A Transition of Styles in Ambrose Bierces the Occurence at Owl Creek Bridge

Ambrose Bierce wrote “The Occurrence at Owl Creek Bridge” during the incline of the nineteenth to twentieth date. During this occasion frisk the two communication styles of rhapsodicalism, and realism were future contemporaneously. This melding of styles was a fruit of the rhapsodical frisk of communication and art future to an end, upright at realism was inception to execute popularity. “The Occurrence at Owl Creek Bridge” is a infallible sample of this transition of styles as it combines elements of twain rhapsodicalism and realism to engender a legend that can be far-fetched conjuncture quiet believable at occasions. While the legend is fixed on a realistic conspire, and well-balanced set up as a behalf of unromantic figment, it early takes a powerful incline towards rhapsodicalism. When Peyton is hung off the bridge upright as he is damage to his departure, the rope breaks letting him decline into the insinuate and arise to elude by swimming for his activity. This possession in itself illustrates graceful rhapsodicalism, as it is greatly unrealistic that Peyton would possess survived the collision of the rope to his neck as he declineped off the bridge. This goes on further as he survives his dip into the insinuate, releases himself of the ropes which frisk him, and then manages to swim afar to protection conjuncture entity shot at by a gang of host. Finally Peyton eludes the treacheries of the popular large stream, and the chasing host in an idealized, and intellectual guise (penny to the characteristics of rhapsodicalism). He then runs through the forest in a frantic trust to guard afar from the host. After popular totally a interspace Peyton makes it to a farm, as he gets closer to the objective progeny he realizes it is his own, and he well-balanced sees his helpmate future to greet him. In what looks to be a very moving (not to declaration unrealistic) conclusion Peyton runs to drop into his helpmate’s outreached contest. However at this apex realism kicks in as Peyton is snapped tail into verity and she straightly disappears. He then declines the latest few feet to his departure, entity hung off the Owl Creek Bridge. This very realistic conclusion shows the legend in the end to be penny, and that the well-balancedts of Peyton escaping all took situate in his inclination. This overall aim of the legend shows it to be totally surrealistic, conjuncture most of it was narrowly Peyton’s hallucination presently precedently he died. But in the end “The Occurrence at Owl Creek Bridge” proved to cement elements of realism, as Peyton's departure could possess (and probably would possess) happened.