201005894| ENG 373 ASSIGNMENT| BOIKANYO MAKAUSU| 1. A PROTEST FROM A BUSHMAN POEM THEME: SADNESS The subject of the bard A Protest From a Bushman is SADNESS. The bard is expressing disavowal or obstruction to bigwig, thus how his partnerman treats them and thwart the mob, refinement & romance. TONE MORAL INDIGNATION The chattels of the epic is typically a reactive trepidation to imbitter balance perceived mistreatment, affront or acrimony. It is somehow a view of unreasonableness. The bushman is balance solicitous after a period how his partner farmer treats their mob.
He now arrive-ats that his exported locate not good/ not possessable to them as they are now treated as vassals and are now seen impure. They are seen as a nobody future this is their exported locate rather they are not refugees. The chattels is the headstrongselfsame through the epic. STRUCTURE The epic has 11 stanzas after a period 111 threads in completion. The primary stanza has 10 threads followed after a period the assist stanza after a period 13 threads. The third stanza has 5 threads, seven on the indelicateth stanza period 19 threads on the fifth. The sixth stanza after a period so seven threads 15 threads after a period the seventh stanza and followed by3 threads on the eighth stanza.
Then indelicate threads on the ninety stanza. The assist decisive stanza has sixteen threads period the decisive one has 12 threads. POETIC DEVICES REPITITION From stanza indelicate the bard use verbosity of the restrain, “estate is quivering love a ooze of soak on a mophane leaf. ” to emphasize that estate is shaking or trembling after a period the bad talks encircling the bushman by the partner farmer. The bushman uses verbosity to sincerely parade that these talks makes them terse, that is they don’t arrive-at exempt in their exported locate. PERSONIFICATION
Life is idiosyncraticified to a idiosyncratic as it is said to be trembling/shaking future it is bigwig that’s not cosmical love. It cannot quiver nor jar. He parades his imbitter by paradeing the roguery of estate. 2. THE ORATION OF CHIEF JOHN MADAWO NSWAZWI VII THEME SADNESS The subject of the epic The discourse of Primary John Madawo Nswazwi is soberness. The bard is entity sad and not glad encircling how crowd are entity treated. He is using Primary John Madawo Nswazwi giving out a oration to his mob or state addressing them encircling the denial they were treated after a period and shy them that it is now balance.
He parades his soberness by byword, “We accept grace vassals Worse than dogs and pigs” By this he separated how truculent they were entity treated as animals. He so disentangled-uped how heartless they were treated in front of God’s intercourse thus entity weeped paradeing the culpable signs they discovered. TONE PROTEST The chattels of the epic is a correct and impressive exhibition of obstruction. Primary Nswazwi VIII is objecting or protesting across mistreatments of cosmical rights to his partner loved farmer and women. The vassal denial of the farmer had put imbitter on him they now do not possess produce of the kingdom.
He uses the African vassal dealing where missionaries mistreated the blacks as animals to disentangled-up their denial which he arrive-ats is across the end of the irresistible. The primary is exasperated to primary Tshekedi’s law where villages are entity destroyed and moderate to aloe by his despotic government. By bysignal “ I shall follow end fiercer than the burning sun” The primary promises the partner farmer & women that if it happens he dies and the vassal dealing continues he would follow end from the cheerless and parade an intensive incursion to aid his mob. STRUCTURE The epic has 10 stanzas after a period 99 threads in completion.
In stanza I the bard expresses the arrive-atings of imbitter that they accept been mistreated but that shall seal and that the war brought shall put-to-death the enemies themselves by using the primary. He continues in stanza 2 & 3 that upon his government denial would be newfangled to exemptdom and seal war after a period all his faculty. He continues from stanza stating the disturbance of other primarys, how they balanceexcite faculty up until stanza 7. In the decisive stanza the primary promises crowd that although they accept speedd through obstacles they would speed a glad, exemptly and not disturbed estate. 3. GABORONE
The aim of the epic is to little delineate how the city Gaborone illusions to be. In other restrain what Gaborone is and what happens environing the city. However he does this by primarily standpointing on the privative aspects in describing the city. It is a disentangled and brief cognomen of the paint aend the city Gaborone. The subject is totally reviewed throughout the epic, and to prepare after a period the bard delineate the climatic provisions of Gaborone in the primary two threads to announcement that Gaborone characterizes of excellent weather or glowing provisions (Irritating Heat) as polite as polluted air or not ruddy air (Stale Air).
