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Creon and Haemon Essay

Creon and Haemon Essay

How would you absolute the battle amid Creon and Haemon in adjustment to accomplish your called appulse for your audience? The arena of battle amid Creon and Haemon comes aback Creon has bedevilled Antigone, approaching helpmate of Haemon, to be shut up in the cave. I would appetite to appearance a adverse amid the characters with costume, so that the admirers would get a beheld representation of their emotions. I would dress Creon in an absurd red bright robe, with gold trimmings.

This would highlight his cachet as King, and additionally the red could announce a bloodthirsty attitude, as Creon is revelling in Antigone’s fate.

Contrastingly, Haemon would be cutting a simple atramentous affection robe, afterwards any trimmings. This would appearance that he doesn’t affliction for credible extravagance, and atramentous is additionally a colour of mourning; this would symbolise Haemon’s animosity arise Antigone’s fate. In the aperture of this scene, Creon greets Haemon pleasantly. I would absolute Creon to anchor Haemon’s appropriate duke with both of his own hands, in a friendly, argumentation handshake; this would appearance amore for Haemon, which is what Creon wishes to accurate at this point.

He would advance eye acquaintance and angle with legs shoulder-width afar He would allege in a bendable tone, with a apathetic pace, average angle and a about low volume, afresh to accord the consequence of warmth. In the band ‘we are consistently comrades, and my adulation for you is unshaken’, I would absolute the amateur arena Creon to emphasise the words ‘always’ and ‘unshaken’, affirmation these superlatives, in adjustment to amplify the absolute feelings, diplomatically Haemon’s acknowledgment would be in kind, reciprocating the respect. He would acquire the handshake, and accumulate eye contact. His articulate qualities would be as those of Haemon.

He would say ‘I apperceive I am your son, Father’, affirmation the chat ‘Father’ to appearance account and additionally ancestors love. During this exchange, they would both be actual abutting physically, to appearance that they are, at this point, still emotionally close. The lighting would be a harbinger ablution from aloft over the stage, of average intensity: neutral. Creon would be abutting to a podium, centre-stage-left. Haemon would be centre stage, and the Chorus would be abiding in a semi-circle about them. During Creon’s afterward speech, I would appetite the admirers to attestant a change in Creon’s approach.

The aboriginal credible change in attitude would be aback he says ‘Don’t be taken in/ Boy. Don’t let any woman ensnare you. ‘ His accent would become harsher, and lower about as if speaking in a whisper. He would additionally butt Haemon on the chat ‘Boy’, to appearance the admirers that he wants to instil assertive sexist ethics in Haemon, as it is a accountable he feels foolishly about. Furthermore, he would about discharge the assignment ‘woman’ and emphasise the chat ‘ensnare’ to present acidity to the audience. He would say ‘Don’t be taken in, Boy’ afterwards alteration his accent or pace, artlessly accretion intensity, to appearance the admirers how aboveboard he is.

He would abide in this manner, speaking in acrid tones. The abutting change in Creon’s demeanour would arise aback he says ‘I will do it. And she charge die’. Here, he would backslide to speaking with authority, assertively. He would accent the modal verbs, ‘will’ and ‘must’ to appearance that he is absolutely anchored aloft the idea, and is unwavering. This would appearance the admirers his stubbornness. At this point, low-intensity, attenuate red uplighting would accept boring achromatic in, to casting caliginosity aloft Creon’s face to accomplish him assume added arty and venomous. It would be about credible by the admirers at this stage, as it would be boring and cautiously introduced.

Creon would additionally footfall aback and angle beeline at this point, and abeyance afterwards the line, to highlight its acceptation to the audience. He would accept his easily calmly by his sides. Creon would abide to rant, his aggregate increasing, and the red uplighting acceptable stronger, as the harbinger ablution boring achromatic and his duke gestures acceptable added axiomatic and expansive. On the band ‘Anarchy, disobedience,’ he would be banging his fists on his belvedere in anger, to appearance the admirers how foolishly he feels about the subject. He would be about shouting at this point, and Haemon would backfire slightly, in abhorrence and abruptness at Creon’s outburst.

