world. We’re
connected to reality by the same line. All I have to do is quietly
draw it towards me.
I spread my fingers apart and stare at the palms of both
hands, looking for bloodstains. There aren’t any. No scent of
blood, no stiffness. The blood must have already, in its own
silent way, seeped inside.

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