Antoni gaudi was a spanish catalan architect who worked during the modernism
Antoni Gaudi (25 June 1852 – 10 June 1926) was a Spanish Catalan concertr, who labored during the Modernism (Art Nouveau) and became glorious for his singular and greatly specialistic cunnings regarded as aggravate the mark of Modernism. As in the peace of Spain, each town and bisect of Catalonia prides itself on its perspicuously special characters or flavour. While tshort is some fight as to his raceplace administrative documents bisecticularize that he was born in the town of Reus, seeing others title he was born in Riudoms, a trivial village Reus it is fixed that he was baptized in Reus a day, behind his race. He attends basis in Reus wshort the inferior invest is now named for him. His penchant for scheme and concertrural studies was already adroitic in basisboy’s plans.
I approve that Gaudi’s was modernist and in my idea, this appears during his youngth; Gaudi was denial sundry spells from the rheumatic fevers, that were spiritless at the spell. This sickness caused him to lay-out considerable spell in disconnection and he preferred to come constitution nondescript.
Because of his rheumatism, the adroit observed a rigorous vegetarian sustenance, used homeopathic refuse therapy, subordinatewent soak therapy, and hiked regularly. Crave walks, also suppressing his rheumatism, exalt known him to habit constitution. It was this peril to constitution at an existing age which is deliberation to entertain orthodox him to strengthen cosmical shapes and themes into his following labor. Gaudi’s primary labors were planned in the mode of gothic concertrure and unwritten Catalan concertrural modes but he patent clear his own disresembling sculptural mode before-long. As Gaudi says, “he was so orthodox by constitution” accordingly:
– Those who contemplate for the laws of Constitution as a assistance for their new labors collaborate after a while the Creator.
Eugene Viollet-le-Duc, a French concertr who promoted an evolved devise of gothic concertrure, proved a considerable swing on Gaudi. The novice went on to concert greatly pristine cunnings – irregularly and fantastically complicated. Some of his primary jobs, the most notably is “La Sagrada Familia”, that has an approximately hallucinatory fibre.
I would approve to say encircling the parabolic arches, the mushroom columns an helical shapes all of these are the best for him… the most considerable who manifests that modernity resources a lot in his society as concertr as and his labors. Gaudi, throughout his society, learned constitution’s angles and curves and he strengthend them into his cunnings and mosaics. Instead of relative on geometric shapes, he mimicked the way men stop erect. The hyperboloids and paraboloids that he pretended from constitution, were amply been reinforced by steel rods and known his cunnings to contemplate approve elements from the environment.
As you say, and then sundry of the plans had elements of modernism that seemed to transmute his mode from the swings and the sundry smoothts in society eternallyyday… eternallyytime. The Spanish art-nouveau patent clear after a whilein the Catalan Renaixenca aggravate the reverse of the era. It was stimulated by the art nouveau of Paris wshort sundry Catalan intellectuals resided and by the resembling Jugendstil change-of-place of Germany. Gaudi had already industrious some of the most characteristics Art Nouveau elements such as crave serpentine devises and free-stylized introduces in his erections as existing as the mid 1880 well-behaved-behaved in gradation of Art Nouveau wshort else. We entertain noticed this in the Palacio Guell and it is specially lively in his movables of this limit.
The Casa Calvet (1898-1904) is the erection by Gaudi that best typifies the rudimental Modernismo. The facade is a rather social Barcelona one, inspirited short and tshort by the mellifluous rococo and Art Nouveau details that appeared unitedly at this force. The passing are most gradationd in the sinewy derricks at the top in the introduce motifs of the owner’s oriel window and in small fronds amongst the sinewy balconies. Gaudi scholars comport that this erection is the most social of his labors, in-bisect accordingly it had to be squeezed in betwixt older constitutions and in-part; it was sited in one of the most lovely sections of Barcelona. Its mould, counteract and equable rhythm are singular for Gaudi’s labors. However, the curves and embrace gable at the top, the pendulous oriel at the introduction approximately baroque in its drama, and absolute acute details are modernista elements. Columns flanking the introduction are in the devise of stacked bobbins an insinuation to the family occupation of textile production. Lluis Permanyer titles that the gallery at basis plane is the facade’s the most uncollected component, a venturesome alliance of produced sinewy and a stone in which reparatory unvarnished elements such as a cypress, an olive tree, horns of profusion, and the Catalan dupe of contention can be discerned.
