Categories for Christmas

Live Theatre Critique of Junie B. Jones Essay

Live Theatre Critique of Junie B. Jones Essay

It wasn’t fancy like most theatres. It reminded my of a high school auditorum. They had the stage set up like a class room for the scene they were doing first. The first part of the play was set up like an classroom, and the second part pf the play was set up like a bookstore. The pre-show music that was playing was soft chrismas music. Not much singing just mostly instumental. As I was expecting, there were more children then teenagers.

Parents and grandparents were there, but as for ages that attended, it was mostly children.

Before the show began, the producers asked everyone to turn off their cell phones and anything with a distracting light. The show was mostly dark so any bright lights would distract the play. The play ran smoothly nothung distratcing happened. The plot of the play was about a girl named Junie B. Jones who was stuck between buying gifts for others or herself.

Her parents gave her enough money to go to the book store and buy gifts for her family. Once she went to the book store, she laid her eyes on something she wanted for herself. The toy was called a squeeze a burp.

Meanwhile, in class the teacher decided for the students to draw names of others in the class to buy gifts for. With her luck, she drew May’s name. May is a girl in Junie B. class that does not get along with her. They always fight and get in trouble. Junie B. just had to have that toy for herself. She went home and asked her grandpa Miller for some money and he gave it to her. She now had enough money to buy gifts for her family and herself. She decided that she was going to give May some ashes because she was a mean girl and didn’t deserve any gifts.

She end up buying the squeeze a burp toy for herself. As the children were putting the gifts in each other stocking she stated to think to herself is what she doing is right. Junie B. decided to do right so she could be on Santas nice list and gave May the squeeze a burp toy. The girls ended up being friends at the end and they played with the toy that Junie B had bought. The characters in the play behaved exzactly like they should have for this play. They portrayed a typical child in school. Selfish and argumenative with each others at time. The main characters of the play were Junie B.

Jones, played by Brooke Bryant and May who was played by Cori Anne Laemmel. I think the genre of the play was comedy. Many of the scenes acted out in the play had not only the children laughing, but also the adults has well. Throughout the play Junie B and May did not get along as much. Junie B was also being selfish towards others than herself. The play was trying to accomplish friendship between the two girls and also teach Junie B not to be selfish, but giving. Through out the play they played christmas music, and music that inspired the things that were going on during that scene.

They also played special effects sounds for certain parts. The part where Junie B gets into trouble, they played a noise that you would expect to here when someone is getting in to trouble or is doing something they shouldn’t be doing. They also had great use of the lighting effects. There were parts of the play were Junie B would talk to her self as she were talking in her head. They would put a spot light on her and black everything else out so that you know that it is ment only for the audience to here and not the other characters.

The director Peter Vann did a wounderful job in directing the play. He made sure that it felt as if the characters were actually children instead of adults. They played it well putting their self in a childs place. Each character acted out their lines perfectly. If any mistakes were made I didn’t notice. Their tone and body language went well with their emotins and expressions that they had to act out. Having a little knowledge about Junie B, I would have never expected for her to buy May a gift or for them to get a long in the play. Brooke Bryant did a great interpetation of Junie B.

Her voiced matched her personality of a snooty, selfish girl that thinks she knows it all. I think that Brooke Bryant and Cori Laemmel held their chacter of the girls very well. There were parts of the play whene they had to do or say funny things and they did it without laughing and remained in character. Brooke Bryant broke the forth wall in a scene where she was in the spot light talking to her self. But I think that it was part of the play for her to do that. Maybe to get the audience involved or just to make contact with the children to make them laugh.

I noticed that many of the children enjoyed the play. The costume designer Patricia Taber did a good job designing the costumes. Each costume fitted each of the characters personalty that was being portrayed. Their was a rich girl in the class named Lucille and her costume was a pretty dress that looked expensive. Since her charcter was a rich girl, her fancy dress showed that she came from money without her having to say anything about it. I would definatly recommed this play to a friend or a family memeber that has children or have read any of the Junie B Jones books.

The play ended on the note that Junie B and May finally got along and Junie B felt proud of herself for doing what she did. After that scene I thought the play was over. Brooke Byant, the character of Junie B began to sing. I didn’t expect to her such beautiful singing. All the charcters joined togther and began singing a christmas song. They said Merry christmas and bowed and then the play was over. My favorite part of the play was at the end when they start singing. I didn’t expect for them to sing at all and especially not the way they did. The play was a huge successe and I would defintaly go see it again.

Michael Arlen Ode to Thanksgiving Essay

Michael Arlen Ode to Thanksgiving Essay

Consider the participants, the merrymakers: men and women (also children) who have survived passably well throughout the years, mainly as a result of living at considerable distances from their dear parents and beloved siblings, who on this feast of feasts must apparently forgather (as if beckoned by an aberrant fairy godmother), usually by circuitous routes, through heavy traffic, at a common meeting place, where the very moods, distempers, and obtrusive personal habits that have kept them all happily apart since adulthood are then and there encouraged to slowly ferment beneath the corn husks, and gradually rise with the aid of the terrible wine, and finally burst forth out of control under the stimulus of the cranberry jelly! No, it is a mockery of holiday.

For instance: Thank you, O Lord, for what we are about to receive. This is surely not a gala concept. There are no presents, unless one counts Aunt Bertha’s sweet rolls a present, which no one does.

There is precious little in the way of costumery: miniature plastic turkeys and those witless Pilgrim hats. There is no sex.