Creon would abutting about-face adjoin the end of his speech, and I would appetite my admirers to see him accompany aback attenuate persuasion, application the actuality that he is Haemon’s ancestor to his advantage: ‘Let it be by a man’s hand, eh son? / Not by a cabal of women! ‘. I would appetite him to go aback to speaking in lower tones, about at a stage-whisper level, as he wants to instil his own sexism, and credible paranoia apropos women, into Haemon yet again. This alliteration would appearance the admirers aloof how sexist Creon is. I would accordingly accept the amateur emphasise the words ‘man’ ‘son’, ‘conspiracy’ and ‘women’ to appearance this, and put one arm about Haemon.

The red uplighting would additionally dim at this point, the harbinger ablution acceptable added prominent; this would visually represent the change in accent to the audience. Afterward the Chorus’ somewhat aloof response, Haemon would acknowledgment by at aboriginal speaking pleasantries: ‘It’s not for me to say you are wrong’ is absolutely self-deprecating and is adulatory to Creon. Haemon would accordingly allege it in a bendable tone, and would physically lower himself by angle knees and aback slightly. His aggregate would be average at this point, and he would accomplish no duke gestures. The lighting would abide as a harbinger wash, all red gone at this point.

Haemon would emphasise ‘me’ and ‘you’ to accentuate the actuality he is authoritative a absolute allegory amid himself and Creon. Haemon would change in access appropriate on the band ‘But I can sometimes apprehend bodies whisper’. The chat ‘but’ actuality is a bright abstruse brand in the text, advertence a change. Also, Haemon begins to altercate how ‘people’ see Antigone’s abuse as unjust. He would appropriately booty a footfall aback is if assured an access from Creon, and emphasise words like ‘people’ and ‘whisper’ to appearance the admirers that the appearance aims to abstract himself from the views.

He would become added argumentation as the accent progresses, ‘let me beg you to accept additional thoughts’ and ‘I beg you Father’. This is afresh assuming he accepts inferiority, but additionally makes bright to the admirers that he is adjoin his fathers actions. The metaphors apropos the abortion of adamant things would be announced with a amount of allegation apropos Creon; Haemon would attending at Creon aback adage ‘inflexible’ and ‘refuses’ to announce that there accredit to Creon.

At the end of the accent he says ‘Take acceptable admonition aback it is offered. ‘ This is a absolute catechism to Creon, and I would accept Haemon on one knee, clasping Creon’s duke at this point, to appearance his agony to the audience. In the after stichomythia, I would acquaint Creon to access in volume, clip and accession his articulation at the end of anniversary sentence. Also, I would appetite him to discharge phrases like ‘You’re a woman’s mouthpiece! ‘, whilst afraid his arms, award clawed and adverse up to appearance acerbity to the audience.

Comparatively, I would acquaint Haemon to abide calm, speaking in controlled tones and a abiding aggregate throughout, authoritative few duke gestures. Haemon would instead access in algid contempt, by cutting the complete of his vowels at the ends of sentences, and speaking in a low tone, and emphasising assertive words. He would emphasise the chat ‘demented’, but afterwards adopting the aggregate of his articulation a abundant deal. Also, at the end, aback Haemon says ‘… this abominable spectacle/ In aggregation with a madman, are acceptable to it’, I would appetite him to allege this calmly; afterwards capricious his pace.

He would say this emphasising ‘disgusting spectacle’ and ‘madman’ by adopting angle and aggregate a little. This would appearance the admirers that he feels antipathy adjoin Creon, but is aloft aloof shouting. Creon, on the alternative hand, would be around agreeable ‘Bring her out, the bitch’, emphasising the chat ‘bitch’ by affirmation the acrid beat sound, and gesturing berserk arise the ancillary entrance, as if advertence from area she should be brought. This would appearance the admirers that Creon has absent his composure, and has absent ascendancy of his rage.

The lighting would be red uplighting afresh on Creon only, to casting caliginosity beyond his face, whilst a dejected gel, to mix with the harbinger wash, would be advancing in from above. Overall, this should all accord into presenting Haemon into an emotionally controlled, abiding character, admitting Creon would arise as absolutely the opposite; unreasonable, adamant and emotionally volatile. The cold would be to present the characters as such, to animate the admirers to sympathise with Haemon, alike empathise with him; ideally, the admirers too would feel balked and audacious arise Creon.

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