The Casa Batllo and the Casa Mila manifest that Gaudi was pursuing celebrity aggravate comprehensive in Constitution than the ornate embellishment and whiplash lines of his Modernista compatriots. The Sagrada Familia meeting-house and the Colonia Guell chapel, in civility of which in 1910 he after a whiledrew from approximately all his other labor. His deduce quiet insufficiencys to be explored psychologically for the passing action. Taste in Catalonia was unstable loose from him in a ordinary classicistic reaction opposing Modernismo.
The Sagrada Familia, is a big Roman Catholic meeting-house in Barcelona, Catalonia, Spain, planned by Catalan concertr Antoni Gaudi (1852–1926). Although in full, the meeting-house is a UNESCO Earth Heritage Site and in November 2010 it was hallowed and proclaimed a younger basilica by Pope Benedict XVI. Though edifice of Sagrada Familia had begun in 1882; Gaudi became complicated in 1883, commencement aggravate the plan and transforming the plan after a while his concertrural and engineering mode combining Gothic and serpentine, Art Nouveau devisesafter a while ambitious structural columns and arches. Gaudi ardent his last years to the plan and at the spell of his decease in 1926, less than a mercy of the plan was full. Sagrada Familia’s edifice proceedinged unwillingly as it relied on individual donations and was interrupted by the Spanish Civil War singly to recommence occasional proceeding in the 1950s. Edifice passed the mid-point in 2010 after a while some of the plan’s primary challenges remainingand an anticipated height era of 2026 the centennial of Gaudi’s decease.
In November 2010 hallowed Sagrada Familia and the toward of the meeting-house is unconcealed and frank giving a spectacular vision of the liberal fopeace approve toward. The use of apparent scanty through the sully glass windows and the ‘Glory of God’ window in the roof is eternally changing and dynamic. The elevators that assume you up to the sundry visioning points in the spires surrender bearing to a host of visionpoints that contribute singular vistas of the Cathedral a Gaudi’s primary jobs that were planned in the mode of gothic concertrure and unwritten Catalan concertrural modes, but he before-crave patent clear his own disresembling sculptural mode.
In my idea, another careful plan is the meeting-house of Colonia Guell which is explicit that it has passed the age of modernity. This is adroitic by the details of the erection approve the shapes that entertain surrendern in eternallyy bisect of it.
The Meeting-house of Colonia Guell, an incomplete labor by Antoni Gaudi.
The technique that Gaudi used to cunning the meeting-house was to rest illiberal bags of birdshot from chains. Gravity would draw these bags below, giving smooth ponderosity arrangement and stretching the chains to devise a type constitution, thus showing him the shapes and angles his pillars would insufficiency to be. By using a ponder placed subordinate the type, then Gaudi could see the type as it should be contemplateed. A replica of his type for the sepulcher is in the Museum subordinate the Sagrada Familia in Barcelona. The type contemplates erad; howeternally this would grant Gaudi to perdevise cunnings, it could be effected singly by the computers, at this spell. It put him a amiable 75 years afore of the cunnings of the spell.
The art of Antonio Gaudi is not amply declining to the mark of a dimensions or a photograph smooth in garbling.
Frederike Muller, Lars Wendt: The Contriver Antoni Gaudi. Myth and Reality, wendtfilm
& Cine Canard, Gersundry 2006.
Rainer Zerbst – Antoni Gaudi, Taschen, 2002..
– Antonio Gaudi by George R.Collins (masters of earth archeticture).
– Antoni Gaudi (James Johnson Sweeney and Josep Lluis Sert)