Indeed, Thanksgiving is the one day of the year (a fact known to everybody) when all thoughts of sex completely vanish, evaporating from apartments, houses, condominiums, and mobile homes like steam from a bathroom mirror. Consider also the nowhereness of the time of year: the last week or so in November. It is obviously not yet winter: winter, with its death-dealing blizzards and its girls in tiny skirts pirouetting on the ice. On the other hand, it is certainly not much use to anyone as fall: no golden leaves or Oktoberfests, and so forth. Instead, it is a no-man’s land between the seasons. In the cold and sobersides northern half of the country, it is a vaguely unsettling interregnum of long, mournful walks beneath leafless trees: the long, mournful walks following the midday repast with the dread nevitability of pie following turkey, and the leafless trees looming or standing about like eyesores, and the ground either as hard as iron or slightly mushy, and the light snow always beginning to fall when one is halfway to the old green gate—flecks of cold, watery stuff plopping between neck and collar, for the reason that, it being not yet winter, one has forgotten or not chosen to bring along a muffler. It is a corollary to the long, mournful Thanksgiving walk that the absence of this muffler is quickly noticed and that four weeks or so later, at Christmastime, instead of the Sony Betamax one had secretly hoped the children might have chipped in to purchase, one receives another muffler: by then the thirty-third.

Thirty-three mufflers! Some walk! Of course, things are more fun in the warm and loony southern part of the country . No snow there of any kind. No need of mufflers. Also, no long, mournful walks, because in the warm and loony southern part of the country everybody drives. So everybody drives over to Uncle Jasper’s house to watch the Cougars play the Gators, a not entirely unimportant conflict which will determine whether the Gators get a Bowl bid or must take another postseason exhibition tour of North Korea. But no sooner do the Cougars kick off (an astonishing end-over-end squiggly thing that floats lazily above the arena before plummeting down toward K. C.

McCoy and catching him on the helmet) than Auntie Em starts hustling turkey. Soon Cousin May is slamming around the bowls and platters, and Cousin Bernice is oohing and ahing about “all the fixin’s,” and Uncle Bob is making low, insincere sounds of appreciation: “Yummy, yummy—Auntie Em, I’ll have me some more of these delicious yams! ” Delicious yams? Uncle Bob’s eyes roll wildly in his head, Billy Joe Quaglino throws his long bomb in the middle of Grandpa Morris saying grace, Grandpa Morris speaking so low nobody can hear him, which is just as well, since he is reciting what he can remember of his last union contract. And then, just as J. B. Speedy) Snood begins his ninety-two-yard punt return, Auntie Em starts dealing everyone second helpings of her famous stuffing, as if she were pushing a controlled substance, which is well might be, since there are no easily recognizable ingredients visible to the naked eye. Consider for a moment the Thanksgiving meal itself. It has become a sort of refuge for endangered species of starch: cauliflower, turnips, pumpkin, mince (whatever “mince” is), those blessed yams. Bowls of luridly colored yams, with no taste at all, lying torpid under a lava flow of marshmallow! And then the sacred turkey. One might as well try to construct a holiday repast around a fish—say, a nice piece of haddock. After all, turkey tastes very similar to haddock; same consistency, same quite remarkable absence of flavor.

But then, if the Thanksgiving piece de resistance were a nice piece of boiled haddock instead of turkey, there wouldn’t be all that fun for Dad when Mom hands him the sterling-silver , bone-handled carving set (a wedding present from her parents and not sharpened since) and then everyone sits around pretending not to watch while he saws and tears away at the bird as if he were trying to burrow his way into or out of some grotesque, fowllike prison. What of the good side to Thanksgiving, you ask. There is always a good side to everything. Not to Thanksgiving. There is only a bad side and then a worse side. For instance, Grandmother’s best linen tablecloth is a bad side: the fact that it is produced each year, in the manner of a red flag being produced before a bull, and then is always spilled upon by whichever child is doing poorest at school that term and so is in need of greatest reassurance. Thus, “Oh, my God, Veronica, you just spilled grape juice [or plum wine or tar] on Grandmother’s best linen tablecloth! ” But now comes worse.

For at this point Cousin Bill, the one who lost all Cousin Edwina’s money on the car dealership three years ago and has apparently been drinking steadily since Halloween, bizarrely chooses to say: “Seems to me those old glasses are always falling over. ” To which Auntie Meg is heard to add: “Somehow I don’t remember receivin’ any of those old glasses. ” To which Uncle Fred replies: “That’s because you and George decided to go on vacation to Hawaii the summer Grandpa Sam was dying. ” Now Grandmother is sobbing, though not so uncontrollably that she can refrain from murmuring: “I think that volcano painting I threw away by mistake got sent me from Hawaii, heaven knows why. But the gods are merciful, even the Pilgrim-hatted god of corn husks and soggy stuffing, and there is an end to everything, even to Thanksgiving. Indeed, there is a grandeur to the feelings of finality and doom which usually settle on a house after the Thanksgiving celebration is over, for with the completion of Thanksgiving Day the year itself has been properly terminated: shot through the cranium with a high-velocity candied yam. At this calendrical nadir, all energy on the planet has gone, all fun has fled, all the terrible wine has been drunk. But then, overnight, life once again begins to stir, emerging, even by the next morning, in the form of Japanese window displays and Taiwanese Christmas lighting, from the primeval ooze of the nation’s department stores.

Thus, a new year dawns, bringing with it immediate and cheering possibilities of extended consumer debt, office-party flirtations, good—or, at least, mediocre—wine, and visions of Supersaver excursion fares to Montego Bay. It is worth noting, perhaps, that this true new years always starts with the same mute, powerful mythic ceremony: the surreptitious tossing out, in the early morning, of all those horrid aluminum-foil packages of yams and cauliflowers nd stuffing and red, gummy cranberry substance which have been squeezed into the refrigerator as if a reenactment of the siege of Paris were shortly expected. Soon afterward, the phoenix of Christmas can be observed as it slowly rises, beating its drumsticks, once again goggle-eyed with hope and unrealistic expectations.