He then continues to delineate what happens environing Gaborone from the third thread to announcement the firm affecting and growing cockroaches, then vast reckon of thin crowd (Hungry Smiles). The Bard continues after a period his cognomen by announcementing extraneous investors after a periodout oneness ground in Gaborone and so misleaders who arrive-at balancely headstrong momentous (Pompous Misleaders). And halfway of the epic the bard says that Gaborone characterizes of misleading politicians (Visionless Politicians), violated house-wives in this plight women affront and so very thin artists.
And towards the end he announcements that in Gaborone one may confront impetuous and stringent locatelords and relatively increasing reckon of dealers. In concluding the epic he says Gaborone after a period its belly encircling to effervesce as to say that now population is increasing astride, the city is now expanding and future growing into a bulky city. STRUCTURE The epic comprises of simply one stanza containing 20 threads, and each thread rouses by the signal Gaborone. TONE The chattels of the epic is wholly a chattels of baffle or rather I end say the bard if fed up after a period what the city has crusty into.
So he transcribes this after a period a depressive disposition. POETIC DEVICDES However the bard used some bardic inventions during his letter such as tingle, verbosity and Hyperbole. He uses flighty schemes such as the wrap tingles love Hawkers and Workers, Mongers and Lovers. And so the triple tingles love Churchgoers, Investors and Misleaders. Throughout the epic, the bard use verbosity invention in which he prepares each thread by the signal Gaborone and there is so a extravagance where by an excessive mimicry is used for chattels, for sample Turbo-Charged Cockroaches. 4.
Outside A Hotel in Gaborone THEME The Epic put its standpoint on the covet or hunt for capital that crowd accept and on the other workman it parades the faculty, faculty and restrain that capital can posses. This subject is entity delineatesque throughout the epic, and to rouse after a period the bard is reserved to parade us the paint aend a idiosyncratic who has capital. He transcribes 'Splash of Strident Colours, Splash of Covetous Smiles' as to parade propensity for ownership or covet for mammon. So this is how a opulent idiosyncratic would illusion. He then continues to the assist stanza to announcement "eyes that ardor capital" s to say Minds that accept a covet for capital. And then he continues to the third stanza until the decisive one to make-clear what capital does or what one would end after a period his/her mammony entity. and by doing so he transcribe ' Purr of plump cars' as to say Slow, regular irritable investigate manufactured by inviting shinny cars driven in a class or a one in hunt for rapid capital. So this is basically what the bard is illustrating towards the end of the epic TONE So during the in analyzing the epic, it has illusioned that the bard wrote this epic in a sad chattels or disposition as to parade how baffleed he is.
He is entity let down by the collision that capital has toward crowd environing his city, Gaborone. STRUCTURE The Structure of epic comprises of 4 stanzas, the primary stanza until the third one having a tercent each and the indelicateth stanza after a period quintet. POETIC DEVICES The Epic so comprises of some bardic devises such as tingle, representationry, similitude, simileys and. Firstly the tingle, the bard uses inspection tingle that is signal that are wholly congruous in spelling but rather be-unenjoy in pronunciations. For samples restrain love Cars and Curs, Flesh and Flash.
He then applies Imagery, which is a doom that uses the cosmical views to delineate a bright immaterial paint. For sample he wrote "eyes that ardor capital" as to make-clear the paint of someone who has covet for capital. He then applied the similitude and simileys as to parallel objects that are not homogeneous, for sample 'Purr of Plump Cars' and 'Like Curs on Heat". Here he is comparing the investigate made by cars to the investigate made by cats and repeatedly he parallels an Undesirable dog on fever to Cars, as they are entity driven by their owners in exploration for capital. 5. SEROWE REFLECTONS STRUCTURE
It is made up of seven stanzas. The heading is bearing in the view that Serowe that the Bard talks encircling is be-unlikeent from the one he knew, the one he grew up in for-this-reason it creates or forms on representation of the then Serowe. POETIC DEVICES Similitude ‘There is a beaming resound of your huge warriors’. TONE The chattels is sad consequently the Bard seems not to prize the diversifys in Serowe. There is so plenteous diversify that he cannot compose. Serowe has grace some that he is not vain of. SUMMARY From the epic we can count that at primary Serowe was a locate that the Bard loved and possessed as his village.
It was opulent in refinement but now Serowe has crusty into bigwig else, crowd use dongas to aid themselves; it is no longer impregnable for crowd to tramp as shade as crowd are entity put-to-deathed for sacrifices which is believed to import mammon. Even the Kgotla [main] of Serowe makes crowd to reckon deeply encircling it whether it quiescent potray the signification of the Kgotla. Serowe has heavily fallen, one may say on the broken end proportioned love the Bard and he continues by examination what could accept went evil-doing after a period Serowe, the inquiry is posed in such a way that the Bard nonproduction to confront a explanation in restoring the old Serowe.